Após sofrer um golpe na cabeça, autor de telenovelas se transforma em um personagem dentro da própria obra, e tudo que escreve se torna realidade. É a sua grande oportunidade de fazer com qu... Ler tudoApós sofrer um golpe na cabeça, autor de telenovelas se transforma em um personagem dentro da própria obra, e tudo que escreve se torna realidade. É a sua grande oportunidade de fazer com que a atriz principal da trama se apaixone por ele.Após sofrer um golpe na cabeça, autor de telenovelas se transforma em um personagem dentro da própria obra, e tudo que escreve se torna realidade. É a sua grande oportunidade de fazer com que a atriz principal da trama se apaixone por ele.
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Avaliações em destaque
This movie is pretty good. I felt that the entertainment value is fair and it is re-watchable. The cast interacts well and there are some very funny moments. I enjoy this film but unfortunately it falls in around the same basic feel that most comedies had at this time so don't expect the spectacular or a film that is gut wrenchingly funny. If you are looking for a film that is enjoyable and fairly pleasing this one has a good feel to it.
After seeing this, I see where the creators of Pleasantville got their idea. Pleasantville of course was a bit more serious in its subject matter. Delirious was a good idea that didn't quite come off although the players do give it a good try.
Part of the problem is that even in the fantasy Candy's thinking with his hormones. He's got it bad for his show's star Emma Sammes who is doing a nice Joan Collins impersonation. There's good girl Mariel Hemingway who is auditioning in real life for a part on Candy's soap opera and she shows up in the fantasy as well.
I have to give special kudos to Raymond Burr who plays the family patriarch of this soap opera with tongue firmly in cheek. Burr's occasionally flashes a twinkle which you have to be sure to catch just to let you know how much he's enjoying this. Nice he took time off from Perry Mason here.
Sammes and Burr are the real treats of Delirious. It could have been a lot funnier, but I think someone like Mel Brooks should have directed it.
Jack (John Candy) is the writer and producer for a daytime soap opera. However, when he's in an accident, he awakens to find himself living in the soap...and everything is very real. However, he also learns after a while that when he writes on his typewriter, things in this world change. So, he soon manages to become a 'Wolf of Wallstreet'...a rich playboy who is catnip for women and with almost god-like powers! What's next? Well, you can pretty much predict it from the clumsily written meet cute with Janet early in the story.
I enjoyed this one but just felt it had difficulty maintaining its momentum. It also was incredibly easy to predict much of what happens as a result of this weird experience...so much so that the finale seemed like a foregone conclusion. A good time-passer but not among Candy's best.
Oh, and if you think that you recognize "Hungarian Rhapsody #2", the classic Looney Tunes cartoons often used it: "Rhapsody in Rivets", "Rhapsody Rabbit", "Wise Quackers" and "What's Up, Doc?", to name a few. Later, "Who Framed Roger Rabbit" had Daffy Duck and Donald Duck play it on pianos and undermine each other's performances.
Você sabia?
- CuriosidadesIn the scene at the party, where the characters of "Jack Gable" and "Rachel Hedison" are dancing, John Candy and Emma Samms did the scene without doubles, although it was difficult to tell because of the distance from which it was shot. Samms commented how graceful and talented a dancer Candy was, despite his size.
- Erros de gravaçãoIn the beginning of the scene where they run down before the dancing to the song "It's a Man's, Man's, Man's World", in the shot of the orchestra that's playing, the timpani player (who's supposed to be doing a roll on the drum during the intro of the song) appears to have no mallets, and the head of the drum is covered.
- Citações
Jack Gable: I am dead! I'm in Hell! And my punishment, is to spend eternity on my own show!
- Cenas durante ou pós-créditosThe opening credits appear as if they are being typed on a typewriter, including some mistakes (cross-outs, use of white out, etc.).
- ConexõesFeatured in Biografias: To John with Love: A Tribute to John Candy (1995)
Principais escolhas
- How long is Delirious?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.546.827
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.803.059
- 11 de ago. de 1991
- Faturamento bruto mundial
- US$ 5.546.827