No Mundo da Lua

"The Man In The Moon" is one of those films that I'd seen bits and parts of on TV all the time, but never quite seen all the way start-to-finish. As a big fan of Reese Whitherspoon, I finally decided to give it a rent and watch it properly. What I found is that despite the fact that I'm not nearly the target audience for this type of picture (I'm a 30-year old male), anyone who enjoys emotional films (and isn't that kind of the point of film?) will find something to relate to in this one.

For a basic plot summary, "Man in the Moon" focuses on 14-year old Dani (Whiterspoon) entering her adolescence in 1950s farm country. Her parents, Matthew (Sam Waterston) & Abigail (Tess Harper), are as salt-of-the-earth as they come, while Dani also looks up to older sister Maureen (Emily Warfield). One summer, Dani discovers that an "older boy" (older teenaged) has moved in down the way, and Court (Jason London) becomes the object of her burgeoning sexuality and adolescence in general. Does Court really like her, or is he just stringing her along? Feelings (especially those of the "first" variety) are complicated, and this is what Dani must discover as life continues to roll on despite her desire to have everything work out perfectly.

Like I said, it is easy to classify "Man In The Moon" as a "chick flick", and I can absolutely see why that is. The "gist" of the film is about a teenaged girl dealing with her feelings; the only thing separating it from hundreds of other more contemporary films just like it being the period setting.

However, I am the type of person who likes to try and look past such labels and find good films no matter what their reputation may say. I'm glad I did in this case, as "Man In The Moon" is really a well-made film in many aspects. Though I've never personally experienced the angst of teenage girl adolescence, I did go through an adolescence of my own and have younger sisters that somewhat help me relate. I think the point here is that this isn't a film that "only girls/women can enjoy".

Generally speaking, the cast of this film is solid, but it is truly Whitherspoon's performance that vaults into "cult classic" territory. In this her introductory film performance at the age of 14, Reese shows exactly why she would go on to have an acclaimed, Oscar-winning career. Even in a film that can, admittedly, get a bit cheesy and sappy at times, Reese is always the magnet that your attention will be drawn to. I'd be hard pressed to name another performance this good from someone this young (she is in practically every scene!).

Thus, despite not really having the scope or production value to be an "all-time classic" piece of cinema, "Man In The Moon" will tug at your heartstrings for its portrayal of those delicate, confusing, and incredibly exciting teenage years. It will hit closest to home with females, I would imagine, but I'm proof that all ages can enjoy a film that is obviously made with such care and features such mesmerizing acting from the lead player.

If there's any director in Hollywood who deserves a crown for conquering the coming-of-age genre, it's Robert Mulligan, director of To Kill a Mockingbird and Summer of '42. His last film was The Man in the Moon, one of the most revered modern coming-of-age films. It takes place in 1957, during the summer a teenaged Reese Witherspoon's life changes forever.

In Reese's first movie, she's a tomboy, but she's still adorable in her transition out of adolescence, and as she's done in almost every other film since, she melts the hearts of the audience. She stomps around in overalls and smacks her gum as if it never occurred to her to care about her appearance, but she's just as cute in those scenes as she is when she finally dolls up and tries to act like a regular teenage girl.

Fourteen-year-old Reese is very close to her older sister, Emily Warfield, but clashes at times with her parents, Sam Waterston and Tess Harper, who don't seem to understand her difficult age. When a new family moves in next door, complete with three teenage boys, everything changes. Reese gets to know one of the boys, Jason London, but as time passes, her feelings grow into more than just friendship.

There's a lot more to the plot, but I'd rather not spoil anything. Needless to say, there are all the classic elements to a poignant coming-of-age story, including domestic troubles, love triangles, self-discovery, tragedy, and the bonds of family. Just as in classics like My Girl, you're going to need your Kleenexes during this one. It doesn't matter whether you have issues with your dad, mom, sister, or remember a bittersweet time before you grew up, there are several scenes that will inspire tears. Reese has great chemistry with her on screen family, and I guarantee the parents in the audience will identify with Sam Waterston's protectiveness and wisdom.

This one isn't for the faint of heart, but if you're in the mood for a good cry this weekend, or if you're craving a nostalgia movie with lots of Elvis Presley songs, rent The Man in the Moon.

Kiddy Warning: I'd probably let my kids watch this one, but I just wanted to warn you, because everyone has different tastes, that there are some upsetting scenes and violence involving children.

Here's the kind of love story that I do enjoy watching. And mostly, it's for two reasons. One, it concentrates of young people, VERY young people. People who are still in their teens and are experiencing love for the first time, or at least think they are. All of us have been there in our lives and "The Man in the Moon" is a magnificent reflection upon our memories, maybe adding on a few more details and enhancing it further than any of us have experienced. The second reason is that is a love triangle. And I do believe that as teens, it's the most dramatic. And the story is so well developed that you believe the characters could really be in love, or are just so new to love that they just strongly believe they are and after a tragedy or so occurs, will believe it for the rest of their lives.

The cast of "The Man in the Moon" is full of great talented names. It stars Sam Waterston, who is truly a versatile actor, well capable of playing tough district attorneys as well as strict, yet caring and wise fathers as in this film. Also there is Tess Harper, Jason London, and a young, young Reese Witherspoon. You look at the young, talented actress as she is at age fourteen and you think that about ten years down the road, she's going to win the Academy Award. All members of the cast pull off great performances and with the dialogue of the compelling screenplay, they are enhanced into looking like real people in real situations. As if it all really happened. This the kind of movie that I would like to see come out more often. Love story or not. I would love to see films that make everything look real and is not phony or disbelievable in any way.

Reese Witherspoon plays Dani, a young country girl that falls madly in love with the new 17 year old neighbor, Court, played by Jason London. Court tries his best to make Dani realize that the difference in their ages would make a love relationship improbable. Soon the nubile charm of Dani starts winning over Court's will. Next enters the meeting of Dani's older sister, played by Emily Warfield, and the beginning of a short lived love/jealousy problem.

Tess Harper and Sam Waterston round out the cast. This is a fresh, free spirited; but heartbreaking drama that touches down deep. Feel free to cry.

I doubt I would have ever rented the film, it looked too much like just a teenage love story. However, a friend who's taste I respect, recommended it. I thought the film was excellent. "The Man in The Moon" is one of those rare movies that gets it right. A warm and tender story of a family, and growing up, without being maudlin. It was the first time I'd seen Reese Witherspoon, and she was indeed impressive. You knew she had something special about her, like seeing a very young Elizabeth Taylor, in an old MGM movie. This film is idealized, yet honest. Many of us grow up with both joys and some pain, and there is an unexpected twist, that when it hits -- it hits hard.