O Vingador do Futuro

In 2020, Douglas feels he needs a break from the day to day life and goes to Total Recall – where memories are planted in your head to make you think you are someone else for a while – a holiday in your head if you will. However before he can be injected he begins to have flashbacks and suddenly finds that people are trying to kill him and that somehow he must get to Mars to uncover the reasons. However what is truth and what is fake and is the whole thing really happening or not?

Based on a Phillip K. Dick story this was always going to be intelligent – however it's surprising that Verhoeven manages to keep that core well. The plot allows his excessive violence but is also a great story that more than holds the interest with twists and turns and neither Douglas or us fully knowing what's going on. The action is great – even 10 or so years on, and the tension just stays solid throughout.

Schwarzenegger does his usual invincible muscles stuff and looks happy blasting crowds, but he is also OK in other areas too. Tictin is good but never repeated this success for herself. The baddies (or maybe not?) are the best roles – solid baddies like Ironside and Cox are just as good as they were in other similar roles and Sharon Stone is good as Douglas' wife.

Overall this continues Verhoeven's trend of making ultra-violence and clever plots and satire work well together (Robocop, Starship Troopers and this) as opposed to his trend of making trash! Everything about this film works well – whether it be the action or the acting or the plot – a surprisingly nice package for a violent action movie!

Total Recall is without doubt Arnold Schwarzenegger's best movie since The Terminator. Arnold fits perfectly in the role of Doug Quaid (definitely his best acting in a movie to date) the confused construction worker and Ronny Cox provides his usual evil plotting arch bad-guy. The impressive visual effects are worth the movie's $100million price tag, and Paul Verhoeven proved that, as with Robocop and Starship Troopers, sci-fi is where he does his best work.

What does spoil films like these, however, are people who cannot grasp the concept of Science FICTION, and refuse to suspend their belief for 2 hours(a vital part of enjoying these movies). Movies like this don't work without the overplayed violence, cheesy one-liners and stunning effects. Take away any of these elements and you no longer have a sci-fi action movie.

Chill out, check out and enjoy...

One of the best mind trips ever, I could only wish this movies was made ten years later. Even for 1990, this film had some of the most imaginative make-up I've ever seen in a movie. While it had Paul Verhoeven's classic shallowness, the film really touched new ground not only with science fiction but also with special effects. Talk a good few years for a director, he not only changed sci-fi with Robocop, he did it again with Total Recall. Verhoeven will never, ever win an Oscar for best director, but his movies will at least be entertaining in most respects.

When a man (Arnold Schwarzenegger) goes for virtual vacation memories of the planet Mars, an unexpected and harrowing series of events forces him to go to the planet for real, or does he?

One could consider "Total Recall" part of a Philip K. Dick trilogy: Blade Runner, Total Recall and Minority Report. With A Scanner Darkly and Paycheck (among others) creating an extended trilogy (you know, like Douglas Adams did). Total Recall is easily worthy of standing beside Blade Runner. And even as a stand-alone sci-fi film, it ranks as one of the better ones of the 1990s, if not all time.

One of the great things about Total Recall is the ambiguous nature of the story. Is it a dream? A brain embolism? Reality? Any of these has evidence to support it and also to contradict it. And this is a strength for the movie.

There is a certain absurdity with the special effects -- eyes bulging and whatnot when the people lose oxygen. In real life you would simply die in space, not explode. But at the same time this was somewhat amusing and a bit comical so it can be overlooked. Besides, coming from Rob Bottin ("The Thing"), the focus should be on the strengths of the makeup and effects and not the possible shortfalls.

The casting was great. Arnold was a great choice, and no one else could be Quaid. Kurt Russell, Stallone, Swayze... these guys are great but not right for this part. And Sharon Stone was looking her best for this movie, and since her role seemed to be the sexpot wife who does little more than exercise and seduce her husband, that is a big endorsement.

Clearly the best character was Benny the Cab Driver, played by Mel Johnson, Jr in his only notable role. He stole the scenes he was in with great comic timing and an interesting back-story. I was quite interested by how he went from being what could have been a minor background role to a primary figure in the overall plot. Exquisite.

I guess I simply must recommend you see this movie. If you have not seen Blade Runner, watch that first. If you have not seen Minority Report, watch this first. But either way, be sure that you put this movie somewhere high on your to-do list.

The red pill and how's a dream comes reality.... I rewatched this movie after almost 30 years and definitely is a classic. The script and action is so much better than today's full CGI movies.