Império do Crime

Mobsters casts four young players of the day as four of the legendary gangland figures of the 20th Century in their salad days. Christian Slater, Patrick Dempsey, Richard Grieco, and Costas Mandylor play Lucky Luciano, Meyer Lansky, Bugsy Siegel, and Frank Costello respectively. The film is a fictionalized account of how the four of them wound up on top of the gangland heap.

Michael Gambon and Anthony Quinn play the two old style Mobsters who are rivals for the title of boss of all bosses in the New York City area. Playing Charles Ferranzano and Joe Masseria the two of them control most of the illegal liquor trade which gave organized crime in this country it's real foothold. But our young men prove to be tough, smart and resilient as they play off the two old bosses against the middle.

Mobsters as a film captures the ambiance of New York during prohibition very well. I'm not sure I would have cast Christian Slater as Lucky Luciano, still Slater does very well with the part. Richard Grieco as Bugsy Siegel is very good, you can see the genesis of Warren Beatty's character when he played Siegel in his film, Bugsy.

Note should also be mentioned of F. Murray Abraham as Twenties gambler Arnold Rothstein who was the initial sponsor of the young mobsters in training. And Nick Sadler is one frightening Mad Dog Coll. You'll see quite graphically where his nickname came from.

Mobsters is good viewing, not exactly historically accurate, but actually sticks closer to the truth than most films of this type.

As much as I love Gangster movies there is something that is not quite right about this film.Im not sure the problem is that the actors are just a little bit too young to pull it off if the film should have been an hour longer as there seems to be too much squeezed into 100 minutes. Having said all that i did enjoy this film. Christian Slater has a charm all of his own and is good as Lucky Luciano. Nice and Violent as well! 6 out of 10

This is one of those guilty pleasure movies for me...it combines elements of the great mob movies with fast paced and hard hitting action. For the most part, the director pulls this one off pretty well, at least for what kind of movie he was trying to direct.

I've been reading a lot of comments stating that this movie can't hold a candle anywhere near Goodfellas or Godfather or even Donnie Brasco (all of which are excellent movies). Well, all I have to say is, NO, REALLY?!? I mean come on, with a cast like Christian Slater, Patrick Dempsey and Richard Grieco, what were you expecting? Another Vito Corleone or Lefty Luggiero? This one is aimed at a younger audience (perhaps teens to mid twenties) and I have to admit, they pull it off rather nicely. What I mean is that the movie, though serious throughout, does not try to be an epic, only a high octane crowd pleaser. The action scenes are bloody and well done, and the sets are lovely. Even the acting is surprisingly good, especially Patrick Dempsey and dare I say, Richard '21 Jump Street' Grieco.

What kills me about this flick is that, though it is an exciting movie and a more than anything else, an effective time killer, the direction cuts from scene to scene getting straight to the point and little else. This seriously detracts from characterization and overall storytelling (I totally agree with other viewers who said that this movie should be at least an hour longer). I mean, at the beginning, we are vaguely introduced to our protagonists, and then five minutes later, they are in their twenties, and have already established themselves as small time crooks. How? Movies like Goodfellas and Once Upon a Time in America are great movies partly b\c they had wonderful scenes of the main characters as children, so we can see their motives when they eventually become mobsters.

This one, like I said, jumps from one scene to another, not wasting a second on dramatic pauses or even characterization. It seriously reminds you of a cookie-cutter Jerry Bruckheimer production, minus the explosions. It does have nice touches here and there of authentic 1920-1930's life and old movies depicting that era which gives the film class (the tunes, the model-T's, the dancers, the neighborhoods and finally, the spinning newspaper headlines) instead of just being another Young Guns meets the Goodfellas. However, as I said, the film's objective, to make a fast paced mafia movie with popular actors suceeds, but it also leads to its biggest downfall of limited characterization. It is hard to feel for (or despise) characters without knowing their background all too well...all we get is, hey Lucky had a hard life, Benny likes to kill people, Don Massaria is fat, the other Don is a bad fella...anyway you catch my drift.

All in all, not a bad film, though it should have been longer. Watch this one only when it's on cable or when you have time to kill, for it is rather visually pleasing and entertaining. Overall, it is a movie that doesn't pretend to be something it's not, it's a decent film with a lot of action and good performances. I give it 7/10 stars.

