Em 1999, a vida de Claire muda para sempre após sobreviver a um acidente de carro. Ela resgata Sam e começa a viajar pelo mundo com ele. O escritor Eugene os segue e escreve sua história, en... Ler tudoEm 1999, a vida de Claire muda para sempre após sobreviver a um acidente de carro. Ela resgata Sam e começa a viajar pelo mundo com ele. O escritor Eugene os segue e escreve sua história, enquanto inventa uma maneira de registrar sonhos.Em 1999, a vida de Claire muda para sempre após sobreviver a um acidente de carro. Ela resgata Sam e começa a viajar pelo mundo com ele. O escritor Eugene os segue e escreve sua história, enquanto inventa uma maneira de registrar sonhos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
- Mechanic
- (as Jean Charles Dumay)
- Irina Farber
- (as Christine Österlein)
- Receptionist
- (as Diogo Doria)
- Woman in Street Car
- (as Amalia Rodrigues)
- Krasikova
- (as Elena Smirnova)
- Truck Driver
- (as Zhang Jinzhan)
Avaliações em destaque
This film works so well on so many different levels -- an adventure, a love story, a question of ethics and technology, life and death, love and family, but mostly it explores the question, "how far must we travel (or how long must we sit in the theater) to find that which we seek, and what exactly is it we're seeking anyway"?
Yes, 4-1/2 hours is a long time to sit still (although, with two intermissions it's not all that bad), but for those of us who enjoy a good film that's not made from a pat formula of committee-designed ingredients in strictly regulated proportions, it's worth every minute.
Granted it is a long film by "American" standards but who can say how long a film should be? I felt transported to the times & places Wenders takes us, to me this makes a successful film regardless of its length. The storyline is well crafted and the music editing is brilliant; when I hear the music today I think of the film and not the bands that performed it.
William Hurt has a role (finally) that suits his personality. The pairing of Jeanne Moreau and Max Van Sydow is brilliant. Definitely a movie that should be seen at least once in your lifetime.
I had been watching the 158-minute American version and the 179-minute European version (almost indistinguishable) I had heard about the 280-minute "Trilogy" version 4 or 5 years ago when it was screened at the American Cinemateque (sp?) and when I read that it was to be screened again Jan 14 at the Egyptian Theater in Hollywood, I figured that a 5-hour (with 2 10-min. intermissions) version would be bloated and slow. I couldn't have been more wrong!
"Die Trilogie" version of "Bis ans Ende der Welt" (prepared for German released w/ no subtitles) was one of the best movies ever! The extra footage gave more room to the story, the music, and ultimately made for a much more coherent movie. The relationship between Claire and Eugene is better explained, among other things. The Indian satelite is not ignored, like in the "Reader's Digest Version" (Wim Wenders' term). Songs heard for 10 seconds originally are now presented in their full glory, including a previously deleted version of Elvis Costello's "Days" performed by Solveig Dommartin, Chick Ortega, Ernie Dingo, Charlie McMahon, and David Gulpilil.
According to the director, this version will be released on DVD in Europe in 2001, and possibly in the USA before 2002. I hope everyone can have a chance to see the complete, non-mutilated version of this wonderful movie!
The characters represent different ideologies of the different countries they're from and Wenders uses this to develop the plot.
These "countries" are trying to seize control of one man's vision and a source of power. However, they soon find out that not one of them can control the outcome of the movie.
The movie is Wender's commentary on global politics and socioeconomics. He portrays the world in a flurry of action from a European car chase to a U.S.A in recession, to a dichotomized Japan, and to an isolated Australia. It is an accurate depiction of the world we are living in now because that is how the movie was filmed - out in the streets of the real world circa the end of the 20th century which enhances the theme of the movie.
If you watch this movie you will believe you are living at "The End of the World". The movie is even better NOW then when it first came out. It's been 13 years since the first showing and I'm 28. Being a teenager, the sci-fi, action, fast-pace and the heroine's romance with William Hurt held my attention but to truly appreciate the WHOLE MOVIE you have to get past the juvenile/pop culture themes.
Being a woman, I identified with the heroine and the way she acts at the end of the movie and I think you will, too. The men will relate to the narrator because they tend to distance themselves from what's really going on in this movie and "cut to the chase". Overall, the movie is good for the whole family to watch except for one nude scene.
This "summary" took me awhile to write but as I went through the process of analyzing the movie from memory it became easier and easier as the film's key scenes flashed into my head. This only proves how powerful and clear Wenders' vision is as a director.
Você sabia?
- CuriosidadesWim Wenders' original rough cut for this film was twenty hours long.
- Erros de gravaçãoWhen several of the European characters leave the Mbantua settlement to take a group photo, believing the adventure to be over, the voice-over mentions that it's February, 2000. Yet shortly after, as Henry Farber is trying a new series of experiments on recording dream imagery, a computer display for the current experiment shows January 21.
- Citações
Eugene Fitzpatrick: [voice over] Soon they were hooked; all of them. They lived to see their dreams, and when they slept they dreamed about their dreams. They had arrived at the island of dreams together; but in a short time they were oceans apart. I watched helplessly as Claire and Sam were drowning in their own nocturnal imagery. They ignored each other, and neglected themselves. The dreams which should have been flushed away with the first yawn, were now their only diet; and thus became more and more concentrated. They made monsters for themselves that they could neither tolerate nor do without... They wandered in and out of lost worlds. Feelings and figures emerged from a forgotten past. Their dreams became black holes of isolation... They suffered, finally; from a complete loss of reality.
- Versões alternativasThe film exists in four separate versions. The first is the significantly cut American 158-minute version released by Warner Bros. in theaters, and on VHS, LaserDisc, and some streaming platforms. Wenders has disparagingly referred this cut as the 'reader's digest version'. The second is a 179-minute cut that existed only on Japanese LaserDisc. The third is Wim Wenders' director's cut, which runs 300 minutes. This cut significantly expands scenes, motivates Claire's romantic involvement with Sam Farber and keeps it from seeming less frivolous and more the expression of a wounded heart, additional scenes in Japan, and in San Francisco with Allen Garfield as an evil car salesman (a take-off on his character in another Wenders film), and numerous other expansions/additions. This full-length version divided the film into three parts, all given episode names, and all with opening credits because it was originally intended for this version to be shown as three separate films, or as a mini-series. This 300-minute cut was only available on DVD in Germany, Italy and France. It was screened several times over the years in America and the UK: the National Film Theatre in London on Saturday 2nd July 1994, December 6, 1996 at the University of Washington, with director Wim Wenders attending, Jan. 14, 2001 at the American Cinematheque (with Wenders attending), February 24, 2001 at the Directors Guild of America Theater with Wenders announcing the film would be released on DVD.
- ConexõesFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1992 (1992)
- Trilhas sonorasOpening Titles
Written by Graeme Revell
Performed by David Darling (cello solo)
Courtesy of Trans Glide Music BMI
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Hasta el fin del mundo
- Locações de filme
- Tosca Cafe - 242 Columbus Avenue, North Beach, San Francisco, Califórnia, EUA(Claire meets Sam again)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 23.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 829.625
- Fim de semana de estreia nos EUA e Canadá
- US$ 38.553
- 29 de dez. de 1991
- Faturamento bruto mundial
- US$ 829.625
- Tempo de duração4 horas 47 minutos
- Cor
- Proporção
- 1.66 : 1