Rajadas de Fogo

Taking a break from his heavier Heroic Bloodshed titles of lead characters dying (The Killer, Bullet in the Head, A Better Tomorrow Trilogy) , John Woo returns back to genre which he branded his own with a more playful subject:

Two brothers and their sister (raised under a strict art thief father) clear the debt they owe their father by engaging in high-risk heists. A High Valued French painting is believed to be cursed , whomever attempts to steal the painting dies. This Super-Valued Painting , along with a hidden triangle of love between the three con-artist , are the main themes of the movie

And of course , it features some high class gun-fu featuring Leslie Cheng doing Tom Cruise stunt flips before Tom Cruise was even a thing

So, John Woo, one of, if not the greatest Hong Kong action director, directed a comedy. An action comedy, this is still Woo after all, but still a comedy. The story going that there are these three orphans, who have two foster fathers. One of them a criminal overlord, one a police officer. Initially they lean more towards the former, being master art thieves, but the influence of the latter cannot be denied.

This is a peculiar movie to review. I mean, John Woo is John Woo. When you see one of his movies you expect iron tight action scenes, grim urban settings and tough antiheroes. And while this movie does have all of those, it doesn't feature them in a prominent role. It almost feels like a silly parody of a John Woo film, except that the man himself directed it. And yet at the same time it kinda works. Kinda sorta. I mean, it's silly beyond belief, but the action scenes, when they happen, are of the usual Woo goodness - though admittedly he doesn't bring in his A-game here.

The actors are also charismatic and talented - with Chow Yun-fat once again stealing the show. The silliness of the story means that there are no great character moments, but then again I'd say that there is enough substance here to please those that require three-dimensional characters in order to enjoy a movie.

Once a Thief is a barrel of laughs. Is it John Woo's best work? Not even close. Nevertheless, it's an enjoyable way to spend an hour or two and it certainly doesn't pale in comparison with Western action comedies.

Once A Thief is the first collaboration between John Woo and Chow Yun-Fat after their hugely successful THE KILLER. The movie is about three art thieves that want to still just ONE more picture before they retire. As always it is rather predictable that something very dramatic will happen, but you`ll have to see the movie to find out exactly what. Once a Thief can be called a romantic violence-comedy. The actionscenes are nicely directed, but you won`t be blown away by them as by those in THE KILLER. I don`t like many of the jokes in Once A thief. I think most of them are rather corny and just plain stupid. This is a nice example, where a Hong-kongfilm is TOO weird for a Western audience to really appriciate. But I`m sure that Eastern fans will love it to bits, I didn`t. Worth a look though, and a million times better than the EXTREMELY POOR American re-make from 1996. 7,5/10

It's a good caper with some nice tension and action. Better acting than you would expect in a movie like this.

Once a thief how it was originally conceived by John Woo. And although it was nice that they let him remake(remade) his own work (but sadly for a TV audience as an appetizer for a TV show), this still is the real deal!

Chow Yun Fat is captivating as ever, but you also have the great Leslie Cheung, who sadly took his own life a few years ago. But roles like this one make him unforgettable. Overall the movie is a little bit lighter than your average John Woo film, although that doesn't mean you won't recognize it as one! Normally this shouldn't be the first John Woo film you watch, but even if so, it doesn't matter, because you will enjoy it either way! :o) (at least that's what a Woo fan like me is saying/thinking!)