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IMDbPro

Dois Olhos Satânicos

Título original: Due occhi diabolici
  • 1990
  • R
  • 2 h
AVALIAÇÃO DA IMDb
6,1/10
8,8 mil
SUA AVALIAÇÃO
Dois Olhos Satânicos (1990)
Two horror tales based on short stories by Edgar Allan Poe, directed by famed horror directors George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely; a sleazy reporter adopts a strange black cat.
Reproduzir trailer1:22
1 vídeo
99+ fotos
Terror popularHorror

Uma dupla de adaptações de Edgar Allan Poe sobre a tentativa de uma esposa gananciosa de desviar a fortuna de seu marido moribundo e a adoção de um estranho gato preto por um repórter despre... Ler tudoUma dupla de adaptações de Edgar Allan Poe sobre a tentativa de uma esposa gananciosa de desviar a fortuna de seu marido moribundo e a adoção de um estranho gato preto por um repórter desprezível.Uma dupla de adaptações de Edgar Allan Poe sobre a tentativa de uma esposa gananciosa de desviar a fortuna de seu marido moribundo e a adoção de um estranho gato preto por um repórter desprezível.

  • Direção
    • Dario Argento
    • George A. Romero
  • Roteiristas
    • Edgar Allan Poe
    • George A. Romero
    • Dario Argento
  • Artistas
    • Adrienne Barbeau
    • Harvey Keitel
    • Ramy Zada
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    8,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Dario Argento
      • George A. Romero
    • Roteiristas
      • Edgar Allan Poe
      • George A. Romero
      • Dario Argento
    • Artistas
      • Adrienne Barbeau
      • Harvey Keitel
      • Ramy Zada
    • 78Avaliações de usuários
    • 88Avaliações da crítica
    • 61Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 indicações no total

    Vídeos1

    Official Trailer
    Trailer 1:22
    Official Trailer

    Fotos109

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    Elenco principal38

    Editar
    Adrienne Barbeau
    Adrienne Barbeau
    • Jessica Valdemar (segment "The Facts in the Case of Mr. Valdemar")
    Harvey Keitel
    Harvey Keitel
    • Roderick Usher (segment "The Black Cat")
    Ramy Zada
    Ramy Zada
    • Dr. Robert Hoffman (segment "The Facts in the Case of Mr. Valdemar")
    Bingo O'Malley
    Bingo O'Malley
    • Ernest Valdemar (segment "The Facts in the Case of Mr. Valdemar")
    Jeff Howell
    • Policeman (segment "The Facts in the Case of Mr. Valdemar")
    E.G. Marshall
    E.G. Marshall
    • Steven Pike (segment "The Facts in the Case of Mr. Valdemar")
    Madeleine Potter
    Madeleine Potter
    • Annabel (segment "The Black Cat")
    John Amos
    John Amos
    • Det. Legrand (segment "The Black Cat")
    Sally Kirkland
    Sally Kirkland
    • Eleonora ("The Black Cat")
    Kim Hunter
    Kim Hunter
    • Mrs. Pym (segment "The Black Cat")
    Holter Graham
    Holter Graham
    • Christian (segment "The Black Cat")
    • (as Holter Ford Graham)
    Martin Balsam
    Martin Balsam
    • Mr. Pym (segment "The Black Cat")
    Chuck Aber
    Chuck Aber
    • Mr. Pratt (segment "The Facts in the Case of Mr. Valdemar")
    Jonathan Adams
    Jonathan Adams
    • Hammer (segment "The Facts in the Case of Mr. Valdemar")
    Tom Atkins
    Tom Atkins
    • Det. Grogan (segment "The Facts in the Case of Mr. Valdemar")
    Mitchell Baseman
    • Boy at Zoo (segment "The Facts in the Case of Mr. Valdemar")
    Julie Benz
    Julie Benz
    • Betty (segment "The Black Cat")
    Barbara Bryne
    • Martha (segment "The Black Cat")
    • Direção
      • Dario Argento
      • George A. Romero
    • Roteiristas
      • Edgar Allan Poe
      • George A. Romero
      • Dario Argento
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários78

    6,18.8K
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    Avaliações em destaque

    6utgard14

    Minority Opinion But I Liked Romero More

    George Romero and Dario Argento, two great horror directors, tackling two short stories by Edgar Allan Poe. Sounds like a surefire hit. So why isn't it? Romero writes and directs his story, "The Facts in the Case of Mr. Valdemar." It's about a woman (Adrienne Barbeau) whose rich husband, Ernest Valdemar, is on his deathbed. A doctor (Ramy Zada) she's been having an affair with hypnotizes Valdemar into signing over all of his money to his wife. But Valdemar dies while hypnotized so he's stuck in between life & death and is surprisingly unhappy about it.

