Correndo do Destino

So-so movie featuring Ricky - oops, I mean "Rick" - Schroder and a 27 year old Brad Pitt playing high school students. There isn't too much of a story here, and I'm not really sure what the point is. It is good in a way, but the plot just didn't interest me too much. Maybe they should have just released this as a TV-movie instead of a feature film. I guess it is OK if you are bored, but I'd only recommend renting it if you are a fan of Brad Pitt, Rick Schroder, or track. Oh, and the kid who plays Blossom's older brother is in it. Why did this movie receive an "R" rating??

I recommend this movie as one that stands up 25 years later. It is written and directed by Sandy Tung and done so with great empathy for two brothers who both suffer from the loss of their father and the struggles of their mothers, yet do so in two completely different ways. The film being actually shot in Compton gives it a very real feel, rather than a cliched setting. The class issue is one that resonates today, as does the story of why a struggling adolescent can so easily fall victim to the criminal justice system, and how hard it can be for the single working mom. Considering the opiod epidemic, the growing struggles of working people, the hardship for so many to attend college, I found this film to be an intense viewing experience in 2019. Ricky Schroder was captivating. The tale was timeless.

So it's obvious no one would watch this movie for any other reason than to see a young Brad Pitt climb from the depths of the Hollywood industry that is this film.

Generally, I am a fan of Brad for his motion pictures. And this one is actually fairly good.

It's about two brothers on the opposite sides of life. One is studious and smart, the other is the troublemaker. As the brothers compete in high school track, we are caught between the struggle of good and evil, and contemplate it's real meaning at the end of things.

Great vehicle for Pitt, though probably will not appeal to most.

5 Stars

Not much to rave about unless you happen to be a Brad Pitt fan or a follower of Rick Schroder. The two play high school brothers that find some success on the track field. Pitt is trying to walk the straight and narrow; while Schroder is a reform school refugee. Otherwise this movie does good to hold interest against an after school TV movie. Carrie Snodgress plays the passive mother still grieving her husbands death. Thomas Mikal Ford is the "meaning well" track coach. Unrealistic casting hurts.

The snappiest thing about this film is the title. Two American teenage brothers, one a swat and a goody two shoes on the athletic track, and the other a rebellious delinquent (born on the wrong side of the tracks, get it?), end up at the same school after bad boy Billy (Rick Schroder) gets a second chance after a spell at a Borstal.

Members of Billy's delinquent melee try to reclaim him for the bad side, but we all know that is not going to happen. Joe, the elder brother (Brad Pitt), is trying for a scholarship to a prestigious university by running a faster race than anyone else. This is where the story falls apart.

Brad Pitt has by far the more convincing physique. Rick Schroder is good looking enough, provided he stops slicking his blond locks back with a cartload of grease, but he is no athlete. The clever cinematic device of dressing him in black shorts and shirt for the running sequences cannot hide the flab. The slow motion sections (a la Chariots of Fire) only accentuate this.

Watch this if you want to see obviously twenty-something year olds trying to be school kids; if you enjoy folk belting round the running track; if you want to remind yourself of what Brad Pitt looked liked before he became a real actor.

Two redeeming quotations from the film are "The only thing personal is the size of your d**k" and "I thought you were as straight as a virgin's d**k". Memorable because, as I remember, at the age the characters are supposed to be, these comments pepper every day conversation. That there are only two during the 1 hour 40 minutes is an indictment of authenticity.