AVALIAÇÃO DA IMDb
7,2/10
8 mil
SUA AVALIAÇÃO
Numas férias de verão, uma senhora sobrevivente da bomba de Nagasaki está com seus quatro netos reunidos e conta as lembranças do dia do ataque, que vitimou milhares de pessoas (60 mil e 80 ... Ler tudoNumas férias de verão, uma senhora sobrevivente da bomba de Nagasaki está com seus quatro netos reunidos e conta as lembranças do dia do ataque, que vitimou milhares de pessoas (60 mil e 80 mil em Nagasaki), entre eles o marido, pai e avó.Numas férias de verão, uma senhora sobrevivente da bomba de Nagasaki está com seus quatro netos reunidos e conta as lembranças do dia do ataque, que vitimou milhares de pessoas (60 mil e 80 mil em Nagasaki), entre eles o marido, pai e avó.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 7 indicações no total
Richard Gere
- Clark
- (as Richâdo Gia)
Mieko Suzuki
- Minako
- (as Mie Suzuki)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A beautiful and deeply moving work,it deals with a taboo subject which is rarely treated on the screen.The approach is much different from that of Alain Resnais in "Hiroshima mon amour",and the main reason is that the director is Japanese.Far from Marguerite Duras' verbal logorrhea,Kurosawa lets us in the tragedy through children's eyes,and their simple and naive words.These children,who visit the memorial, only know what the history books tell:almost nothing.
One of the movie's main subject is building some kind of bridge between two generations(a bridge over troubled water,because the adults are rather unsympathetic characters).Kurosawa's granny is universal,she 's the embodiment of suffering,forgiveness and wisdom."Blame it on the war" she keeps on repeating during the whole movie.And her hard-earned peace of mind ,she tries to communicate it to her four grandsons.She does want to see his brother ,now dying,who emigrated to Hawai and made his fortune in pineapples, a long time ago,and his family.The children's fathers are mean little bourgeois,only interested in these American relatives' dough and luxury mansion with pools,the mothers hateful silly geese.None of them can understand the grandmother any more.
So if there's some hope to be found,it can only lie in the relationship old/young,skipping a whole generation,with the exception of minor Richard Gere character.The four children and their granny sitting under a blue moonlight when the adults are talking social promotion and money is beautifully filmed.But it will not delude for long.The last pictures are a real metaphor:sure the road to follow for the youngsters is the grandmother's one,which does not forget the past ,but it's a rocky road,edged with chasms .
One of the movie's main subject is building some kind of bridge between two generations(a bridge over troubled water,because the adults are rather unsympathetic characters).Kurosawa's granny is universal,she 's the embodiment of suffering,forgiveness and wisdom."Blame it on the war" she keeps on repeating during the whole movie.And her hard-earned peace of mind ,she tries to communicate it to her four grandsons.She does want to see his brother ,now dying,who emigrated to Hawai and made his fortune in pineapples, a long time ago,and his family.The children's fathers are mean little bourgeois,only interested in these American relatives' dough and luxury mansion with pools,the mothers hateful silly geese.None of them can understand the grandmother any more.
So if there's some hope to be found,it can only lie in the relationship old/young,skipping a whole generation,with the exception of minor Richard Gere character.The four children and their granny sitting under a blue moonlight when the adults are talking social promotion and money is beautifully filmed.But it will not delude for long.The last pictures are a real metaphor:sure the road to follow for the youngsters is the grandmother's one,which does not forget the past ,but it's a rocky road,edged with chasms .
A good movie is interesting and easy to understand. This is an absolute treasure of a film. A love letter to Nagasaki. An opportunity to see how deeply the atom bomb affected Japanese culture. An opportunity to see a number of the landmarks of the attack. And edited so wonderfully. Kurosawa always highly prized being able to tell the the story in images alone and understood how composition of shots increases content, and this movie has some very quiet sober shots that hit really really hard. It shows how we can fail to see things that are right under our noses for years and years. How things can happen that you never get over. I loved this movie!!!
