Um homem de negócios contrata uma prostituta para acompanhá-lo a eventos sociais, mas se apaixona por ela.Um homem de negócios contrata uma prostituta para acompanhá-lo a eventos sociais, mas se apaixona por ela.Um homem de negócios contrata uma prostituta para acompanhá-lo a eventos sociais, mas se apaixona por ela.
- Indicado a 1 Oscar
- 8 vitórias e 11 indicações no total
Billy Gallo
- Carlos
- (as William Gallo)
Avaliações em destaque
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
Look where we were in 1990. No wonder we are were we are in 2017. The movie is charming enough with a splendid Julia Roberts becoming a huge movie star but, I have to say, watching it now gave me shivers. This is not Pygmalion, no, there is no insight, it's all superficial to a cringing degree. She finds redemption through her shopping and his credit cards. Isn't that lovely? It feels so insane that maybe that means we're evolving. - I saw Pretty Woman last night with a group who had never seen it before. Funny thing the young conservative, Christian women loved it - They didn't seem to mind the message of sex and money. The young Liberal women found it absurd, offensive and the charm of the film, dangerously misleading. They left long before the happy ending. Movies become historical documents, don't they.
Pure Hollywood fluff story that is so smart and sports such a dynamite cast that it becomes one of the more wonderful films of the period. "Pretty Woman" is pop culture at its finest as Julia Roberts (in an Oscar-nominated, icon-making role) is a prostitute on the mean streets of Los Angeles who gets a big financial break one night when she meets up with cold, but lonely business guru Richard Gere. They immediately create a bond and have a night of passion which soon becomes a week-long partnership with Gere and Roberts posing as love interests (and of course $3000 is involved as well). Could it be possible that Roberts, a lady with a heart of gold in spite of her background, is just the thing Gere has been needing in his life? A trumped-up adult-oriented version of "Cinderella" is probably the best way to describe "Pretty Woman". The old Hollywood story gets a glossy new look thanks to director Garry Marshall (doing arguably his finest film-making work). Gere and Roberts make for one of the more attractive pairs the cinema has ever seen. They just shine beacons of light on one another it seems. The fact that both are very good performers definitely enhance their appearances though. A smashing soundtrack and that vivid 1980s style (even though this was released in 1990) make "Pretty Woman" one of the big winners of the last few years. 4 stars out of 5.
"the bad stuff is easier to believe. you ever notice that?" - vivian
ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"
the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.
and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.
an enjoyable 8!
ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"
the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.
and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.
an enjoyable 8!
Romantic film, nice music, interesting plot, fine beautiful actress, (Mrs. Roberts) and handsome actor, (Mr. Gere) in prime roles, a success story from the very beginning. But, although I am enjoying movies like that, I would never rate this one as 9. The difference (and the extra points) is made by the secondary role actor Mr. Elizondo! I saw him, for the first time, in a rather extreme and rather stupid drama/comedy "Young doctors in love" (1982) and I was impressed by his acting performance. In "Pretty woman" he is the absolute star. The script supported his role, of course, but the talent is indisputable.
Iconic On-Screen Romances
Iconic On-Screen Romances
Take a look at some of the most swoon-worthy pairings in movies and on TV.
Você sabia?
- CuriosidadesRichard Gere and Julia Roberts had obvious chemistry upon their first meeting; however, Gere was not planning on taking the role. He was on the phone ready to turn down the part when Roberts slid him a Post-it note with the words "please say yes" written on it. He accepted the role right then.
- Erros de gravaçãoWhen Vivian finds Edward sleeping, she wears a long white nightgown when she comes in the room. She kisses him and they begin to make love. When Edward pulls her nightgown over her head, it is now a camisole. Actually the mid-length nightgown has spaghetti straps and she removes it herself, with him on top of her, making it hard to see what she removes but it looked like the same garment.
- Citações
[after negotiating three thousand dollars]
Vivian: I would have stayed for two thousand.
Edward Lewis: I would have paid four.
- Versões alternativasThe Director's Cut of "Pretty Woman" features additional dialogue during the first encounter of Edward and Vivian; additonal scenes featuring Carlos the pimp chasing after Vivian for the money Kit owes him; a longer restaurant sequence, and a longer montage of scenes when Edward takes the day off from work to spend more time with Vivian on their last day together.
- ConexõesEdited into Sex at 24 Frames Per Second (2003)
- Trilhas sonorasFive for Louie
Written by Karen Hernandez
Performed by Karen Hernandez, Eugene Wright, and Earl Palmer
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Detalhes
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 178.406.268
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.280.591
- 25 de mar. de 1990
- Faturamento bruto mundial
- US$ 463.406.268
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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