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We watched this movie again last night because I remembered seeing it when it first came out on video and when our local video store sold out all its VHS tapes this is one we bought. I liked it just as much this time but still have not read the Carson Mc Cullers story it was based on. We don't really understand what it is that has formed the character of Miss Amelia. . . her greed, her dominance of the town and its poverty stricken residents. She seemed to fill every need the town had except for that of citizen on an equal footing with the others. Seemingly the store she ran had been her father's before her but that alone does not explain the force of her personality and disposition. She obviously has married Marvin Macy to get his property but we do not understand what the appeal of her "cousin" Lymon is unless it is that he has no respect for her and uses her in the same way she uses everyone else. His infatuation with Marvin is more understandable than is Amelia's with Lymon. I thought the cast were all wonderful, including the preacher, who had some of the best and most human lines. Vanessa Redgrave was marvelous. The pacing and photography were excellent. At times though I felt as if I was watching a stage play instead of a movie. In writing this I do realize why Miss Amelia was who she was. She was angry because her own stage was so limited. For some reason she must have felt locked in to that tiny corner of the world when she could with her personality, have held sway over a much larger number of people and geographic area!

Vanessa Redgrave is incredible, and memorable, in the role of Miss Amelia, the androgynous ruler of a small Depression-era Southern hamlet. She tends to citizens' medical needs, and manufactures hooch for them as well. Then, her life is shaken up, first by the arrival of hunchbacked little person Lymon (Cork Hubbert), who claims to be her cousin, and then the reappearance of her husband Marvin (Keith Carradine), whom she kicked to the curb rather than go to bed with him on their wedding night. Could be, he's out for revenge.....

Directed by British stage & screen actor & director Simon Callow, this is a Southern Gothic melodrama with a difference. It can be rather strange and offbeat, but overall it's too interesting to dismiss outright. An adaptation of a novel (by Carson McCullers), and subsequent play (by Edward Albee), it has a very convincing look & feel, with top of the line production design & cinematography.

The eclectic supporting cast also includes Rod Steiger, Austin Pendleton, Lanny Flaherty, Earl Hindman, and Anne Pitoniak. While it's true that Carradine has done better work, and while I found the character of Lymon rather annoying at times, a severely de-glamorized Redgrave is a perfect anchor for this ultimately sordid tale. She completely disappears inside her role.

In the end, this serves as a reckoning for a character who misses one chance at love, but is able to love and enjoy life for a time before fate steps in.

Six out of 10.

This film demonstrates an excellent use of both dialog and cinematography to evoke a mysterious, yet stark atmosphere. Redgrave is especially excellent in her portrayal of a character that defies easy description or explanation. The score, too, works to create a specific place, but never falls to the easy trap of using simple folk-music styles in order to provide a sonic backdrop.

Overall, The Ballad of the Sad Cafe is a haunting and beautiful exploration of human emotions and inhuman behaviors. I would highly recommend this film to everyone interested in an eerie combination of the real and surreal.

I just purchased this through the Merchant & Ivory DVD collection. I must admit I was unaware of who Carson McCullers was until I realized that she also wrote "A Heart is a Lonely Hunter". True to her style, this is a dark tale with the edge of by-sexuality in the main character (as McCullers was also). The movie it self is less than imaginative with some scenic wonders and yet with placid and flat acting. Simon Callow is not a good director and I definitely love the man as an actor more. Some scenes are memorable and the color red is used beautifully as a dress and a shirt - when you see it you will know how and why. Definitely put in the rent category for a somber afternoon.

Having seen the "definitive" stage version of this, featuring Colleen Dewhurst and Michael Dunn, I wasn't hopeful for this film holding a candle to it. I came away feeling that this particular piece does not translate to film. Vanessa Redgrave is a wonderful actress and seeing her beautiful, expressive face with no makeup and her hair cut short is quite startling, but effective. I found myself focusing on her big blue eyes most of the time, as they told the mood of her character throughout. I doubt they could've found anyone better for the role. It's simply that the entire production didn't quite gel. It truly works better in the theatre. I'm still not entirely decided on whether I completely disliked it.