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IMDbPro

Garotos de Programa

Título original: My Own Private Idaho
  • 1991
  • 18
  • 1 h 44 min
AVALIAÇÃO DA IMDb
6,9/10
65 mil
SUA AVALIAÇÃO
POPULARIDADE
3.189
273
River Phoenix and Keanu Reeves in Garotos de Programa (1991)
Theatrical Trailer from Fine Line
Reproduzir trailer2:16
2 vídeos
99+ fotos
Coming-of-AgeRoad TripDrama

Dois bons amigos que ganham a vida como golpistas nas ruas de Portland embarcam em uma jornada de autodescoberta e vêem seu relacionamento doer ao longo do caminho.Dois bons amigos que ganham a vida como golpistas nas ruas de Portland embarcam em uma jornada de autodescoberta e vêem seu relacionamento doer ao longo do caminho.Dois bons amigos que ganham a vida como golpistas nas ruas de Portland embarcam em uma jornada de autodescoberta e vêem seu relacionamento doer ao longo do caminho.

  • Direção
    • Gus Van Sant
  • Roteiristas
    • Gus Van Sant
    • William Shakespeare
  • Artistas
    • River Phoenix
    • Keanu Reeves
    • James Russo
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    65 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.189
    273
    • Direção
      • Gus Van Sant
    • Roteiristas
      • Gus Van Sant
      • William Shakespeare
    • Artistas
      • River Phoenix
      • Keanu Reeves
      • James Russo
    • 199Avaliações de usuários
    • 65Avaliações da crítica
    • 77Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 10 vitórias e 9 indicações no total

    Vídeos2

    My Own Private Idaho
    Trailer 2:16
    My Own Private Idaho
    'My Own Private Idaho' | Anniversary Mashup
    Clip 1:03
    'My Own Private Idaho' | Anniversary Mashup
    'My Own Private Idaho' | Anniversary Mashup
    Clip 1:03
    'My Own Private Idaho' | Anniversary Mashup

    Fotos171

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    Elenco principal55

    Editar
    River Phoenix
    River Phoenix
    • Mike Waters
    Keanu Reeves
    Keanu Reeves
    • Scott Favor
    James Russo
    James Russo
    • Richard Waters
    William Richert
    William Richert
    • Bob Pigeon
    Rodney Harvey
    Rodney Harvey
    • Gary
    Chiara Caselli
    Chiara Caselli
    • Carmella
    Michael Parker
    • Digger
    Jessica Makinson
    Jessica Makinson
    • Denise
    • (as Jessie Thomas)
    Flea
    Flea
    • Budd
    Grace Zabriskie
    Grace Zabriskie
    • Alena
    Tom Troupe
    Tom Troupe
    • Jack Favor
    Udo Kier
    Udo Kier
    • Hans
    Sally Curtice
    • Jane Lightwork
    Robert Lee Pitchlynn
    • Walt
    Mickey Cottrell
    Mickey Cottrell
    • Daddy Carroll
    Wade Evans
    • Wade
    Matthew Ebert
    • Coverboy
    • (as Matt Ebert)
    Scott Patrick Green
    • Coverboy…
    • Direção
      • Gus Van Sant
    • Roteiristas
      • Gus Van Sant
      • William Shakespeare
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários199

    6,964.8K
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    10

    Avaliações em destaque

    10Asa_Nisi_Masa2

    A triumph of pathos and bitter poetry

    I adore this movie, have owned it on VHS long before there was anything else and have seen it an insane number of times. It isn't perfect, but with me personally, though I'm a European female and thus have no personal life experience that could resemble anything the main characters go through, it struck a chord of universality that made it heart-breaking. The pathos in it, the bitter poetry, the warped magic is just unbelievably beautiful... and painful. It is visually inventive and the casting - even Keanu Reeves's, which has been so often criticised - is top-notch. Reeves's character is a flippant, spoilt young man who goes through life acting in his own self-glorifying drama: what better actor to cast in that role than someone whose acting is so contrived? And Phoenix... well, what can I say... to me, this is THE River Phoenix role, the one that can single-handedly turn him into an immortal, a legend. The Shakespearian quotations I adored: the relationship between Prince Hal and Falstaff from Henry IV, Part II is among the most mesmerising of the Bard's dramatic repertoire - that play was like an emotional earthquake to me. My Own Private Idaho caught its spirit perfectly, and translated it into a context that was original in its own right yet more faithful to Shakespeare in feeling than a more literal transposition might have been. Also, I found the portrayal of Rome in the part in which River's character goes out there to search for his mother, refreshingly true to life and totally cliché-free. As an Italian from Rome, it's very rare that I see a non-Italian film portraying my city of origin with so much authenticity. The FEEL of the place at a given time - the late 80s - was spot-on. In conclusion: to me, not only was My Own Private Idaho one of the best adaptations of (at least parts) of a Shakespeare play that I've seen, but also a tragedy of almost Shakespearian intensity in its own right. It had it all: the unhealthy, consuming passion (the fatal flaw), the power struggles, the young heir in his reckless, youthful days eventually maturing into the arrogance of the privileged (Keanu), the parental ghost that one of the protagonists looks to as his prophetic voice, the voice that may give his life a meaning (River's search for and the flashbacks to the memory of his mother), the intense pathos throughout, the tragic deaths at the end... that film is just pure magic to me! Just writing about it makes me want to see it again - what, for the 20th time or something?! And the tragedy at My Own Private Idaho's core is so universal, it really becomes completely secondary whether it's about and between men, women, homosexuals or heterosexuals.
    Benedict_Cumberbatch

    "Wherever, whatever, have a nice day, River Phoenix"

    I watched this film on TV 5 years ago, when I was only eleven years old, and I remember that I was especially impressed by River Phoenix's magnificent performance. I had already watched "Stand By Me" (one of my favorites), and it was very interesting to watch him older in such a daring film. I think he was the best actor of his generation but, unfortunately, he died too young. His film legacy and his magnificent aura, however, live on forever.

