AVALIAÇÃO DA IMDb
6,0/10
18 mil
SUA AVALIAÇÃO
Uma enfermeira se apaixona por um homem com doença terminal.Uma enfermeira se apaixona por um homem com doença terminal.Uma enfermeira se apaixona por um homem com doença terminal.
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Howard Morris
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Avaliações em destaque
I guess I'm just not in the main stream. How can IMDb readers give Love Story (1970) a composite grade of 6.7 and Dying Young only 5.4. Julie Roberts is much, much better than Ali MacGraw (proof of who is the better actress is that MacGraw went literally nowhere, as she deserved, after Love Story while Roberts is still a star, an Oscar winner and a respected actress). The story line of both is somewhat predictable, but Dying Young has an infinitely better script. In Dying Young the viewer truly empathizes with the characters, while in Love Story, neither character is worth knowing. Only the most sentimental will tear up in Love Story, while Dying Young bring most to tears. While this does not mean that it is a great movie, it does mean that the characters are believable and well acted and the story line is good enough to overcome its somewhat predictable premise. Curl up with a loved one and a box of tissues. If you are at all the least bit sensitive you will like Dying Young.
I bought this video in a sale for only £2.50 and although I knew it had Julia Robert in it, I thought that maybe this was going to be another "Firehouse" which.. Well did nothing for me. I turned the video on, lied on he sofa and cried! Very few movies ever make me cry, this being one that has never failed to every time I have seen it.
Hilary O'Neil is hired as a nurse when Victor Geddes' father goes away on business. Eventually, Hilary becomes more than his nurse, she becomes, in my opinion; His reason for living. This movie is a powerful and moving story of one man's need for love and a woman's need simply for a job.
Definitely one to watch!
Hilary O'Neil is hired as a nurse when Victor Geddes' father goes away on business. Eventually, Hilary becomes more than his nurse, she becomes, in my opinion; His reason for living. This movie is a powerful and moving story of one man's need for love and a woman's need simply for a job.
Definitely one to watch!
Every time this movie comes on television, I sit in my bedroom and watch it from start to finish as if it was the first time I've seen it. It is a film that focuses on a man, Victor (Campbell) dying of leukemia and his internal struggles of wanting to be carefree and wanting total companionship from the Hillary (Roberts), the woman he hires to take care of him. Eventually, Victor wishes that he could be well so that Hillary can look at him in a different light; however, Victor cannot see pass his disease to allow anyone to be in his life including his dad and Hillary. He abruptly stops his chemotherapy to go live life and die; however, he does not seem to be living it since he so competitive and wanting to be better than anyone else. You want Victor to be cured of the disease and you want him to be less envious of the well people and to stop worrying about death and just live, which is the whole message of the film. Don't be afraid of death since we all will eventually die and no one knows exact time when death will wrapped them in his arm, which is a very powerful message. Great acting from Campbell and Julia. Great cast. Please watch this film and formulate your own opions.
As many other comments have said, this is a truly moving film. I had a friend who suffered from leukemia, but she didn't make it. All the despair, hope, and courage she displayed is displayed by Campbell Scott.
And Campbell Scott - what an actor, who has never made it "big", but perhaps he doesn't want to. My favorite comment I ever read about him is this: with George C. Scott and Colleen Dewhurst as his parents, this guy could run the Kentucky Derby and win.
Julia Roberts, way before Erin Brockovich, shows compassion and a resilience to helping Vincent. Of course we know that she will eventually fall in love with him, as he does with her.
I like that the movie ends in a "grey" area. We are left to wonder if Vincent makes it and if Hilary stays with him. Truly a well-made film that deserved more notice.
And Campbell Scott - what an actor, who has never made it "big", but perhaps he doesn't want to. My favorite comment I ever read about him is this: with George C. Scott and Colleen Dewhurst as his parents, this guy could run the Kentucky Derby and win.
Julia Roberts, way before Erin Brockovich, shows compassion and a resilience to helping Vincent. Of course we know that she will eventually fall in love with him, as he does with her.
I like that the movie ends in a "grey" area. We are left to wonder if Vincent makes it and if Hilary stays with him. Truly a well-made film that deserved more notice.
