Noites Calmas

In the beginning stages of the Battle of the Bulge in 1944, a reconnaissance patrol is sent ahead in the Ardennes forest on the border of France and Germany where they encounter some German soldiers. Who will survive to celebrate Christmas?

"A Midnight Clear" (1992) is an obscure artistic WW2 movie focusing on a patrol in the wintery sylvan landscapes of the Battle of the Bulge. It's more realistic than the surreal "Castle Keep" (1969), but it reminds me a little of that arty flick.

While a couple of scenes could've been more convincingly executed and some elements of the story are unlikely or weird, it's almost an exact recounting of author William Wharton's actual experiences (he wrote the 1982 novel the script was based on). Director/scriptwriter Keith Gordon desperately wanted to plainly state "This is a true story" at the beginning, but the lawyers wouldn't allow it. As such, the supposed disclaimer during the end credits is vaguely worded for legal reasons.

Speaking of Keith, you may remember him as the protagonist in "Jaws 2" (1978) and, especially, "Christine" (1982).

In any case, I appreciated the wintery war ambiance in the woods with cast members from "Platoon" (Kevin Dillon and John C. McGinley), "Dead Poets Society" (Ethan Hawke) and "Forrest Gump" (Gary Sinise). I also liked the inventive approach, the music, and the depiction of this handful of young men united in a struggle of life and death. While the middle starts to get a little tedious and questionable there is a turning point and, from there, the film is quite compelling.

The film closes with a haunting rendition of "It Came upon a Midnight Clear" by Sam Phillips as the credits scroll. I felt moved and reflected.

The movie runs 1 hour, 48 minutes, and was shot in the Park City area of north-central Utah.

GRADE: B.

It's a war film, but an atypical and sober one at that. Probably war drama fits better. As there's a whole lot more to it than just action. On that count it has its moments, but really it's about the characters (if something of a coming of age) and the realisation that their enemy is just as reluctant and afraid as them. The script is meditatively thoughtful and the performances by a capable cast (Ethan Hawke, Kevin Dillon, Peter Berg, Gary Sinise, Frank Whaley, Arye Gross and John C. McGinley's pig-headed Major Griffin) are genuinely layered. This helps draw you in, feeling the joy but also the tragic nature that waits. It absorbingly paints the foolishness of war, where in a serenely ironic manner it all pans out. It follows a small young American reconnaissance platoon nearing the end of WW2 in Eastern Europe, which was put together due to them having the highest I.Q. in the army. Thinking that they would get better results, however on their mission they come across a patrol of German soldiers hiding from their inevitable fate and a special, if strange bond is formed between the two parties. Written and directed by Keith Gordon (who I'll always remember him as Arnie Cunningham from John Carpenter's 80s horror flick "Christine"), he does an effective job tailoring the welcoming humanity and the painstaking horrors of war through the visuals, dialogues, atmospheric surroundings and performances. The narrative moves back and forth early on dealing with past events that brought these American soldiers together, before settling on the straight-and-narrow. The material is rather offbeat and mellow, especially when it came to the interactions between the two groups. What seems unfathomable, becomes reality and then even playful (snowball fights?!). There's something simply haunting and forlorn about this presentation and you could probably attributed it to the beautifully moody, if glassy music score. It just stays with you. Like the final shot of the film, where the camera pans onto Hawke's face of despair and this is one powerfully heartfelt moment. "A Midnight Clear" is quite low-key and unpredictable in all, but hard to forget.

"I'm through playing soldier."

Once upon a time in northern France on late summer night in 1944, there was a sergeant in his mid-twenties, an armorer who normally fixed the big guns when they broke down or cleared hangfires from them. ("Lonely goddamn work, I'll have you know.")

When his turn in the rotation came up every few nights, he would man the forward-observer post duty for the artillery battalion in which he served. He and a private went forward with binoculars and a field telephone to call in fire missions if they saw anything moving. And that particular night they did: Like silent spectres out of the darkness came a handful of German infantryman who, even in the poor light and from hundreds of yards away, were staggering with exhaustion, hungry, dirty. A mess wagon came forward and set up to feed them what must have been their first hot meal in days or even weeks. Patton's advance had been pressing them eastward across France without letup.

"Sarge? Aren't you gonna call this in?"

