Guerreiro Americano 4

Realizing that nobody wants to see an AMERICAN NINJA film without Michael Dudikoff, the producers got him back for this entry in an attempt to make things right. Unfortunately, it didn't work. Headbashing Dudemeister doesn't even show up until nearly halfway through the film, after David Bradley (star of the previous film) and some friends are captured overseas during an important mission. Dudikoff's Joe Armstrong reluctantly agrees to come out of self-imposed retirement and save the day, rescuing the others and stopping James Booth's plot to detonate a nuclear weapon. There's a good bar fight with Bradley, and the climax (cutting between two fights, one with Dudikoff and one with Bradley) is pretty decent. They are no Jackie Chan moments, but then again, the AMERICAN NINJA films are more for "chop socky" fans.

Michael Dudikoff returns as Joe Armstrong, the original American Ninja (Who doesn't even show up until half way) who is forced into single handedly rescuing a delta force team as well as the other American Ninja(David Bradley) after the ninjas provide too much even for him. American Ninja 4 walks the fine line between guilty pleasure and just plain bad. There are moments of sheer stupidity that you just can't help but love the antics. For example the movie asks us to believe that an Arab terrorist would have ninjas guarding him. Or that a gang of Mad Maxish rebels couldn't overthrow the Arab terrorist and his minions until the American Ninja (The one played by Dudikoff) arrived plus the bad guy's army actually takes the time to try and arrest what looks to be a thousand rebel soldiers armed with machine guns and axes. The most ridiculous moment arises when Dudikoff catches an arrow in his mouth which he then uses to stab a ninja in the neck with. (Take that James Bond!) American Ninja 4 does have slightly more life in it's fight sequences than American Ninja 3 but really American Ninja 4 is a sub-par effort in all respects as the action sequences while competent are filmed with lack of inspiration and imagination. Still the movie has just way too many unintentionally amusing moments which almost (but not quite) save the day. American Ninja 4 also becomes a laugh riot due to some of the dialog handled with astonishing straight faced seriousness. For example the Arab terrorist and his sidekick James Booth are excited about the nuke that fits in a briefcase, to which the Arab actually activates it and lets it tick down to 1 second which then has the biggest howl of the movie. "It fills me with ecstasy to know that I was one minute from meeting Allah!" However he never elaborates if he means the drug or happiness in general. When Dudikoff finally blitzes the Arab's stranglehold, the Arab runs to the helicopter which leads to another howler of dialog. "Where we headed?" "MECCA!" It was classic moments like this made me enjoy the cheese of this bad ninja movie. Also of note is that Dudikoff and Booth (The best thespians in the movie) give performances of such contempt that is also vaguely amusing. The disinterested performances are still better than any other performance in the film. My wife who is a good sport, sat through this with me and said the funniest remark. "How lame of a ninja do you have to be to wear a bright yellow ninja suit."

*1/2 out of 4-(Poor)

In part 4, the two American Ninjas, Joe Armstrong and Sean Davidson, team up to do battle against a terrorist and his band of Ninjas. It is always in people's nature to put down great things and to nitpick or sometimes just be plain mean. No matter what anyone says, this is utterly fantastic, an eye-popping cinematic treat. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them. I am not saying the film is a classic, but I love it. My rating ends up being 7 out of 10.

I imagine Cannon was pretty excited about the concept of teaming up the two leads from their earlier "American Ninja" trilogy. Unfortunately the two barely appear on screen together, and Bradley (who resembles a less macho Rick Springfield) is a woefully inadequate screen presence. Booth--whose son appears to have been the screenwriter...or was it Booth himself using a pseudonym?--gets all the best lines and chews enough scenery for everybody. There's nothing here you haven't seen a dozen times before, but it should keep you awake if you stumble upon it on late-night cable.

Michael Dudikoff and his blank stare return to the "American Ninja" franchise, and he's the film's selling point, though even with him this fourth installment of the series that really should have stopped after the first two is hard to sit through.

We do desperately need Dudikoff's Joe though, because our other ninja is Sean, played by David Bradley, who looks too weird and wears too much eye makeup for me to ever fully get behind. Plus he's not a very effective ninja. He spends what feels like half of the film's running time chained to a post in someone's basement. Jackson, who served as Joe's sidekick in the first two movies and then Sean's in the third, would never have settled for that. He would have ripped the post out of the ground, and then ripped off his own sleeves before pulling two giant machetes out of his underwear and kicking some ninja ass.

Speaking of Jackson, this is the first film in the franchise that doesn't have Steve James in it, and when he's absent, you realize how much he made the series in the first place.

I did enjoy the Mad Max band of ruffians who appear mid-way through this movie living in some kind of dystopian society. I'm not really sure where they are supposed to be or why they're all living like characters out of "Ready Player One," but I could roll with it.

It's not like the "American Ninja" movies were ever movie masterpieces to begin with, but the third and fourth installments make you realize how relatively good the first two are.

Grade: C-