    The biggest problem with Romero's story is that it feels like it was made for television. The annoyingly cheap and ceaseless music score doesn't help. Barbeau is the best part. She makes a paper-thin character work. She's also some very nice eye candy. E.G. Marshall plays Valdemar's attorney, who knows something is up but can't do much about it. Tom Atkins plays a homicide detective who conveniently answers 911 calls about screaming neighbors. The climax sees Romero turning Poe's story into something that belonged in Creepshow, which Romero directed and Barbeau, Atkins, and Marshall also appeared in. If this story was the entire movie, I might rate it a little higher. It's not great and there are big problems (that music!) but it's a passable time-killer. However, the other story drags the score down.

    The Argento story is more stylishly directed, as you might expect. It's also more poorly written, as you might also expect. It's got lots of Poe references to establish Argento is clearly a fan but there's nothing of Poe's talent in this one. The story is "The Black Cat" and it's about a crime scene photographer (Harvey Keitel) who kills his girlfriend's cat. Then he goes crazy and it's a whole thing. Honestly, even with Keitel's bizarre performance and Argento's visuals, this one was a snoozer for me.

    I think if you look at some of the other reviews here, particularly from those who love the movie, you'll see I'm in the minority on this. Most people seem to prefer Argento's story and hate Romero's. In a way, I get that. Argento has more style and a devoted cult following. I have enjoyed several of his horror films, though not enough to call myself a big fan of his. So take that into consideration. If you're someone who generally prefers a Dario Argento type of horror film, you are likely to prefer the second story to the first. Either way I'll be surprised if you love either of them, as they are both pretty mediocre.
    BaronBl00d

    Poe Lives On!

    Horror meinsters George Romero and Dario Argento each direct an hour long(or so) segment based on stories by Edgar Allan Poe. Romero's is first and is based on a lesser Poe story "The Strange Facts in the Case of M. Valdemar." A wealthy man is dying and hypnotized by a doctor who is aiding the rich man's beautiful wife for money and other fringe benefits. This segment is fairly well-conceived by Romero(who also wrote the script). The horror is more subtle than what you might expect and not very gory. Adrienne Barbeau, still quite a dish, does a good job as the ruthless wife and Ramy Zada does a mediocre job as her accomplice. E. G. Marshall has a bit part that he devours with gusto. The second segment by Argento naturally is the more bizarre and bloody. It is based on the oft-filmed story "The Black Cat." Argento creates a story about a photographer, played by Harvey Keitel, specializing in crime scene photos that also enjoys killing cats. Eventually his instincts lead to much higher organisms. This is also a decent piece as a whole. It has a load of famous actors: John Amos, Martin Balsam, and Kim Hunter. Argento puts a weird dream sequence that is nicely shot but has little relevance to the plot at all. This segment has a big payoff scene at the end that was very original if nothing else. Although certainly more suspenseful then Romero's piece, I liked the first one a bit more. It seemed to have greater continuity. Neither piece has any real life to it, and I think the film suffers a bit from the two story format. It is entertaining though and does provide a few honest chills.
    6capkronos

    Worth sitting through for Argento's segment.

    Instead of your usual trilogy or anthology, TWO EVIL EYES is two hour-long Edgar Allan Poe adaptations written for the screen and directed by two top horror directors. "The Facts in the Case of Mr. Valdemar" (by George A. Romero) concerns a money-hungry wife (Adrienne Barbeau) and a greedy doctor (Ramy Zada) who team up to kill off the elderly husband Ernest (Bingo O'Malley) for his money. They unwisely use hypnotism to lure the victim to catatonia, which also allows Ernest to return from the dead and seek revenge. The storyline is too cliché in this outing and it's pretty dull despite an excellent lead performance from Barbeau and good (though sparsely used) Tom Savini make up FX. "The Black Cat" (by Dario Argento) is the reason to watch the movie. Harvey Keitel is typically good as Roderick Usher, an alcoholic crime photographer who makes a living publishing mondo photographs. His book ("Metropolitan Horrors") stirs up lots of controversy. The horror angle is added by a sinister black cat that constantly pops up in Usher's life and starts to drive him mad. Mixing elements from several Poe stories, Argento's flair for visual style and color schemes, loads of clever Poe reference (including nods to his "Pit and the Pendulum" and "Premature Burial") and lots of surprises, "The Black Cat" manages to be both entertaining and disturbing. Tom Savini also did FX for the segment (and appears). Pino Dinaggio did music for both.
    7suspiria10

    I Got Double Vision....