"No. Not yet. Let's let those poor sons of bitches finish their chow first."

When the Germans had finally eaten their fill, a couple had lit cigarettes, and the mess wagon was turning around to leave, Dad finally called the battery plotter with the coordinates. He made the German soldiers and the mess wagon disappear in a rain of 155-mm howitzer shells.

At the time the movie finally made it to cable, Dad had only a few months to live. When I saw this movie, I couldn't get that story of his out of my head. Knowing how bitter and disgusted he felt about the war -- "I was a political prisoner of Franklin Delano Roosevelt" was how he put it -- I realized that this movie was too powerful for him to see.

I realize this is more a personal anecdote than a remark about the movie per se, but it says something about the tone and impact of Gordon and Wharton's story that I was finally able to understand, just a little bit, why I saw Dad sitting alone at the breakfast table in the middle of the night, chain-smoking in the darkness, for all those decades. And the horrific glimpse this film gave me sobers me to this day.

In memoriam: Amzi R. McClain (1920-1999), T/Sgt, Batt A 721st FA Btn 66th Inf Div 1943-1945

I had to order this movie in from the US because you can't get it in Britain. But it was worth all the hassle of tracking it down because it is an amazing movie. Ethan Hawke is great as the young Sergent who must lead a group of frightened young soldiers to the German front. Gary Sinise is amazing as the emotionally damaged "Mother" Wilkins, and the supporting cast is great too! When the group discovers a Nazi camp of soldiers who have lost the will to fight, an uneasy truce is formed, which will ultimately and in tragedy as the American Platoon try to protect "Mother." The movie is brilliantly acted and with a emotionally powerful ending. (I was very nearly crying at the end!!!!) Defiantely worth hunting down!!!!

Adapted from the novel by William Wharton , with interesting script by director Keith Gordon himself, providing an absorving and stylised rendition , while acting is uniformly over-the-top and exploring issues of faith and morality about US and German soldiers, as both sides are determined to survive . It takes place in the Ardennes Forest , near the French-German enemy-line border , in December 1944 . The end of WWII approaches and it's Christmastime when six of the remaining members of a 12-member squad are sent on a perilous mission , as they settle at an abandoned , deserted cabin in order to report on enemy movements, but short of rations decide to explore all around . The American Intelligence Squad locates a strange German platoon stalking here and there . The German foes remain elusive , and after making contact with these young , nervous young men , the enemy soldiers prove strangely unwilling to attack and wishing to surrender rather than die in Germany's final war offensive, but then things go wrong.

A thrilling wartime movie set in 1944 France, in the Ardennes forest region, at an isolated location with a handful of GIs and a band of of combat-weary Germans , displaying an intelligent story , emotion , solid storyline , enjoyable message and good feeling . A sensitive and thought-provoking movie in which a sense of anquish filtrates throughout the tale , moving inexorably towards spiritual reckoning and lethal confrontation . A worthwhile seeing psychological drama pits the message of peace against the stupidity of war . Packing a top-notch cast wiith full of future big stars and notorious secondaries , including as follows : Ethan Hawke , Gary Sinese , Kevin Dillon , Peter Berg , Frank Whaley , Ayrie Gross , John C. McGinley , David Jensen , Larry Joshua , Rachel Griffin who married director Keith Gordon , among others , all off them give nice interpretations .

Colorful cinematography by Tom Richmond , shot in a dreamy surreal style , as the setting is somewhat reminiscent of a fairytale . As well as moving and touching musical score by Mark Isham . This thoughtful motion picture was compellingly written/directd by Keith Gordon . He's a good actor and filmmaker. Appeared with Kevin Bacon in Off-Broadway theater when they were both starting out as actors. Standing out his characters in Brian De Palma's Home Movies , Back to School (1986) , John Carpenter's Christine , Charles Shyer's I Love Trouble . He quit acting to become a director. As he made the following ones : Mother Night (1996), Walking the dead , The singing detective , The chocolate war and several episodes of famous TV series as Nurse Jackie , The Leftovers , Dexter , The Returned , Masters of Sex , Strain , The Bridge , Homeland , Legion , Fargo , Better Call Saul , among others . Rating : 7/10. Above average. Well worth watching. Essential and indispensable seeing for WWII lovers.