Minhas Idéias Assassinas

A Shock to the System is directed by Jan Egleson and adapted to screenplay by Andrew Klavan from the novel written by Simon Brett. It stars Michael Caine, Elizabeth McGovern, Peter Riegert, Will Patton and Swoosie Kurtz. Music is by Gary Chang and cinematography by Paul Goldsmith.

Graham Marshall (Caine) is once again overlooked for promotion and once again his harpy wife (Kurtz) belittles him.Then a heated exchange at the train station results in the accidental death of a beggar, and he gets away with it, something which gives Graham some devilish thoughts, one of Satan's light bulbs ignited above his head.

By his own admission Michael Caine has readily done films just to pay the bills or build a new house. His success ratio as per great films and performances to bad films and tired performances probably stacks up as 1 in 10, consider this, in this same year he made Bullseye! What we do know though, is that when he gets it right he knocks it out the park and thus makes all his bad films easy to forgive.

A Shock to the System is an under valued film on his CV, a brilliantly constructed black comedy that finds Caine effortlessly shifting through the emotional gears. From beat down Milquetoast to ruthless killer with a glint in his eye, Caine plays it to perfection. There's stabs of humour along the way, Caine a natural at this of course, and he even gets a young love interest in the form of the unbelievably cute Lizzie McGovern. Interesting to note that Graham's sex life improves greatly once the killing begins!

Driven by an antagonist who toys with the audiences sympathies and moral repulsions, this is a film that's deserving of greater exposure and is ripe for re-evaluation. Great film, great Caine. 9/10

This wasn't a bad movie overall and while I didn't full in love it I would revisit it again. The storyline was simple and easy to follow and that simpleness was put to shame by having Caine as the lead actor, putting on a performance that made the movie better, just as you would expect.

Little-noticed on release and little-seen thereafter, the annoying thing is that this has to rate as one of Caine's better films; yet trying to find a copy of/transmission of it (at least in the UK) can be quite difficult.

Caine's portrayal of the central character, Graham Marshall, an advertising executive sidelined and humiliated during a corporate restructuring, is deliciously wicked (even down to his devilish facial expressions), both in its comedy and thriller components. Elizabeth McGovern, playing the role of Stella, Marshall's PA, is sweetly convincing as the innocent dupe in Marshall's subsequent plotting.

Part of the (admittedly dark) fun with this film is that, thanks to the monumental unpleasantness of the characters which Marshall comes up against, you really want him to do terrible things and to get away with them. Enjoy!!

Who says Michael Caine is a so-so actor? He plays the perfect combination of a truly nice guy ground down by his shrewish wife, his slimy peer-then-boss, and corporate life, in general. Movies like this give us corporate slaves a little relief from the utter amoral depravity of the 'civilized' world we inhabit in these rabbit warrens, otherwise known as 'Cubical Hell'.

This man makes you completely sympathize with every one of his murders, all nicely planned to look like accidents. In fact, I am amazed that some lawyer hasn't pulled the 'Shock to the System' defense. Certainly, it has as much attraction for the frustrated as the films usually blamed. It's just more subtle, more high-brow and takes a little more finesse.

The detective is wonderfully nosy, but how he can walk up to Caine in the middle of New York City is quite amazing to me. A little too much dramatic license, too much coincidence to be believable but you tend to forget your logical approach to life.

Reality is easily suspended as Caine gets in his licks for all the humuliations we nice people have suffered in the corporate world, where the rapacious are rewarded by CEO salaries. The laughs are fast and furious, all delivered in that great understated British fashion.

Mr. Downtrodden gets his licks in and when the new boss talks about his Cessna, you've already fixed the engine. There are traces of 'The Ruling Class' in here, as Mr. Nice Guy becomes king of the mountain by firing everyone 'who is not a contributor', thus ingratiating himself with Mr. Cessna. McGovern gives her Basset hound, soulful looks all through the film, and you feel her conflict about turning this wonderful guy in. She is promoted out and away, and all is well, which is usual for corporate shenanigans. They just usually don't involve murder.

Buy it and love it. Forget the professional reviewers for once on this. It's not meant to be 'Hamlet'.

Watch this gem along with KIND HEARTS AND CORONETS. This is the kind of film which nourishes a starving mind. It never makes me laugh, rather the way that Python did not, when I watched them debut in the 70s here: I just sat there, mouth agape, at the intelligence.