Expresso Macabro

THE SLEEPING CAR opens with a couple having sex aboard a train as it rolls down the tracks. Clickity clack! Too bad for them that it crashes and explodes. Boom!

Next, we're introduced to Jason McCree (David Naughton) who moves into his new apartment, which is a renovated train car. It's a nice place, except for the ghost. He's called "The Mister" and he's one unhappy spook!

Death and alleged "hilarity" commence.

Anyone remembering Naughton from his role in AN AMERICAM WEREWOLF IN LONDON might expect this movie to be equally enjoyable. It's not. At all.

This is a ridiculous horror-comedy containing more cheeeze than a Super Bowl party! As far as the "humor" goes, there are more groaners here than in any packed Emergency Room!

ONE REASON TO WATCH THIS: If you've ever wanted to see a college professor folded into a sofa bed. Now, that's funny!...

''The Sleeping Car' is by no means a good film. It's slow moving, lacks any atmosphere, and gets rather tedious at times, but it still manages to deliver the goods, or at least some of them. The production values are passable, but far from bad, and the script works to a degree, but for some reason the pieces don't fall into place as they should. The body count is only four, making it too tame to be a slasher movie (though it does hint at that, especially during the overlong climax), but too juvenile to be a psychological thriller/horror film.

The acting isn't bad, but it sure isn't all that great. It seems like the actors were booked for three or four days for filming, and just wanted to get it over with, so they didn't seem to put a lot of effort into it. No one in particular stands out, and the characters don't make the movie any more interesting. On top of that, none of the characters are very well developed, with the exception of the professor, so that does little to help the cause.

Still the movie does have several things working for it, not the least of which is some pretty impressive special effects for a movie of this caliber. Another is the creative and very gruesome death scenes, which may be the best part of this 'not quite there, but close' horror flick

6/10

Mature student Jason (David Naughton) rents an old train carriage that has been converted for accommodation, only it is haunted by its former owner, The Mister. The start of the film takes place 10 years previously, The Mister is an engineer onboard a train that crashes with another train because one of his colleagues is busy having sex and the explosive accident is a result. "I like to joke" says Jason and indeed he does - to the point where it becomes a little tiresome. Naughton's character is very similar to the one he played in "An American Werewolf in London", his one liners, he meets a girl, falls in love, etc. The film also has a dream within a dream sequence, something else that was done far better in that classic werewolf movie. A couple of men are killed by the sofa in the sleeping car, these deaths are quite good though there is not much in the way of gore. Could have done with a higher body count too. The are two welcome sex scenes featuring topless females. The first half of the plot is quite slow, the finale is alright but too little too late to save this from mediocrity. I used to a have a VHS poster for this back in the day, a classic case of great artwork, average movie. Although released in 1990 it is very much an '80's horror movie and that's no bad thing.

My review was written in March 1990 after watching the film on Vidmark video cassette.

"The Sleeping Car' is an above-average horror flick released theatrically Feb. 2 in regional markets such as Pittsburgh and Nashville ahead of it video debut in mid-May.

Effort by Vidmark aimed at theatrical audiences would probably have gotten a better shot several years ago before horror pics glutted the market.

It has a stronger plot and cast than usual in limning the familiar tale of haunting, in this case a railroad car that was the scene of sex and murder ten years earlier.

David Naughton is a little long in the tooth, but effective anyway, as the hero on the rebound from a failed marriage (with Dani Minnick) who goes back to school to study journalism with hip prof Jeff Conaway (a fun performance).

He rents the sleeping car as a cheap abode from goofy landlady Ernestinge Mercer and has '60s hippie leftover Kevin McCarthy as an even goofier neighbor. Thanks to interesting gore and makeup effects by John Carl Buechler (also doubling as actor in the ten-years-earlier segments), pic's depiction of poltergeist appearances has some novelty and drive.

Douglas Curtis pilots the picture with self-assurance, stumbling only in a series of false wakeup endings that are a direct lift from John Landis' "An American Werewolf in London", which also starred Naughton.

Greg O'Neill's flippant and unpretentious script is refreshing, giving Naughton plenty of tongue-in-cheek rejoinders to lighten up the film and establish a tone early on that's amplified by Conaway' "everything is everything" approach.

Judie Aronson, who made a nice impression in a small role in "Cool Blue", is an unusual looking beauty who is arresting as the sexually liberated romantic lead. Effects by Buechler and others are solid.

"The Sleeping Car" is a pretty insignificant and worthless horror film that is made endurable by a couple of nice special effects and a neat supporting role by Kevin McCarthy. The plot revolves on an over-aged journalism student Jason (David McNaughton from "American Werewolf in London) who rents an old, refurnished train carriage to live in. This carriage – the sleeping car – is possessed by the spirit of "the Mister", the landlady's late husband who was responsible for a huge train crash ten years earlier. The screenplay doesn't make that much sense, but you can hardly consider that an obstacle in early 90's horror movies. There's some nice murdering and the female lead Judie Aronson is yummy. What's really annoying about the "the Sleeping Car" are the constant witty remarks of protagonist Jason McCree. He uses a supposedly funny one-liner every time his character does or says something. Even in the climax, when he's fighting (?) the demon, he interrupts the action for a lousy remark...Very annoying.