I am a great fan of Kurosawa and I was so shock how bore this film was when I first saw it in theatre back in the 90s. I know Kurosawa always hide some message in his late movies and, after twenty years, I decided to rent the DVD again to examine the movie in detail. As I got into the movie, I start to understand what Kurosawa want to say. This movie is about how the younger Japanese are abandon their own culture and at the same time,ironically, it is the American, the one who dropped the atomic bomb in Japan,are reviving the Japanese tradition culture(G.Lucus and S. Spielberg are the one who produced the movie Kagamusa). Also, it is about aging as Kurosawa is part of the aging generation. Old people are being seen by young people as weak, illusions, and hopeless out of time and a burden, but when crisis came,(the storm in the movie) old people would show a trendous strength to protect the young one as the old lady in the movie standing up to the storm; it reflected that even Kurosawa, an old man, still could produces such thoughtful movie. I believe Kurosawa made this movie only for those who understand him and ,to me, this is one of his best even thought I love samurai movies.
When I saw this movie, I remembered Louis-Ferdinand Celine's book, "Journey to the End of the Night", a anti-war book. Reading reviews about the movie, listening to what people in the US had to say, seeing the reaction of the American media to this movie, I was sad, simply sad. This movie is not about Japan, it's not about America, it could have been anywhere a war had happened.
This movie is a poem against war and the scars it leaves forever deep in the mind of the people who suffered those wars. Those who didn't suffer a war are lucky, and shouldn't be blamed for being this lucky, but they should see movies like this to understand what war is about. The world is never better after war. The first ones to agree to settle things through warfare are the ones who didn't suffer war. There are no winners in a war, just remember.
I'm sorry that all those who felt attacked in their pride as Americans are missing the point of this movie. If your father or your grandfather, or your friend has been to war, just listen to them.
The performance of the grandmother will make you forget you're watching a movie! It is filmed simply and un-pretentiously, though is a very emotional film.
Enjoy.
PS: Oh and I'm not Japanese...
This movie is a poem against war and the scars it leaves forever deep in the mind of the people who suffered those wars. Those who didn't suffer a war are lucky, and shouldn't be blamed for being this lucky, but they should see movies like this to understand what war is about. The world is never better after war. The first ones to agree to settle things through warfare are the ones who didn't suffer war. There are no winners in a war, just remember.
I'm sorry that all those who felt attacked in their pride as Americans are missing the point of this movie. If your father or your grandfather, or your friend has been to war, just listen to them.
The performance of the grandmother will make you forget you're watching a movie! It is filmed simply and un-pretentiously, though is a very emotional film.
Enjoy.
PS: Oh and I'm not Japanese...
A beautiful, beautiful film. If you only know Kurosawa through Seven Samurai then this will come as something of a shock. Gentle, sensitive, moving and uplifting. The cinematography is sumptuous with plenty of touches that let you know that this is no ordinary film maker. By far the best of his later films in my opinion.
Don't be confused by the 'starring Richard Gere' tag. He only has a minor part, though he takes it well.
Just go and see it!
Don't be confused by the 'starring Richard Gere' tag. He only has a minor part, though he takes it well.
Just go and see it!
Você sabia?
- CuriosidadesAt the top of his career from starring alongside Julia Roberts in Uma Linda Mulher (1990), Richard Gere was earning millions of dollars per picture. Akira Kurosawa's company felt they were unable to pay his salary, to which Gere responded with "I'll work free for Kurosawa." Not wanting to take advantage of the actor, they offered him a modest sum, as well as offering to pay for all his travel expenses, including friends he wanted to bring with him to Japan while he worked. One of those friends included Cindy Crawford.
- Trilhas sonorasNobara (Heidenröslein)
Lyrics by Johann Wolfgang von Goethe (uncredited)
Music by Franz Schubert (as Shûberuto)
Performed by Hibari Jidou Gasshoudan (Hidetaka Yoshioka, Tomoko Ôtakara, Mieko Suzuki and Mitsunori Isaki)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 516.431
- Fim de semana de estreia nos EUA e Canadá
- US$ 26.771
- 22 de dez. de 1991
- Faturamento bruto mundial
- US$ 517.538
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Proporção
- 1.85 : 1
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