Stella, uma Prova de Amor

First off, I would just like to say what a big fan of Bette Midler's I am. Stella is a very good movie with a wonderful cast (Bette Midler, John Goodman, Trini Alvarado, Stephen Collins, Marsha Mason) This is one of my favorite films of all time. It deals with a mother raising a child on her own, she goes through a lot of things that are out of her way to bring up her daughter Jenny played wonderfully by Trini Alvarado. This movie is very good and I suggest that you pick up a copy to watch it. Roger Ebert gave is 3 1/2 stars! And it deserved 4! WONDERFUL! I give it 4 out of 4!

This is the weepy that Beaches never was. As much as I wanted to love Beaches, it always seemed too hurried for me to "feel" for it (its soundtrack is one of my favorite albums though). Stella, on the other hand, moves at a slower (and occasionally too slow) pace and though it's somewhat manipulative in its tears-inducing tale about a self-sacrificial mother, it works because Bette and the rest of the cast turn in great performances. 10/10

The "Stanwyck version" is not, as other reviewers seems to believe, the "orginal" and to my mind the performance in the genuinely original (1925) version by Belle Bennett is quite the best. The problems with Midler's performance have been well rehearsed but there are serious problems too with Stanwyck's performance. The 1937 version tracks the original almost exactly (the only real difference obviously being sound)losing some significant detail but without really improving it in any way. Stanwyck is miscast. Her "vulgarity" comes and goes in a totally illogical manner and when she suddenly converts herself for no obvious reason into some sort of clown towards the end of the film, it doesn't really make any sense. Bennett's performance builds the character much more consistently and convincingly. The daughter too is far less saccharine and far more believable than in the 1937 version. The original is also far more frank in confronting the class issue which is somewhat air-brushed in the 1937 version. Arguably Midler returns to something closer to the original but I do not think her performance as good as Bennett's.

This is one where some terrific performances are trapped in a movie that, as a whole, doesn't quite work.

Bette Midler shines as Stella, a working-class high school dropout who slings drinks in an Upstate New York bar. She meets a rich college boy (Stephen Collins) who's taken with her quirky zest for life and they have a kid. But marriage is out of the question. Stella knows in her heart she'd never fit into his world. As the kid grows up, Stella wrestles with what's best for the kid versus what she wants for herself. This quandary eventually leads to a mother's sacrifice.

Based on the 1923 novel STELLA DALLAS by Olive Higgins Prouty, this story was first filmed in 1925 with Belle Bennett and again in 1937 with Barbara Stanwyck as the star. By 1990 the story just seemed far-fetched and very old-fashioned and Midler's follow-up to the smash hit BEACHES was a box-office disappointment.

It's a shame because Midler gives a terrific performance. Her Stella is full of love and self-doubt as she rides the highs and lows of her threadbare life. She eventually ends up selling cosmetics door to door to pay for things for her daughter (Trini Alvarado). Stella puts her life on hold to give her daughter what she thinks the daughter wants. Only problem is the daughter wants something else.

Also very good in this film are John Goodman as Ed, Stella's longtime friend who's on a downward spiral, and Marsha Mason as the warm and understanding Janice, the woman who will become the daughter's step-mother.

Others in the cast include Ben Stiller, Linda Hart, Eileen Brennan, and William McNamara ... but watch this one for a great performance by Bette Midler.

I can sympathise with Bette Midler's desire to extend her range, especially following her personal triumph in "Beaches". Throughout "Stella" she bears evidence of a thinking, intelligent actress, and she has my profound admiration for that. But good intentions do not make for a good movie, nor indeed for a good performance. As the redoubtable Stella Dallas - so memorably played by Barbara Stanwyck in 1937 - Midler gives an hysterically over detailed performance. Straining pathetically for heart throbs, she makes herself look more than a little ridiculous - and for a woman who started her career singing in a gay bath house, that's saying something.

But whilst I can't see the film as more than the standard mother-love soap opera, its good to see an actress daring to hang herself in public. Her performance doesn't really work, but the effort in itself is fascinating, and at times she comes so close to making us believe in the film.

With a stronger director and a better script this might have been something special. But Midler has had to carry it alone, and that's simply no way to treat the Divine one.