AVALIAÇÃO DA IMDb
6,9/10
4,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which... Ler tudoThe familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
- Direção
- Roteirista
- Artistas
Yves Dangerfield
- René Valadon
- (as Vincent Vallier)
Marie-Louise Stheins
- Jet Mauve
- (as Marie Louise Stheins)
Johanna ter Steege
- Jo Bonger
- (as Johanna Ter Steege)
Avaliações em destaque
I have to admit that it took me a while to grasp this movie. My knowledge about Vincent Van Gogh's life is huge (very modest, I know), and I thought that there is nothing new I could learn about him- until I saw this film. Its realistic style is just killing me. You're not gonna see in it any Hollywood glamour or something, Nothing's fixed or cut- Everything is shown like it's for real (unlike "Lust for life", which is a great film, but not as "Vincent and Theo"- well, it's very different). The focusing on the amazing relationship between the two brothers is great, but I think they should focus on the famous letters as well... but it's okay anyway. Tim Roth is a fabulous actor, and he acted Vincent's role very good.
The one who act Theo is also great. The end is so sad and good, and shows that not only Vincent needed Theo's help. Theo needed Vincent's help as well. Some of the scenes are just unforgettable- Vincent painting in the sunflowers field, for example. The director used amazing camera effects! It looks soooo surrealistic, but yes, you feel like you're watching the sunflowers through Vincent's eyes, through the madness. It's an amazing, shocking, interesting and full of Vincent's magical yet tragic life.
Everyone who has even the slightest interest in Vincent Van Gogh- watch it!!!
The one who act Theo is also great. The end is so sad and good, and shows that not only Vincent needed Theo's help. Theo needed Vincent's help as well. Some of the scenes are just unforgettable- Vincent painting in the sunflowers field, for example. The director used amazing camera effects! It looks soooo surrealistic, but yes, you feel like you're watching the sunflowers through Vincent's eyes, through the madness. It's an amazing, shocking, interesting and full of Vincent's magical yet tragic life.
Everyone who has even the slightest interest in Vincent Van Gogh- watch it!!!
The familiar tragic story of Vincent van Gogh (Tim Roth) is broadened by focusing as well on his brother Theodore (Paul Rhys), who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
There is no overstating the acting talents of Tim Roth. While American audiences may not have really noticed him until "Reservoir Dogs", he had been acting since 1982 and this film may have been his first great role. He makes Vincent his own, fully becoming the character.
Robert Altman had a great decade in the 1970s, slumped a bit in the 1980s, but came back hard in the 1990s with this one. He was a master and utilized Roth to the fullest.
There is no overstating the acting talents of Tim Roth. While American audiences may not have really noticed him until "Reservoir Dogs", he had been acting since 1982 and this film may have been his first great role. He makes Vincent his own, fully becoming the character.
Robert Altman had a great decade in the 1970s, slumped a bit in the 1980s, but came back hard in the 1990s with this one. He was a master and utilized Roth to the fullest.
This story is one of the most interesting I know. Unfortunately, the script misses the real drama of this important life. But never mind. The real art of the film is in two achievements:
--Altman frames and colors his shots through Vincent's eyes. This is the most sensitive use of the cinematic palette I've seen, and makes the experience singular. I saw it on a TV, which I hate to do. I would travel to see this properly projected.
--Time Roth gives interprets Vincent wonderfully. If you ignore the lines, which are vapid, and concentrate on his being, it's quite nuanced. He is meek in body, but passionate in expression. The teeth and pipe are great.
--Altman frames and colors his shots through Vincent's eyes. This is the most sensitive use of the cinematic palette I've seen, and makes the experience singular. I saw it on a TV, which I hate to do. I would travel to see this properly projected.
--Time Roth gives interprets Vincent wonderfully. If you ignore the lines, which are vapid, and concentrate on his being, it's quite nuanced. He is meek in body, but passionate in expression. The teeth and pipe are great.
Although Robert Altman is proficient in re-creating the scenery of Van Gogh's life through the eyes of the painter with striking color and a vaguely bohemian atmosphere, he still fails to present Van Gogh the man or the artist in with any genuine originality. He focuses on Van Gogh, the tormented saint-artist, who forges ahead on the canvas with a drive to present the "suffering" of humanity. However, Altman precludes Van Gogh's obvious manias, his periods of demented elation. It is impossible to believe that the Van Gogh presented here could have produced those vibrant wheat fields in Arles, or the Night Café. What remains in this fractured (though never incompetent biopic), is Tim Roth's virtuoso performance; he managed to literally crawl into the skin of Van Gogh, and the result may frighten you. However, his virtuosity always overshadows Paul Rhys' rather tepid presentation of his brother Theo, though there are other admirable performances in the film, such as Wladimir Yordanoff's amiable presentation of Gauguin. Altman seems to be commenting, rather uninterestingly, about the commercial dimension of artistry, and of the impossibility of true recognition of genius. This is a conventional portrait of the unrecognized genius, it is a tale told again and again. However, Altman's imagery is captivating (with the help of Storraro), the photography looks like vibrant halos emitted by Van Gogh's paintings, though the musical score is dreadful and morbid. Still you much watch this one for Tim Roth's inspired performance if nothing else.
Long time I searched for this movie, and when I fainly found it I was very enthusiastic to see it. I have a great connection with Vincent Van Gogh, and I would like to see every movie that was made about him, ever. Before I saw "Vincent and Theo" I saw "Lust for life", another movie about Vincent, with Kirk Douglas. and I have to say it's very different. "Vincent and Theo" Focus on the relationship between Vincent and his brother. And it also shows Vincent's life in a very realistic and different film I saw about him. Last thing-the actors are incredible! Especially Tim Roth. he's perfect as Vincent.
Você sabia?
- CuriosidadesMoney on reproductions of Van Gogh's masterpieces was saved by hiring art students to do them.
- ConexõesEdited from Vincent & Theo (1990)
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.231.274
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.585
- 4 de nov. de 1990
- Faturamento bruto mundial
- US$ 2.231.274
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