I'll Fly Away

Television is often considered a medium that suffices to showcase actors and actresses who can not make it on the big screen and/or after they have seen their hey-day! Not so with the cast of I'll Fly Away, whose brilliant characterizations brought to life a time when change was coming for the better, but with it a whirlwind of emotions that swept up its populace in a way in which no other time has done since. The beautifully painted portraits were a study the human condition, from Forrest to Lily, and down thru the ranks of the Bedford children. To the great discredit of television, this series was cancelled when there was so much that was important left to say! This was a landmark series that should be brought to viewers on DVD if for no other reason than to afford it another opportunity to speak its solid values to those who have never seen it, and speak them again to those of us anxious to re-hear!~

"I'll Fly Away" was and always will be my favorite show. Intelligent, well written, and beautifully acted, the show was much more than prime time entertainment and I was absolutely heartbroken when it was cancelled. I was ten when the series premiered, and my mother and I would watch it (and cry) every week. Though it has been years since I have seen an episode, I still never fail to feel a huge lump in the back of my throat at the thoughts of Lily registering to vote, or John Morgan telling his friends that his mother is a famous cowgirl. Each episode was like a small Horton Foote play, and to watch its characters grow over a long period of time was the show's greatest asset.

Though an enormous critical success, I find it tragic that the show has become such a forgotten treasure. In today's cynical world of post-O.J. Simpson, I will always remember "I'll Fly Away" for its shear hope, optimism, and unabashed honesty.

It is high time for this show to be brought back for reruns!!!

Forrest Bedford is an extremely flawed and conflicted character, and his relationship with Lily is deeply strained. Morally, he understands that segregation is wrong and that integration is inevitable, however he worries about the changes Civil Rights will bring as he is bound up with tradition. He beautifully illustrates the mindset of several white southerners as his dilemma is representative of the struggle of tradition vs. change that STILL plagues the modern south.

This show was probably one of the best if not the best TV shows ever to be on television. It was not on the big commercial stations because they were probably too chicken to air it. But I will be always in love with the show and its characters. (Have never really cared for Sam Waterson since) but I have followed Regina Taylor constantly. What a very great talent she is in so many ways. Her soul just pours from her eyes and mouth no matter what role she plays. There may have been hypocrisy in "I'll Fly Away" as some viewers have commented, but I cannot believe that Regina Taylor lent herself to anything that wasn't great!

Respectfully, I disagree with the one comment posted so far.

My wife and I discovered this series when it was on PBS. As stated, we are amazed that something this good was originally on commercial TV. Is it totally unrealistic that a maid would ultimately be that outspoken, and that a Southern white lawyer could slowly have his eyes opened? Maybe. But I think the key is that everything developed slowly, over time. There were no unrealistically sudden conversions.

Among the other things that impressed us: There were no easy answers; every episode, it seems, almost painfully explored issues with complexity. If you want easy answers, this is not the series for you.

"To Kill a Mockingbird" was certainly a classic (although, as my 85 year-old father has observed, Gregory Peck played the same essential character in virtually every movie.) And it may be true that its characterization was true of the vast majority of even well-meaning southern whites. But I accept the possibility that, even in that time, at least one person of color "pushed the envelope". And that at least one Southern white of good heart found himself or herself slowly transformed.

If you can accept this, admire this series for its excellent performances and refusal to take the easy way out in any episode.

This was a sensitive, complex series about a family struggling with the complexities of life in a small Georgia town during the Civil Rights Movement. It was ably acted by the entire cast, beautifully written. Never cloying, always intelligent. Happily, after being shown on regular network television, it was repeated on PBS about a year later. A memorable, glowing work. The finale -- "Then and Now" was wonderful -- but you really should see the entire series to appreciate it fully.

I used to compare it to To Kill A Mockingbird, but realize now that was inappropriate, except in that it was set in the same kind of small town -- many years later -- as Harper Lee's masterpiece. And Forrest Bedford was no Atticus Finch. But nevertheless, I'll Fly Away did have that kind of timeless quality.