Adicionar um enredo no seu idiomaTwo cops and a detective's daughter go after a chainsaw killer.Two cops and a detective's daughter go after a chainsaw killer.Two cops and a detective's daughter go after a chainsaw killer.
Veronica Hart
- Grace
- (as Jane Esther Hamilton)
Michael Fairman
- Medical Examiner
- (as Michael Eugene Fairman)
John Buzz Moyer
- Unfortunate Boy in Car
- (as John Moyer)
Jhonnie Marie Sims
- Unfortunate Girl in Car
- (as Jhonnie Marie McCague)
Avaliações em destaque
Pittsburgh cops Joe Blocker (Joe Sharkey) and Sweeney Birdwell (Jake Dengel) are in charge of finding a serial killer who is carving up prostitutes with a variety of gardening tools. It all seems so familiar for Blocker as the case echoes an Egyptian killer he almost nabbed in Las Vegas. He sends for his old Vegas partner, but gets his daughter Deedee (Susann Fletcher) instead. Why? Because it seems her dad is mysteriously missing. Another in the line of BLOOD FEAST wannabes (alongside the likes of BLOOD DINER), BPIP is something I didn't like when I first saw it on video back in 1991. So, naturally, I must revisit it 20+ years later to confirm, yup, it still sucks. The filmmakers openly compare this horror-comedy to AIRPLANE, but I'd think you'd have to include some jokes to do that. It certainly tries to be funny, but fails miserably. Example of humor: Blocker slipping on a severed ear while chasing a suspect. The recurring joke is Blocker gets ill any time he sees blood and people always say "I hear he has a sexual problem" when he is mentioned. Haha? The highlight for me was Birdwell's wife taking anti-smoking sessions, one of which ends with her being blasted by a water hose by some guys in gorilla costumes. It is a shame it didn't come together better because the production looks really nice with some great photography. Tom Savini did the gory FX, most of which ended up on the cutting room floor for the Paramount VHS release. The Lucky 13 special edition features the cut stuff in a deleted scenes supplement and it is pretty good work from the man.
Do you like B movies? REALLY like B movies? This is the one for you! If you prefer to watch REAL FILMS, don't bother. I doubt the Academy ever watched this one, and they certainly wouldn't be nominating it for any awards.
A twisted comedy/thriller (listed as horror, but thriller seems more appropriate), this flick -- I dare not call it a FILM -- was refreshing, like a spring rain. Think Naked Gun on a low, LOW budget. Serial killer, brutal murders of prostitutes (with the most enticing weapon selections), a cop who vomits at the sight of blood, AND a porn star (Jane Hamilton as dull-witted roller-skating waitress Grace) . . .
There's no point in discussing cinematography; I'm guessing film-school camera work and editing. Better than Blair Witch, not as good as Suspiria. Acting is mediocre, but at a level appropriate to the genre.
Keep your eyes open for occasional sight gags, and your ears open for the one-liners. Corny sometimes, but again, appropriate to the genre. A few good laughs, some pretty good gore (much more convincing blood than Argento uses), and a fun plot twist.
If I've learned one thing from this movie, it is: If you are a prostitute, and your trick brings a generator, run. Fast.
A twisted comedy/thriller (listed as horror, but thriller seems more appropriate), this flick -- I dare not call it a FILM -- was refreshing, like a spring rain. Think Naked Gun on a low, LOW budget. Serial killer, brutal murders of prostitutes (with the most enticing weapon selections), a cop who vomits at the sight of blood, AND a porn star (Jane Hamilton as dull-witted roller-skating waitress Grace) . . .
There's no point in discussing cinematography; I'm guessing film-school camera work and editing. Better than Blair Witch, not as good as Suspiria. Acting is mediocre, but at a level appropriate to the genre.
Keep your eyes open for occasional sight gags, and your ears open for the one-liners. Corny sometimes, but again, appropriate to the genre. A few good laughs, some pretty good gore (much more convincing blood than Argento uses), and a fun plot twist.
If I've learned one thing from this movie, it is: If you are a prostitute, and your trick brings a generator, run. Fast.
No pun intended - I had no idea what I was getting myself into. And some may feel the movie had no idea what it was supposed to be either. I think it is fair to say, that the movie is as silly and cheesy as it can be. And quite bloody overall - although deleted scenes on the disc I own suggest it could have been worse/better (depending on your own taste I reckon).
The scene with the hat quite early on will be an indicator if you can bare it - do you like the humor (silly - I repeat: Silly!) or do you find it annoying as it can get? This will inform if you should continue watching. If you can dig it, there is some fun to be had along the road of course. An oddity I had no idea existed ...
