Apostando no Amor

"Dogfight", starring River Phoenix and Lili Taylor, is a surprisingly charming film. It tells a love story born of peculiar circumstances, much like "Marty" starring Ernest Borgnine. Phoenix and Taylor are quiet and awkward people on seemingly different paths who spend a short time together and wind up falling deeply in love with one another. The film is set against the backdrop of the autumn of 1963, prior to immense change in the United States. It is an intelligent work with a keen visual sense--watch for a kissing scene where our leads practically become musicbox dancers--and fine acting.

The most atypical River Phoenix role, the furthest from his own personality comes in this film. In Dogfight River plays a young Marine recruit who along with buddies Richard Panebianco, Anthony Clark, and Mitchell Whitfield who are on a last night's leave and are heading from their Treasure Island base for a night of fun and frolic in the San Francisco of November, 1963.

The guys are about to participate in a really mindless and sick ritual called a Dogfight. The guys seek out the ugliest woman they can find and bring her to a designated bar where they're judged. The 'winner' gets a prize of whatever monies the Marines have collected among themselves. Talk about objectifying the female body in a negative way.

Phoenix hooks up with sweet and shy Lilly Taylor who really moved me with her performance. She and her mother run a coffee shop and she's a quiet kid into folk music, her favorite being Joan Baez.

While the other three have the usual night on the town for the Armed Services, Phoenix and Taylor find they connect in ways that they never dreamed possible. As they get to know each other the audience sees a more typical River Phoenix.

I remember seeing this when it first came out. It had a limited release and was restricted to art houses. The theater I saw it in was memorable too, it was the only one I've ever been in without a concession stand, not even concession machines. I guess in this no frills theater I was lucky they had rest rooms.

Phoenix and Taylor make a very lovely couple. It's a good picture for River, but Taylor was the one who really blew me away.

With the exception of that home video my ex made with her new boyfriend, "Dogfight" is the most upsetting film I've ever watched. The plot involves US Marines bound for duty (and possibly death) in Vietnam, having one last night on the town in San Francisco. As a challenge to each other, the lads partcipate in a game called dogfight, where the guy who brings the ugliest date (the "biggest dog") wins.

Even more disgusting than the game itself is the way Lili Taylor's character, the gentle Rose, gets roped in--eagerly getting dressed up and even touching up her makeup before the contest. It breaks the viewer's heart to see a young woman so trusting walk into something so degrading.

Without spoiling the plot for those who haven't seen the film (you owe it to yourself to do so) it's assumed there is always chance for redemption. River Phoenix, who died tragically just two years after the film's release, is memorable as a soldier who struggles with human contact. And Lili Taylor absolutely shines as the victimized but amazingly forgiving Rose, though it's hard to accept her as "ugly"--I think Lili Taylor is really cute and I'd give anything to go on a date with her.

This movie contains fantastic performances by Lili Taylor and River Phoenix. The story is very slight and it takes awhile to get going, but for ninety minutes I was interested in these people, especially Taylor. The scene where she orders dinner for herself in an upscale restaurant is very funny. The whole thing makes me miss River very much also.

I've seen it a million times, and it will always be one of my favorites. But what always struck me about this film is the silence - it opens very quietly, with no music and only muffled voices of the passengers on a bus. Our first views of the main character Eddie are of him sitting alone on a bus and at a truck stop. It is a perfect way to introduce a character that changes so much from beginning to end. In fact, the film starts at the end, and we are allowed to see the past when Eddie reminisces all that happened to him before he left for Okinawa. The movie has a quiet subtle way about it all the way through. There are tender, heartbreaking moments, but also moments that will have you laugh hysterically. Among the many issues the film addresses are honesty, friendship, forgiveness, war, and love. Someone said this is not a very romantic film, and I agree. It is not romantic in the way that most romances are. It is a decidely un-Hollywood approach to love, which is what makes it so memorable. The first kisses are not beautiful and elegant. They are awkward and uncertain in the most realistic way. They are not backed by melodramatic music, but rather the music that those characters would have really heard in their own ears. The poetry of it is that it ends the same way it began - in the quietest way possible, showing that for the two characters words are not needed.