    Two mad tales by Edgar Allen Poe as envisioned by two of the most respected horror directors in the world. In The Facts in the Case of Mr. Aldemar we are shown the evils of greed when the wife of a dying man is manipulated through hypnosis to steal his fortune before his death. But when the doorway between our world and the next is inexplicably held open we are introduced to the others. In The Black Cat we are introduced to Usher a crime scene photographer with a dark side and the eye for the macabre. When a proposed photography book falls through he uses his girlfriends cat to add more evil to his already twisted book. But this cat has more than nine lives and an evilness all its' own.A solid outing by two of my all time favorite directors. Barbeau and Keitel steal their respective episodes but look for cameos by Christine Romero and the FX guru Tom Savini. The production design is solid and the make-up effects (by Savini's crew) are awesome. Both tales are briskly paced and fans of the directors' should be pleased. 7/10
    6nick121235

    Surprisingly good

    Two Evil Eyes is a collaboration by two horror masters; George A. Romero (Night of the Living Dead), and Dario Argento (Suspiria). Special effects are also provided by the top name in horror movies of the period, Tom Savini. To top it off, both stories are based on works by Edgar Allan Poe, arguably one of the largest influences on works of horror, well... ever. And the efforts of these great names quite lives up to expectations. In fact, it may succeed them if you are aware of the decline in the quality of output by both of these directors around this time period. Romero's next film after Two Evil Eyes was the appalling King adaptation The Dark Half, and Argento's the lukewarm Trauma. So if one is knowledgeable of this it would be nothing but natural to approach this film tentatively. Fortunately, your fears will be calmed. The first half is titled The Facts in the Case of M. Valdemar, and is based on the Poe short story of the same name. Romero's adaptation is a fun and concise update. The storyline is engaging, easy to follow, well acted, well shot. I wouldn't say that it's going to blow your mind but it's certainly enjoyable. Argento's effort, as would be expected, was somewhat more complicated. In terms of quality, plot, and appearance. The Black Cat is, mainly, based on the well known Poe story of the same name. It also incorporates nods to other works by the author and the main character's last name is Usher. The story is somewhat muddled and confusing, but that really comes with the territory when Argento is concerned. There are also a few questionable set choices but overall I really found the second half very enjoyable as well. Overall I really think that Two Evil Eyes is a pretty damn enjoyable selection and probably more even than I've made it sound. It's better than its place in the filmographies of the respective directors would suggest as well.

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    Horror

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Dario Argento originally wanted the film to be a collaboration between four directors: him, George A. Romero, John Carpenter, and Wes Craven. Carpenter and Craven pulled out, so Argento and Romero decided to tackle the project as a two-part story, each directing his own segment separately.
    • Erros de gravação
      In second story when police comes to search the house, phone is shown unplugged and not working, but it rings just a few minutes later, working fine.
    • Citações

      Roderick Usher (segment "The Black Cat"): Hey, this is my fucking kitchen , and I'll fucking stay, and I'll fucking drink if I fucking want!

      [phone rings]

      Roderick Usher (segment "The Black Cat"): I DIDN'T FUCKING DO ANYTHING!

    • Cenas durante ou pós-créditos
      Before the narrative of the film starts, the Poe house in Baltimore is shown, with a plaque reading: Edgar Allan Poe 1809 1849 Dreaming dreams no mortal ever dared to dream before.
    • Conexões
      Featured in Dario Argento: Master of Horror (1991)

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    Perguntas frequentes19

    • How long is Two Evil Eyes?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • agosto de 1991 (Brasil)
    • Países de origem
      • Itália
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Dos ojos diabólicos
    • Locações de filme
      • 1250 Fox Chapel Road, Fox Chapel, Pittsburgh, Pennsylvania, EUA(Valdemar mansion - segment "The Facts in the Case of Mr. Valdemar")
    • Empresas de produção
      • ADC Films
      • Gruppo Bema
      • Heron Communications
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 9.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 349.618
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 260.410
      • 27 de out. de 1991
    • Faturamento bruto mundial
      • US$ 349.618
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h(120 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
      • Dolby Atmos
    • Proporção
      • 1.85 : 1

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