A Vida de Josephine Baker

This is not a great movie, it's barely a good movie, just scraping across the average line. However, mainly in part to a fantastic leading performance from Lynn Whitfield makes this an enthralling, if very abbreviated, encapsulation of Josephine Baker's life. Baker is not a performer I have much knowledge of so this was massively educational as well as entertaining. It certainly makes me want to find out more about Josephine and delve into her back catalogue of music and film. The story telling is disjointed and some of the characters seem unrealistic even though they are on actual persons. Thankfully, the performances of the stunning Lynn Whitfield and Louis Gossett Jr make this a great watch and one I will return to again in the future.

An entertaining and informative film about Josephine Baker, the well-known dancer who subsequently became a leading civil rights campaigner. Lynn Whitfield is quite a bit lighter-skinned than the real Josephine Baker, but she still gives an excellent performance (although the end credits do acknowledge the use of a 'dance double'). Understandably, the film does simplify some aspects of Josephine's life (particularly her complex private life). Louis Gossett and Ruben Blades are also excellent in supporting roles. One minor criticism (only added because my original wording was too short for IMDB) is that the film devotes a bit too much time to the notorious racist journalist and broadcaster Walter Winchell.

In continuing to review African-Americans in film in chronological order for Black History Month, we're now at 1991 with HBO's biographical movie, The Josephine Baker Story. Before going on with my comment, I'd like to mention that star Lynn Whitfield is a native of the city I now live in, Baton Rouge, La. As the title indicates, this TV film chronicles the life and career of Ms. Baker, who rose from poverty in St. Louis to become the toast of France. In between, she tries and fails to integrate the U.S. (at least outside of her shows) and adopts lots of multicultural children to the consternation of her second husband. That husband-band leader Jo Boullion-was played by the late David Dukes who I remember first seeing as the man who attempted rape on Edith Bunker on "All in the Family". Other familiar faces that appeared here were Kene Holliday-who I remember as Baker on "Carter Country"-as musician Sidney Bechet, Louis Gossett Jr. as army leader Sidney Williams, Ruben Blades as Count Giuseppe Pepito Abatino-Baker's first husband, and Craig T. Nelson-who I first saw in Poltergeist-as columnist Walter Winchell who contributes to Baker's decline in the U.S. I'd also like to note Vivian Bonnell as Jo's mother, Mayah McCoy as Baker at 8, and Ainslie Currie as Baker at 13. All these performances and especially Ms. Whitfield's are excellent throughout. The director was the late Brian Gibson who briefly married Lynn and later guided Angela Bassett and Laurence Fishburne to Oscar nominations as Tina and Ike Turner in What's Love Got to Do with It. Like that movie, this one ends with real-life documentary footage. It's of Ms. Baker's funeral with her adopted kids attending. While I'm sure some liberties were taken in the depiction of Josephine Baker's life, the story flows so smoothly that one doesn't notice where those spots might be unless some viewers had read some of the books about her. So on that note, I highly recommend The Josephine Baker Story.

Rags to riches, in which Lynn Whitfield's exhibitionism rivals that of the woman she portrays. Whitfield fills her character with purpose and determination, and her feud with Walter Winchell is well done. However the routine showbiz bio formula is hard to enliven. I love the stuff about her adopted children (what a great way to spend a fortune!) but it was more touching as described in the documentary "Chasing a Rainbow."

In the early 20th century there weren't many avenues of success for Black people in America. Josephine Baker found that out early and made a break for it and went to France. She was going to do things her way no matter what whether that meant dancing semi-nude, or coming back to America to perform, or adopting twelve kids. That was both good and bad. It helped her rise to the heights she rose to and it also caused her to fall as hard as she fell. When she wasn't appreciated in the U.S. for her talents, she took them overseas to France and became a sensation. France was far more progressive and tolerant than the U.S. and wasn't threatened by a Black woman's talents.

Not many people go out on top in sports and entertainment and Ms. Baker was no exception. Fortunately, she wasn't undone by drugs and alcohol like so many. If anything, her biggest impedance was her own stubbornness and good ol' American racism.