    "My Own Private Idaho" is a poetic and bittersweet road movie, and Van Sant's masterpiece. Here in Brazil it received a bad title, "Garotos de Programa" (literally, "Rent Boys"). Yes, the main characters are rent boys, but this is not what defines them. "My Own Private Idaho" (what a beautiful title!) mostly deals with loneliness, virile sexuality and friendship, and paternity. It's much more than "a film about rent boys". Besides, by watching it my contemporaries will realize that Keanu Reeves isn't Neo from "The Matrix", but a versatile actor; and, perhaps, they'd discover that friendship - and romantic love - between two men can be truly sincere. 10/10.
    BratBoy-2

    . This road will never end. It probably goes all around the world.

    This movie isn't about being, or even about being a hustler. "My Own Private Idaho" is about finding a home. In his finest performance, River Phoenix plays Mike, a narcoleptic street hustler with false memories of a terrific childhood. Mike wants to find his mother and family, but how or why he left them is never discussed. This is a movie that shows life at the lowest rung, and is very similar to Kerouac's "On the Road" and especially John Rechy's "City of Night." (In fact the line about becoming a fairy is straight from "City of Night"). Mike and Scott (Keanu Reeves) are both male prostitutes in Oregon. Why either of them have drifted into this profession is anyone's guess. Scott is clearly not gay, but Mike might be and their relationship is what holds the movie together. The film works on many levels, but does have its flaws. It's faux-Shakespearen scenes make the film drag in the middle. Van Sant directed the movie like a dream, which is what Mike's life basically is.

    This is a haunting and very sad tale about friendship and finding a home. The performances, especially Phoenix and Udo Kier and Van Sant's dream-like direction are what you remember. "My Own Private Idaho" may be a flawed film, but in my opinion, it is one of the very best of the '90's.
    7tamaraakatiti

    Not bad

    Overall, this is a very artsy movie with a unique vibe. It has an interesting plot and main character, and it does have some vague elements of caring for others, and watching others succeed. But, the acting is... strange. It feels disconnected and it hard to understand what's going on at quite a few moments because of the dialogue. Good for if you want a taste of very artistic movies of the 90s.
    6justina-jase

    The film is watch-able and has some great shots

    My Own Private Idaho is flimsy, unconvincing and wildly overrated. Although it is a film worth watching, for River's performance if nothing else, its accredited greatness is no more than a wishfully constructed social myth.

    I wish I could say how truly remarkable the film is, but to be honest it lacks substance, it leaves you yearning for something more…I think much of the talent in the film is unexploited to its best potential and the dialogue, in its second half, written in a kind of impromptu, mock Shakespeare, is devoid of any magic.

    Overall the film is watch-able and has some great shots, like that at the beginning where the viewer joins Mike (River Phoenix) toward the end of a blow-job he's receiving from a john; when he comes the image of an entire house being dropped onto a desolate highway charges the screen.It's sad and beautiful, and, is a perfect statement on Mike's yearning for a home he never had.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The scene with all the boys on the cover of the porno magazines coming to life and interacting was not done with any computers. At the time of production, CGI was still a very expensive tool. The individual pieces were filmed with the actors standing behind large pieces of plexi-glass, with the mock-magazine cover on front. Later, optical effects, similar to those used in matte painting, were used to composite them together on the "magazine rack".
    • Erros de gravação
      At the campfire scene, whenever the camera shows Scott, Mike's hands are hanged to each other, but whenever the camera shows Mike, he is playing with piece of wood.
    • Citações

      Scott Favor: I only have sex with a guy for money.

      Mike Waters: Yeah, I know.

      Scott Favor: And two guys can't love each other.

      Mike Waters: Yeah.

      Mike Waters: Well, I don't know. I mean... I mean, for me, I could love someone even if I, you know, wasn't paid for it... I love you, and... you don't pay me.

      Scott Favor: Mike...

      Mike Waters: I really wanna kiss you, man... Well goodnight, man... I love you though... You know that... I do love you.

    • Conexões
      Edited into The Phoenix Portal (2005)
    • Trilhas sonoras
      Cattle Call
      Words and Music by Tex Owens

      Performed by Eddy Arnold

      Courtesy of Forster Music Publishing and the RCA Records label of BMG Music

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    Perguntas frequentes20

    • How long is My Own Private Idaho?Fornecido pela Alexa
    • Why is this titled "My Own Private Idaho?"

    Detalhes

    Editar
    • Data de lançamento
      • 12 de junho de 1992 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Italiano
      • Alemão
    • Também conhecido como
      • Los dueños de la noche
    • Locações de filme
      • Maupin, Oregon, EUA
    • Empresa de produção
      • New Line Cinema
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 6.401.336
    • Faturamento bruto mundial
      • US$ 6.408.853
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 44 minutos
    • Cor
      • Color
    • Mixagem de som
      • Ultra Stereo
    • Proporção
      • 1.85 : 1

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