Fúria Mortal

This is one of those first few movies which represent Seagal's best. The story moves by quickly, the action never stops, and the quality is excellent.

Seagal's bombastic aikido style is a sure show-stopper. The action is so captivating that it almost renders the story unnecessary. The story consists of Seagal searching out the murderer of a friend. There are other elements to the plot, but that is the gist. It would do no good to attempt to detail the plot however, as the story is lost in a flurry of fists and knees.

If you are a fan of Seagal's bone-crunching, show-stopping, hard-hitting martial arts style, you will simply love this one.

Although this is quite pretentious and philosophically preachy, this has to be one of my absolute favorites of his older movies.

I love it!

It rates a 7.4 from...

the Fiend :.

Sometimes, you're just in the mood for a good ass-kicking action movie. That is the definition of Out for Justice.

The movie is not very big on plot, although it does offer some in-sight on different back-stories, characters' pasts and several other things. We do get to know some characters pretty well, but others not so much.

Steven Seagal stars as the protagonist Gino Felino, the tough, ass-kicking cop who does things his own violent way but still has a soft side evident.

William Forsythe stars as the antagonist Richie Madano, the drug using, dirty, evil, sniveling, careless wise-guy who's violent night-long/citywide rampage has Gino chasing him all over town.

There are a lot of great action scenes, and plenty of ass-kicking by Steven Seagal for those who are into pure action. I usually like movies with a good story, but once in a while I like to kick back with a good, senseless action movie. So if you're into movies that favor action over plot: This is definitely one for you.

8/10.

I don't like all Seagal movies. I like this one. The script is good, the action is good. The music is above average. The only big problem I have is Seagal can't do accents. Why he tried I don't know. Could have been better. Also, why is he wearing a beret? Also, he talks to wife about his dad like he was someone else. Another thing it seems his dad went around sharpening tools on a wheel. My grandparents came from Europe. Each got a good paying job except for my mom's mom. She had 5 kids to care for.

This is Steven Seagal's best movie. In it, he actually wrestles with the character he plays, and comes up with a dramatic performance that, while no Brando, is still quite believable.

This is a very violent film. It is also a very troubling film. William Forsythe - who also turns in a better than average performance - plays a lower-rung mob boss who, strung out on crack and finding his girl-friend cheating on him, turns psychotic and suicidal. Not a good mix - he starts blowing people away just because they irritate him a little.

The film is also an attempt to deal with the continuing fragmentation of neighborhood communities that were once the heart and soul of larger cities. The community is preserved, but only tentatively - the seeds of its eventual collapse have clearly been planted. The extreme violence of the film thus becomes the manifestation of a unresolvable frustration with the tensions of a community falling apart.

All this adds up to a surprisingly complex Steven Seagal action film that will haunt you long after the closing credits.

IMO, this is at once the best AND the most formulaic of Seagal's endless string of beat-'em-ups. If you like Seagal, you will love this film; if you don't, OFJ probably will not convince you.

The fight scenes have a nice, bone-crunching kinetic energy to them, the plot has something of an urgent feel to it, and the soundtrack contributes greatly to the atmosphere and mood of the proceedings. I especially liked the placement and timing of 'No Sleep 'Til Brooklyn'. This played during the montage driving scene where 'Gino' (Seagal) drives through various ethnic neighborhoods and reacts to various sights and extras - to me this was the actual highlight of the film, giving the viewer a sense of place and humanity missing from most films of this type.

There are, of course, a couple of major problems with the film that keep it from being anything more than a typical Seagal action vehicle. The first one is that 'Gino' is such an unstoppable fighting machine that you never really worry about him or whether he will be a match for the villain once he finds him. And indeed, once Gino catches up with 'Ritchie' (William Forsythe, dreadfully miscast and not especially convincing), the denouement is a completely one-sided *ss-kicking that lacks any suspense whatsoever. Gino just mows Ritchie down like winter wheat and the scene comes to an end. At least Seagal had some trouble with Tommy Lee Jones and the terrorists in 'Under Siege' and with the voodoo gangster guy in 'Marked For Death' - you got the sense that he really was in danger. Not so here.

2ndly, and probably worse, Seagal seems to have decided that he wanted to stretch himself as an actor in this movie. So the script gives the movie way too many scenes where he delivers endless monologues - no, actually they are more like oratories - in a static talking head shot filmed over the shoulder of another actor (or extra). These scenes go on for literally minutes, and bring the film to a screeching halt, because Seagal just can't pull them off. Hell I'm not sure Deniro filmed by Scorcese could pull them off, because these speeches just go on and on until even the biggest Seagal fan is saying 'OK, Steven, we GET IT, you're ACTING, now can we PLEASE MOVE ALONG?!?!?"

Still this film, and the following film 'Under Siege', probably represent the peak of Seagal's career as an action star. After this he started going downhill, getting greasier and flabbier with each new release, and each new release was more and more unconvincing and badly made than the last, until finally he seems to have bottomed out with "Exit Wounds" and direct-to-video crap like "Out For A Kill".

So if you want to watch a GOOD Seagal film, consider this one. It holds up well over repeated viewings and over the decade since it was made.