This movie is based on the rise of four leading organised crime figures, from the end of WW 1 to the early thirties. The central character, Charles (Lucky) Luciano (Christian Slater)is credited, if that's the right word, for introducing modern corporate governance to a group of organisations previously based on ethnic affiliation and loyalty to a chief. So, in the movie he and his associates Meyer Lansky, Frank Costello and Bugsy Siegel works to bring down two aging Dons whose time has come. The Dons, played by Anthony Quinn and Michael Gambon, are certainly ruthless, but their imaginations are limited. The young turks on the other hand see new markets and new alliances. In the new mafia, Irishmen, Russian Jews and others work alongside Italians.

The period is evoked beautifully in shades of brown and cream. Unfortunately many scenes have a certain sameness to them - a couple of hoods meet in some office or hotel for a delicate business chat, each armed to the teeth. When an impass is reached the guns blaze away. This gets boring after a while and you start to wonder why they don't use the phone sometimes. It isn't because the FBI are after them (the IRS was a bit more successful) and they have the New York cops in their pocket. There are some very bloody scenes depicted with gratuitious graphicness.

Luciano and to a lesser extent Lansky are quite sympathetically depicted, with many of the killings being of "let's kill them before they kill us variety." Poor old Tony Quinn is put down not even able to remember the guy whose death is being avenged. One thing that does come out is that organised crime was in the US long before the prohibition era, but the money made then financed the mob into many other areas, pre-eminently gambling in Cuba and Las Vegas. Meyer Lansky was the biggest investor in the early Vegas casino the "Flamingo", opened I think, by Bugsy Siegal.

This is a moderately interesting account, though with some substantial departures from the historical record. Apart from all the gore my objection to it is that it glamourises some very nasty people who did a great deal of damage to American public life. The FBI, and all its attacks on civil liberties, justified its existence by reference to organised crime, yet did little to stop it. After the time covered by the film Luciano was imprisoned not through the efforts of the FBI but through those of NY prosecutor Thomas Dewey. Luciano was eventually deported to Italy, after assisting the OSS, forerunner of the CIA, in their wartime dealings with the Sicilian mafia. Al Capone, a bit player here, was famously imprisoned for tax evasion. Meyer Lansky was charged with tax evasion in the early 1970s, but beat the rap. He died peacfully at 81 in retirement in Florida. His family not only maintain his grave, but also a web site about him.

Under Charlie "Lucky" Luciano's reign, organised crime met peace for 15 years. This is the story of how he, Meyer Lansky, Bugsy Siegel and Frank Costello, came to sit at the top end of the table after forming "The Commission".

Mobsters, a film that has some where along the line attained an extra part to its title - "The Evil Empire" - is a movie that seems to consistently let down newcomers who venture into it. I'll state right from the off that I very much enjoy the film, but, and it's a big but, I'm fully aware it's hardly a shining light for the gangster genre, or even a deep and detailed historical point of reference of the four boys who grew up to be mob "legends". However, those folk who harp on about the "G" movies by Marty and Francis; using them as a point of reference, should know better, while those venturing first time into it expecting "that" type of gangster movie clearly haven't looked at the facts.

Lets examine said facts. It's directed by Michael Karbelnikoff, who? Exactly. It stars Christian Slater (Luciano), Patrick Dempsey (Lansky), Richard Grieco (Siegel) & Costas Mandylor (Costello). Collectively they were at the time known for what? 21 Jump Street, 80s teen romances and 80s edgy angst. Hardly a roll call of actors about to take the gangster genre to greater heights is it? True, the film does offer hope by having the good pros Michael Gambon & Anthony Quinn as the two waring bosses about to be given a stern life lesson from the young upstarts, but at the time of Mobsters' release Gambon was still a fledgling name and Quinn was doing films like Ghosts Can't Do It & Only The Lonely!

After 1988 had seen the then current Brat Pack of Sheen, Estevez, Sutherland et al take on the Western genre with Young Guns, it was kind of inevitable, given that film's success (and its Slater starring sequel in 1990) that a young spunkier foray into gangster land would follow. And here it is in the fun, violent and semi-fictitious Mobsters. While Young Guns is no Magnificent Seven, and did the same Mobster hating crowd expect that also? So Mobsters is no "G" film either. The young cast work hard and enjoy themselves, with Grieco really looking the part in what was his first film. While F. Murray Abraham, Chris Penn and Lara Flynn-Boyle also feature; even if all are underdeveloped and in the case of Flynn-Boyle, a victim of one of those cheese laden slow-mo sex scenes!

If not expecting something too serious then this is a decent treatment of the legend of Luciano and Meyer etc. Over the top performances (Gambon/Quinn) blend with the watchable (Slater/Dempsey play off), and the manic (Nicholas Sadler as Mad Dog Coll) to leave an entertaining film that really wasn't trying to be one of those "G" films in the first place. 6.5/10