AVALIAÇÃO DA IMDb
6,2/10
22 mil
SUA AVALIAÇÃO
Um promotor público é aterrorizado pelo criminoso que prendeu anos atrás, quando era policial.Um promotor público é aterrorizado pelo criminoso que prendeu anos atrás, quando era policial.Um promotor público é aterrorizado pelo criminoso que prendeu anos atrás, quando era policial.
- Direção
- Roteiristas
- Artistas
John Cothran
- Councilman Farris
- (as John Cothran Jr.)
Linda Dona
- Wanda
- (as Linda Doná)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is a typical Denzel Washington film: well-acted, rough language, a racial theme and an involved story that holds your interest. A lot of his movies fit those categories.
Washington plays a preacher's kid and its nice to see he has such respect for him.So many times, Hollywood portrays fathers and especially clergymen in a bad light. John Lithgow is the villain and is such a crazy over-the-top loon he's fun to watch. There are no lulls in this story, yet the action scenes weren't overdone.
It gets predictable in the end but I like the analogy in the film to the classic movie, "White Heat."
I was sorry to see a few things: once again, white people are all the bigots; Lindsay Wagner, television's nice lady of the past, now using very profane language here and looking hard.
Overall, this sometimes looks like a "B" action film more than a classy one but it's still an interesting crime film that sports a few different angles. It may not be one of Washington's better-known efforts, \but it is still entertaining.
Washington plays a preacher's kid and its nice to see he has such respect for him.So many times, Hollywood portrays fathers and especially clergymen in a bad light. John Lithgow is the villain and is such a crazy over-the-top loon he's fun to watch. There are no lulls in this story, yet the action scenes weren't overdone.
It gets predictable in the end but I like the analogy in the film to the classic movie, "White Heat."
I was sorry to see a few things: once again, white people are all the bigots; Lindsay Wagner, television's nice lady of the past, now using very profane language here and looking hard.
Overall, this sometimes looks like a "B" action film more than a classy one but it's still an interesting crime film that sports a few different angles. It may not be one of Washington's better-known efforts, \but it is still entertaining.
Over-the-top vehicle for Denzel Washington, here playing policeman-turned-District Attorney who puts slimy killer John Lithgow away, but quickly becomes the psycho's main target after Lithgow escapes from prison (in what must be the most nondescript prison-breakout in movie history!). Ridiculous, sometimes enjoyable non-think entertainment doesn't take itself too seriously, and Washington is solid throughout. Lithgow appropriately hams it up, but Lindsay Wagner is wasted as a fellow D.A. Film tails off near the finish line for a formulaic climax, but otherwise isn't too bad. ** from ****
Nick Styles is a cool cop who whilst on the beat with his partner captures and embarrasses on live TV, ruthless crime maniac Earl Talbott Blake. Styles goes on to achieve fame and lands the job of Assistant District Attorney, whilst Blake is sent to prison from where he plots a mission from hell that will destroy Styles life wholesale.
Whilst not amounting to more than your standard revenge thriller, Ricochet does have grizzly devilment within its plot to make this a recommend for those who enjoy the popcorn thriller. John Lithgow is always great as a loon bad guy, and here he is a cackling grinning maniacal maelstrom of hate, and some of the lines he gets to deliver are icy madness personified. Denzel Washington is routinely good as Styles, handsome and believable as the cop done good who gets his life flipped upside down by the revenge thirsty Blake. The film is tight on action (including a couple of gross scenes for those inclined), no little suspense, and a wonderful homage to White Heat into the bargain.
It's no award winner, it's for those who like to be entertained with a bowl of no brain popcorn on their laps. See this if you enjoyed Lithgow in Cliffhanger, or purely if you like Washington period. 7/10
Whilst not amounting to more than your standard revenge thriller, Ricochet does have grizzly devilment within its plot to make this a recommend for those who enjoy the popcorn thriller. John Lithgow is always great as a loon bad guy, and here he is a cackling grinning maniacal maelstrom of hate, and some of the lines he gets to deliver are icy madness personified. Denzel Washington is routinely good as Styles, handsome and believable as the cop done good who gets his life flipped upside down by the revenge thirsty Blake. The film is tight on action (including a couple of gross scenes for those inclined), no little suspense, and a wonderful homage to White Heat into the bargain.
It's no award winner, it's for those who like to be entertained with a bowl of no brain popcorn on their laps. See this if you enjoyed Lithgow in Cliffhanger, or purely if you like Washington period. 7/10
A rookie cop becomes a media sensation after a video camera captures him shooting and capturing a psycho killer. The handsome, smooth talking cop becomes a celebrated district attorney and even potential political candidate. He now has a beautiful wife and two great kids.
Meanwhile the psycho killer follows his career from prison, seething with hatred, eventually to make a bloody break from prison, fake his own death, then begin a systematic attempt to ruin the D.A.'s life by a series of incidents in which people, including his own wife, will question his sanity. The D.A. will soon be on the run from the law, having to team with old street gang members in order to clear himself.
