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This movie is creepy and amazing. It's like an overlong Liquid Television sketch. The actors, the sets, everything looks dirty and depressing. Bil Paxton is never clean, Jud Nelson never stops sweating, Laura Flynn Boyle never looks happy, and the town never has sunlight. It'll throw you off if not prepared, but honestly, it's a great movie. It makes no sense, except in the world it created, and that's the beauty of it. This movie is great.

You have got to say one thing about this film whether you like it or don't. It's completely original.

There's never been anything quite like it on-screen. In form, it's a Fairy Tale of the very Grimm variety. In tone, it's closest to the absurdist theatre works of Beckett, Pirandello and Ionesco. There's also a whole lot of allegory and symbolism going on here. Though everything is told simply there's a tremendous amount of depth to ponder in the issues the film raises and in the way the characters deal with living in this metaphor for Hell. Understanding the universe they are inhabiting is the key to appreciating this film.

The "Dark Backward" explores a world that is overwhelmed with scum and filth. One of the characters, Gus, is so dirty he looks like a live action version of "Pigpen".

As this character Bill Paxton gives one of the bravest, most fascinating performances I've ever seen. He walks a tightwire of contradictions playing a character who is at once both innocence and evil incarnate.

He's loud, lustful and obnoxious. He's quiet, virginal and caring. At one moment, he's as stupid as a post; in the next, he's cunningly manipulitive and deceitful. To oversimplify-it's like being asked to play Forrest Gump AND Iago in the same character. Miraculously, Paxton not only pulls it off but makes it appear as though all these opposing traits could easily belong to a single creature.

The rest of the cast is magnificent in the way they embrace the excesses of their respective characters. As mentioned earlier, this is an absurdist story and these actors realize the importance of exaggeration to make the genre work. This is also why those who have dismissed Paxton's work as over-the-top should not be heeded. This is a film that shows a world where there is no top to be gone over. There is nothing which can be considered too much.

Part fable, part nightmare, part black comedy, part cult film, and a whole lot of fun, is how I would describe "The Dark Backward". Way up there on the "strange scale", Wayne Newton, Bill Paxton, Judd Nelson and the rest of a perfect cast project their enthusiasm in every scene. Obviously aimed squarely at the "midnight movie" crowd, it hits a bullseye with the target audience. Mainstream comedy "Wedding Crashers" viewers are warned to avoid at all costs. Highly recommended to admirers of filmmakers who would dare to be different, take risks, and produce a movie looking for a specific audience. Give "The Dark Backward" three thumbs up, one from each arm. - MERK

Yes. What can I say. I liked this movie. Slimey, sleazy, often crude but kept me interested. It's the kind of movie you feel you need a shower after. The plot is bizarre. The cast are just right. Bill Paxton is superb! Can't wait for it to come out on DVD.

You can't knock knock this film's originality. Dark, at times disturbing, this movie is, like watching Bill Paxton eating containers of take out, way over their used by dates, or sucking the breasts of a naked corpse in a garbage dump, which isn't that funny, and pretty offensive and improper. Seeing Judd Nelson, in a preview of this, make me wake up to just a what a cool and good actor this guy really is. In my opinion, even though Wayne Newton is very good here, as a heartless talent agent, Nelson also should of got some friggin' award, as the unfunny, 'stars in his eyes, stage struck' comedian, who should wake up and smell the coffee. His ailing Mom tells it like it is, saying "You're not funny Marty". But the real joke there is the obvious underlying sarcasm that comes across in just unfunny he really is -the below zero 'suck' quality of his jokes, that don't even make sense, and are are so unlaughable, where in reality, after a test run, no one would hire this guy, if even feeling sorry for this geek. But again, there's the joke, the satire, of him being hired, where in the story's world, we get the notion, he would has been hired by some people who would of felt sorry for him. Here's a most different contrast of character, to the ones, Nelson usually plays. He's so good in this. But luck has turned his way in the form of a small lump growing out of his back which becomes a third arm. In the early phase of it, his useless doctor, who has a kinky assistant, slaps a band aid on it. Days later, Nelson returns. The doc (James Caan) goes ape at him for coming in, with, what he calls a little problem. Here he becomes an overnight sensation, where him and Paxton, an accordian player, become double act. I'm sure, people would certainly pay good money, to see a guy, with a authentic third arm growing out his back. It's all too absurb, or bizarre to consider. But this is quite a bizarre film. Another one of those, that stand alone, which we'll be distasteful to a few movie goers out there. Others will love it cause of the idea and it's originality, but mostly it's dark side, it's title, most suiting. Rob Lowe is impressive here too, as another talent agent, a smarmy sort, where Lara Flynn Boyle as a cafe worker and Nelson's love interest. Panic strikes too, when Nelson's third arm starts to disappear. But he comes up trumps in the end, as an overnight real comedian, partly thanks to his brief third asset. Yes, this is a distasteful movie, but sometimes things in bad taste are entertaining to many are few, where some of surely would be missing one short of a dollar. Check this flick out, just for it's originality.