The scene with the hat quite early on will be an indicator if you can bare it - do you like the humor (silly - I repeat: Silly!) or do you find it annoying as it can get? This will inform if you should continue watching. If you can dig it, there is some fun to be had along the road of course. An oddity I had no idea existed ...
Bloodsucking Pharaohs in Pittsburgh stands as a testament to the chasm between ambitious titling and actual execution. The film's wonderfully absurd moniker promises a gonzo horror-comedy romp that sadly never materializes, leaving viewers with a decidedly conventional police procedural dressed up in genre clothing.
The cinematography feels workmanlike rather than inspired, capturing Pittsburgh's gritty urban landscape without any particular visual flair or atmospheric depth. Tschetter's direction lacks the manic energy necessary to elevate what amounts to a straightforward serial killer investigation into the realm of effective horror-comedy. The film's tone wavers uncomfortably between genuine police drama and attempted camp, never finding the right balance to make either approach compelling.
Jake Dengel delivers a serviceable performance as Detective Sweeney Birdwell, bringing a weary professionalism to his role that anchors the film's more grounded moments. Joe Sharkey, as Detective Joe Blocker, commits fully to his character's squeamish nature, though the recurring gag of his vomiting at crime scenes grows tiresome quickly. Susann Fletcher brings energy to her role as Deedee Taylor, the detective's daughter who becomes involved in the investigation, though her character feels somewhat underdeveloped. Beverly Penberthy, who also served as co-producer, provides occasional comic relief as Birdwell's chain-smoking wife attempting to quit through extreme methods.
The film's greatest asset comes from Tom Savini's makeup effects work, which provides the visceral punch the story desperately needs. However, even these expertly crafted gore sequences cannot compensate for the film's fundamental lack of narrative drive or comedic timing. The script repeatedly returns to the same handful of running gags without developing them into anything more substantial or amusing.
The cinematography feels workmanlike rather than inspired, capturing Pittsburgh's gritty urban landscape without any particular visual flair or atmospheric depth. Tschetter's direction lacks the manic energy necessary to elevate what amounts to a straightforward serial killer investigation into the realm of effective horror-comedy. The film's tone wavers uncomfortably between genuine police drama and attempted camp, never finding the right balance to make either approach compelling.
Jake Dengel delivers a serviceable performance as Detective Sweeney Birdwell, bringing a weary professionalism to his role that anchors the film's more grounded moments. Joe Sharkey, as Detective Joe Blocker, commits fully to his character's squeamish nature, though the recurring gag of his vomiting at crime scenes grows tiresome quickly. Susann Fletcher brings energy to her role as Deedee Taylor, the detective's daughter who becomes involved in the investigation, though her character feels somewhat underdeveloped. Beverly Penberthy, who also served as co-producer, provides occasional comic relief as Birdwell's chain-smoking wife attempting to quit through extreme methods.
The film's greatest asset comes from Tom Savini's makeup effects work, which provides the visceral punch the story desperately needs. However, even these expertly crafted gore sequences cannot compensate for the film's fundamental lack of narrative drive or comedic timing. The script repeatedly returns to the same handful of running gags without developing them into anything more substantial or amusing.
i bought this movie off of horror movies.com just because it was taken place in Pittsburgh. i wasn't expecting to laugh or get any entertainment from it but my girlfriend and i were very much surprised! there was some decent humor in it and there was even a twist in the story! if you're in for a cheap laugh and a cheap movie, check this one out! it was also kind of neat to try and figure out where the different scenes were shot. one scene i recognized very well and realized that it was shot in the park down the street for me.
the special effects are pretty cheesy and the story really isn't that bad. the laughs in it are almost like a Leslie Nielson film. if you're from the Pittsburgh area, check this out! get a laugh!
the special effects are pretty cheesy and the story really isn't that bad. the laughs in it are almost like a Leslie Nielson film. if you're from the Pittsburgh area, check this out! get a laugh!
Você sabia?
- CuriosidadesJoe Blocker's apartment is located in the Lawrenceville neighborhood of Pittsburgh, with the recognizable landmark statue of the Doughboy just outside the building.
- Erros de gravaçãoNear the end of the scene where Erma Birdwell returns from her smoking therapy session, she speaks with the characteristic buzz of her electrolarynx device, but the device is nowhere near her throat.
- ConexõesFeatured in Who Is Alan Smithee? (2002)
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- How long is Bloodsucking Pharaohs in Pittsburgh?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 250.000 (estimativa)
- Tempo de duração
- 1 h 29 min(89 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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