Denzel Washington is the cop/D.A. and John Lithgow, incredibly, the psycho killer who seemingly can't be stopped. Lithgow even has a mortal combat sequence with Jesse "The Body" Ventura in which he is the quite easy victor. Really? Lithgow besting Ventura mano a mano? Ice T plays the chief gang member.
This film starts well enough but becomes increasingly over the top as it proceeds and then, well, just plain dumb. Action fans who just want to go on a free wheeling ride and don't care about logic may enjoy it while others may be turned off by a film that becomes pretty hysterical in its presentation, particularly the climax with television cameras there to record all the action.
In the prison Lithgow has a cell wall covered with photos of Washington, a reflection of his clear obsession with him. But prison authorities don't seem to care. What kind of prison is this? His combat scene with Ventura, with all inmates cheering them on, continues for three or four minutes. No prison guards around to stop them? What kind of prison is this? When a prison break is made power tools are used as weapons, including a power saw for one spectacular way for a uniformed guard to die. What kind of prison is this? Washington's power as an actor comes through sporadically but he can't make the material seem any better. There are a couple of scenes in which he is stripped down to show how semi beef cakey he was at the time. There is also a moment, to show what kind of film Ricochet is, in which one character has a spectacular fall, landing on a spike which rips through his body.
Washington's deadpan response, "You get the point now, don't you?" It's a cheap jokey cringe worthy moment, reminiscent of Sean Connery's 007.
Meanwhile the psycho killer follows his career from prison, seething with hatred, eventually to make a bloody break from prison, fake his own death, then begin a systematic attempt to ruin the D.A.'s life by a series of incidents in which people, including his own wife, will question his sanity. The D.A. will soon be on the run from the law, having to team with old street gang members in order to clear himself.
Denzel Washington is the cop/D.A. and John Lithgow, incredibly, the psycho killer who seemingly can't be stopped. Lithgow even has a mortal combat sequence with Jesse "The Body" Ventura in which he is the quite easy victor. Really? Lithgow besting Ventura mano a mano? Ice T plays the chief gang member.
This film starts well enough but becomes increasingly over the top as it proceeds and then, well, just plain dumb. Action fans who just want to go on a free wheeling ride and don't care about logic may enjoy it while others may be turned off by a film that becomes pretty hysterical in its presentation, particularly the climax with television cameras there to record all the action.
In the prison Lithgow has a cell wall covered with photos of Washington, a reflection of his clear obsession with him. But prison authorities don't seem to care. What kind of prison is this? His combat scene with Ventura, with all inmates cheering them on, continues for three or four minutes. No prison guards around to stop them? What kind of prison is this? When a prison break is made power tools are used as weapons, including a power saw for one spectacular way for a uniformed guard to die. What kind of prison is this? Washington's power as an actor comes through sporadically but he can't make the material seem any better. There are a couple of scenes in which he is stripped down to show how semi beef cakey he was at the time. There is also a moment, to show what kind of film Ricochet is, in which one character has a spectacular fall, landing on a spike which rips through his body.
Washington's deadpan response, "You get the point now, don't you?" It's a cheap jokey cringe worthy moment, reminiscent of Sean Connery's 007.
This movie rocks! The double cat-and-mouse game played by Washington and Lithgow works. If you are looking for an action movie that provides plenty of thrills, conflicts, drama, chases, and breathtaking suspenses and actually has a PLOT, then this film is for you.
Washington and Lithgow are both first rate, as always, and this movie does not disappoint. Watch it!
*** out of ****
Washington and Lithgow are both first rate, as always, and this movie does not disappoint. Watch it!
*** out of ****
Você sabia?
- CuriosidadesJohn Lithgow almost never blinks during this film. He wore a contact lens to give the impression that his character had a glass eye.
- Erros de gravaçãoTo facilitate his escape, Blake grabs a pistol from a corrections officer. Under no circumstances does a corrections officer carry a firearm inside a prison or jail.
- Citações
Parole Board Official: Mr. Blake, what will you do if you get out of prison?
Blake: [thinking] Well, I guess, Mr. Chairman, that first I'll pay a visit to your house.
Parole Board Official: To thank me, I suppose?
Blake: No... to fuck your wife. And your daughter. Hell, maybe even your dog.
- Versões alternativasOriginal UK video & cinema releases were cut by 5 secs, including a shot of a butterfly knife being twirled and a brief shot of child porn magazine covers, in line with UK laws on child protection (Protection of Children Act, 1978); for the latter, an alternate take where the covers are obscured is used for all UK releases.
- Trilhas sonorasAutomatic
Words and Music by Brock Walsh and Mark Goldenberg
Published by MCA Music Publishing, a Division of MCA Inc., Music Corporation of Amercia, Inc. and Fleedleedle Music. Rights administered by MCA Music Publishing,
a Division of MCA Inc.
Performed by The Pointer Sisters
Courtesy of RCA Record Label, a Division of BMG Music
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Ricochet
- Locações de filme
- Olvera Street, Downtown, Los Angeles, Califórnia, EUA(Outdoor 'Festival San Genero' scenes and confrontation with the protagonist.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 21.756.163
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.831.181
- 6 de out. de 1991
- Faturamento bruto mundial
- US$ 21.756.163
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