To put it simply, the opening third of this film is intense. Quite intense. Campbell Scott's Vincent is a tortured young man who only wants to live enough to prepare himself for death. Julia Roberts' Hillary is essentially her Vivian from Pretty Woman (I hope everyone who sees this film is as unimpressed as I was with the shameless allusion to Pretty Woman when Hillary steps off the bus in -- gasp -- a red suit), but it suits the film well. But the passionate acting from Roberts, yes, but mostly Scott absolutely rends one's heart. When Hillary declares that she thought "this guy was going to die," the audience is right there with her. Scott's performance is so rare and so special during these opening minutes because he is not self-pitying. He is aware of his disease, and he's trying to fight it. He's beyond emotional pain, and as he struggles through the physical pain, we start to feel it too. By the time Victor announces that his treatment is finished and he's ready for a vacation, the audience is ready for one too--it's really too much to watch a character we're instantly so attracted to come so close to death so many times.
However, with the change of scenery comes a change of momentum. This is not surprising considering how emotional the opening third of the movie is--I'm not sure any movie could sustain that degree of intensity for the length of a feature film. Sadly though, the couple's time in the beach house becomes, as one critic put it, a kind of music video which features long shots of "endearing" moments between the two main characters. I would have liked to see more *real* discussions, interactions, etc. between the two than the endless close-ups of their pretty faces. The townsfolk are superfluous--essentially they're stock characters, cut-outs of real people that serve no real purpose in the film. Vincent D'Onofrio's Gordon is the most confusing character of all. He seems to have some sort of flirtation with Hillary, but this is never developed, explained, or resolved. A shame, as it could have added more drama to a section of the film that was sorely lacking in any sort of dramatic effect.
The ending of the movie isn't bad, but it never quite recovers the momentum of the earlier section. However, I find that no matter how much I dislike the middle part of the film, I keep thinking about the film as a whole, and really really liking it. If you're prone to it, this film will probably make you cry. If you're not interested in tears, it's still worth watching because at the very least it will make you appreciate how lucky you are to not be going through what Vincent goes through--not having to make the decisions or sacrifices he makes each day.
I recommend watching it at least once and forming your own opinion.
However, with the change of scenery comes a change of momentum. This is not surprising considering how emotional the opening third of the movie is--I'm not sure any movie could sustain that degree of intensity for the length of a feature film. Sadly though, the couple's time in the beach house becomes, as one critic put it, a kind of music video which features long shots of "endearing" moments between the two main characters. I would have liked to see more *real* discussions, interactions, etc. between the two than the endless close-ups of their pretty faces. The townsfolk are superfluous--essentially they're stock characters, cut-outs of real people that serve no real purpose in the film. Vincent D'Onofrio's Gordon is the most confusing character of all. He seems to have some sort of flirtation with Hillary, but this is never developed, explained, or resolved. A shame, as it could have added more drama to a section of the film that was sorely lacking in any sort of dramatic effect.
The ending of the movie isn't bad, but it never quite recovers the momentum of the earlier section. However, I find that no matter how much I dislike the middle part of the film, I keep thinking about the film as a whole, and really really liking it. If you're prone to it, this film will probably make you cry. If you're not interested in tears, it's still worth watching because at the very least it will make you appreciate how lucky you are to not be going through what Vincent goes through--not having to make the decisions or sacrifices he makes each day.
I recommend watching it at least once and forming your own opinion.
Você sabia?
- CuriosidadesJulia Roberts's long red hair was mostly extensions. Her real hair was relatively short during filming.
- Erros de gravaçãoSnow covers the ground the night of the big party in Mendocino, and the roads are frozen over with ice. The next morning, the snow and ice have disappeared from the landscape.
- Citações
Hilary: Because I love you. And if you come back with me to the hospital and fight for us. Fight for us, I will never leave you Victor. But you have to fight. And if you get well, when you get well, I'll be there with you. And if you die, I will hold your hand. I'll hold your hand and the last thing you will ever see will be me because I love you.
- Trilhas sonorasLove Theme
from 'Dying Young'
Written by James Newton Howard
Produced & Performed by Kenny G
Courtesy of Arista Records, Inc.
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- How long is Dying Young?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.669.178
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.725.885
- 23 de jun. de 1991
- Faturamento bruto mundial
- US$ 82.264.675
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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