AVALIAÇÃO DA IMDb
7,3/10
2,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen a young woman investigates her town's Nazi past, the community turns against her.When a young woman investigates her town's Nazi past, the community turns against her.When a young woman investigates her town's Nazi past, the community turns against her.
- Direção
- Roteirista
- Artistas
- Indicado a 1 Oscar
- 11 vitórias e 7 indicações no total
Cordula Bachl-Eberl
- Gaby
- (as Cordula Bachl)
Avaliações em destaque
The thrust of the movie, as I saw it, was the propensity of a society, any society, to conveniently 'forget' the details of its involvement with nefarious deeds carried out in its name. Much as the vast majority of American westerns tend to gloss over the true level of barbarism we so-called civilized members of society visited upon the 'heathen' Indians, the German town in question conveniently 'forgot' its level of involvement with the atrocities of the Nazi regime. Mädchen's true 'sin' was of revisiting the Nazi era and detailing the involvement of many of the town's leading lights with that regime and its atrocities.
In toto, this film asks disturbing questions about society (any society) and its willingness to justify or simply forget 'inconvenient' truths and realities.
In toto, this film asks disturbing questions about society (any society) and its willingness to justify or simply forget 'inconvenient' truths and realities.
I really liked this movie a lot. Apart from a very brief nude scene and some strong (but appropriate in this situation) language at the end, this is an excellent movie for anyone about age 12 and up. It concerns a very nice young lady who is beloved by her small Bavarian town--until she makes the mistake of looking into the town's dark past. It starts innocently enough, as she is trying to write a paper about the town's heroes who resisted the Nazis. However, no one in town seems willing to talk about this "glorious resistance" and the town's archives are closed to her. Only after making herself a pain in the butt by suing the town repeatedly does she get ahold of records that prove little, if any resistance to the Nazis. In fact, many of the most beloved townsmen in fact HELPED and actively supported the Nazis.
The movie has a very odd artistic style. While it doesn't really detract from the film, you should see it to understand what I am talking about--it's quite unusual at times.
What is so interesting and incredible about the movie was how everyone turned against her so quickly and violently. My only complaint was that it only talked about German reactions to their past. On a trip to Salzburg, Austria just a few years back, I noticed a beautiful monument to the Waffen SS (the group that manned the death squads and enacted the "final solution") prominently displayed in the town's cemetery! Yes, this was the SAME cemetery in which the Von Trapp family hid in the movie The Sound of Music! If you are there some day, see it for yourself. It would be nice if someone confronted the apparently more open acceptance of their Nazi past here as well.
The movie has a very odd artistic style. While it doesn't really detract from the film, you should see it to understand what I am talking about--it's quite unusual at times.
What is so interesting and incredible about the movie was how everyone turned against her so quickly and violently. My only complaint was that it only talked about German reactions to their past. On a trip to Salzburg, Austria just a few years back, I noticed a beautiful monument to the Waffen SS (the group that manned the death squads and enacted the "final solution") prominently displayed in the town's cemetery! Yes, this was the SAME cemetery in which the Von Trapp family hid in the movie The Sound of Music! If you are there some day, see it for yourself. It would be nice if someone confronted the apparently more open acceptance of their Nazi past here as well.
Sonja (Lena Stolze) seems like any ordinary person. That is, until she has to research her town's history for a project. In the process, she discovers that her town was heavily involved in the Third Reich. Then, everyone in town not only turns against her, but tries in every possible way to silence her.
Much like another West German film ("The Lost Honor of Katharina Blum"), "The Nasty Girl" shows a woman used as a scapegoat for something that was society's fault (it makes sense for German movies to deal with that; it's exactly what the Third Reich was all about). Another one of Germany's solid masterpieces.
Watching this movie, I couldn't help but wonder what sorts of secrets any place, anywhere on Earth, carries.
Much like another West German film ("The Lost Honor of Katharina Blum"), "The Nasty Girl" shows a woman used as a scapegoat for something that was society's fault (it makes sense for German movies to deal with that; it's exactly what the Third Reich was all about). Another one of Germany's solid masterpieces.
Watching this movie, I couldn't help but wonder what sorts of secrets any place, anywhere on Earth, carries.
It may sound in outline like a bad joke, but this daring comedy about a young German girl's frustrated attempt to uncover the Nazi past is no laughing matter. The film has a lot of the same, sassy energy as its heroine, who as a schoolgirl began a lifelong investigative crusade to unearth the Nazi skeletons in the closet of her Bavarian hometown, discovering firsthand the hypocrisy and complacency of her friends and neighbors (and, by extension, of the entire German nation). The story is drawn from actual events, but the heavy stylization of the film takes (deliberately) some of the sting from the facts, by lending them an almost playful air of unreality sometimes unsuited to the subject. The approach takes a little getting used to, but it makes sense: in a country afflicted with retroactive amnesia, history itself can sometimes seem equally unreal. Altogether it's a fresh look at otherwise familiar material, with a sudden, unresolved ending offering plenty of food for thought.
10eury
Michael Verhoeven has constructed a masterpiece in this glorious depiction of denial in a small German town. Through a unique style, Verhoeven takes a sensitive topic, the feelings of Germans as to their participation in WWII, and adds a glorious ironic humor to the story.
Lena Stoltz is glorious as Sonja, retaining her youthful charm and appeal throughout the film, from infancy to adulthood. Her apparent youthful innocence is what gives the movie much of its staying power in the minds of its viewers.
This movie is comedy, tragedy, documentary, and social commentary rolled into one glorious package.
Lena Stoltz is glorious as Sonja, retaining her youthful charm and appeal throughout the film, from infancy to adulthood. Her apparent youthful innocence is what gives the movie much of its staying power in the minds of its viewers.
This movie is comedy, tragedy, documentary, and social commentary rolled into one glorious package.
Você sabia?
- CuriosidadesGermany's official submission to the 1991's Oscar in the Best Foreign Language Film category.
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Detalhes
- Data de lançamento
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- Também conhecido como
- The Nasty Girl
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.281.569
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.491
- 28 de out. de 1990
- Faturamento bruto mundial
- US$ 2.293.625
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