Extro II - O Reencontro

I have seen all of the "Alien" films. I loved the "Alien" films. But the one I loved best was "Aliens", partly because of James Cameron's brilliant writing and directing, but mostly because I loved the guns. Oh, the guns! The M41-A Pulse Rifle rocked, but even better than that was the mighty Smartgun. I am a "connoisseur" of Alien ripoffs. So naturally, when I heard that this movie had a smartgun-like weapon in it, my response was, of course, "where can I find this movie?" After searching I finally came across it, and popped it in my DVD player.

Wow.

This movie absolutely blew me away with its unrelenting "Aliens"-style tense action, but mostly I was pleasantly surprised to find not only a smartgun-like weapon, but a near perfect smartgun replica! I was practically vibrating in my seat when I saw that thing fire.

But aside from the gun, I generally enjoyed the movie. It didn't have a "feel-good" happy- skippy ending, but it didn't have a "everyone dies" ending, which I appreciate (though the ending does confuse me a bit...) The creature design was brilliant. In all the "Alien" ripoffs I've seen, (besides the later "Alien Lockdown", which is more of a PredAlien anyways) this by far had the best creature. It even did the famous "headbite", but with its whole head! Altogether, I enjoyed this movie more than "Alien Resurrection" and "Alien 3 " combined.

Overall, I recommend this movie if you are a fan of "Alien" ripoffs, and have the patience for a bit of wooden acting.

Now I think that I can appreciate a movie if it doesn't have brilliant sets brilliant actors or even a brilliant plot. But this film? No way! It was dull it was pointless it was a rip off of alien for the first part then Aliens for the second. Also it has absolutely nothing whatsoever to do with the first film Xtro, I am guessing they just called it Xtro II to try and get some people to buy it, and I am one of those people. The acting is awful the characters are lame the sets are not very complicated if you know what I mean, the special effects are not that special although the alien actually is passable as a fun monster if not a realistic one. Now this is full of cliches but where as Cyborg Cop seems to know it's using cliches and relishes in the fun this movie takes itself completely seriously, the only part where it started getting interesting was near the end but that was only getting upto a 2 or 3 on the excitometer. All in all a bad film, Paul Koslo was much better as the evil Russian counterpart in Robot Jox, here he is just plain wooden. I wouldn't recommend this movie to anyone except maybe if you put together a short five minute movie of the edited highlights. A waste of time. 2/10

I recently watched Xtro 2 (1991) on YouTube. The story follows a group of scientists working in an underground bunker who build a teleportation device to access another dimension. But once they open the portal, they have no idea what's waiting on the other side-or what might come through into our world... and they're about to find out.

Directed by Harry Bromley Davenport (Xtro), the film stars Jan-Michael Vincent (The Mechanic), Rachel Hayward (Cruel and Unusual), Paul Koslo (The Omega Man), and Tara Buckman (Silent Night, Deadly Night).

This sequel is a letdown. It feels like a made-for-TV movie and plays like a low-budget Aliens knockoff. The dialogue is stiff, the acting unconvincing, and the horror elements are weak-aside from a few decent corpse effects. The setting is passable for the story, but overall, there's nothing particularly memorable or original here.

I'd give this a 3/10 and recommend skipping it.

This movie is fun from start to finish. The idea of a rescue team being trapped inside a top secret government research lab that has unleashed an alien creature from another dimension is fun. Paul Koslo from Omega Man, Tara Buckman from B.J. and the Bear and Jan-Michael Vincent from numerous b movies lead the cast as the scientists who developed the device that opens the doorway. Jan being brought back after being forced to retire because he destroyed the last facility that the device was used in and once again opened a doorway allowing alien creatures to escape!! Nicholas Lea is the young LT. of the rescue team, an early chance to see the man who would become Krycek on the X-Files. The cast continues to drop off trying to stop the creature from escaping. The effects are o.k. but there is one very good death of a rescue team member by the alien through a wall. Overall the story is entertaining.

A watchable yet highly derivative work with a good-bad ratio that about balances the scales.

There's absolutely no point in bellyaching about its sequel-ship as proceeding Xtro from ten years prior because it is public record that a sequel couldn't be made unless it was in name only due to legal issues. I for one had enough of Xtro the first time around so it's no tragedy to me that this film had nothing to do with it.

Unlike its predecessor this film can't be mined for archetypal meaning. It is devoid of any depth, if I do say so myself.

Forget about Alien; Xtro 2 is a poor man's remake of "Metamorphosis: The Alien Factor" from 1990; another sequel that had nothing to do with its weird and disgusting older sibling.

But of course we can't forget about the impact of Alien on this film. The shots of the parallel dimension are almost identical (at a glance) to what we see on the monitors in front of an electrified Ash as Dallas, Lambert and Kane explore LV24. Then we have the entrance of the monster (I like the unzipping effect in Xtro 2, though).

Aesthetically this film is like a graphic novel set in the dark. It's quite impressive how they managed to get so much black in the background that all we see for the most part are the cast, creature, and the artefact of interest (a ripped grate, for example). I also appreciated that Jedburg was there at the bottom of the elevator shaft, as he should have been.

As I said: watchable, highly derivative, decent monster, aesthetically minimalist. A cultural summation rather than contribution. You know what you're getting.