Playroom

A while back I saw and greatly enjoyed the loopy medical themed slasher comedy Dr. Giggles, so with that in mind I was very much looking forward to hitting up an earlier horror from director Manny Coto. Playroom is a very different beast though, a serious minded and strange take on childhood imagination, archaeology and the supernatural. It gets off to a good start with a camera scroll over freaky wall carvings, strange figures and symbols, numerous people in various states of distress, it sets up an arcane atmosphere before entering a more visceral nightmare scenario via a child drawing. This is before we get to the main bulk of the film, which involves a reporter/explorer/archaeologist type (profession never specified) who gets a clue as the the hidden resting chamber of an ancient prince and so sets of with his editor, a camera man and his girlfriend in tow to find the tomb and thusly exorcise his personal demons (tragedy claimed his family when he was younger). Within an ancient monastery, the past comes alive, with deadly consequences…The main thing that sticks out about the is film is the setting. Leading up to the monastery in which the bulk of the film is set we get some great exteriors, but the monastery itself is where things come alive, it's a terrific place. Candles and cobwebs, skeletons and statues, nooks and crannies and strange carvings, shot with unearthly urinary hues for maximum atmosphere. Unfortunately other aspects here aren't up to the quality of the setting. The worst decision is having a bratty child as pivotal character, in regular children's garb he looks nothing more than a generic irritating kid and simply isn't scary, moreover he never gets to anything vicious enough to invest him with effective creep value. Basically he'll make most viewers want give him a good kicking, and not in a good way. The film is also slow, only really getting to the boil at around the hour mark, which leaves it up to the actors to keep things going. As the lead, Christopher McDonald isn't great, a one note performance that's compelling enough but goes from zero to crazy so quickly that he simply isn't too interesting. James Purcell does little of note as the washed up photographer while Lisa Allit is a competently likable but un-dynamic heroine. Fortunately Vincent Schiavelli appears in a side role and relishes it, burning up every moment of screen time he has as a wild eyed headcase. He has far too little screen time though, so can't quite keep the fun going. Director Manny Coto works well enough, but the film is quite dull in the first two thirds and even when things do get moving its never scary and mostly fun for trash geeks. The final half hour does get pretty mental though, moves at a belting pace with a cheerful disregard for sanity, there are a couple of decent tense scenes, a little meanness, some unfortunate cringe making silliness that's just about forgivable and even a few fun gore shots. Things really go out on a high note, but I cant bring myself to rate this one too highly, there are a few too many bad decisions and it disappoints with a great concept. For fans of the more dopey and unusual side of horror trash this one is worth a peek, but I suspect many will find it more frustrating than anything else. Still, I had a good enough time with it, more or less. A contented 5/10.

I was surprised to see that the other user reviews for this were so completely positive. I will say that the look of the film was great, the direction well observed and the sets and locations effective. The problems with this film, however, are mainly in the characters--none of them are really likeable(the main characters girlfriend, played by Lisa Aliff is alright) with the annoying award going to the lead actor(Christopher McDonald) who is too over the top for you to have ANY sympathy for him. The main character's "playmate" that appears to him at the old monastery is another annoying character you'd just like to slap. The playmates "real" self is just as bad coming across as a cheap Yoda clone that spouts incredibly lame wisecracks that quickly grows stale. Vincent Schiavelli(who played the weird biology teacher in Fast Times At Ridgemont High), who has ties to the past at the monastery, is somewhat amusing in his whacked out role but when all is said and done this could have been a better movie. Maybe if the characters were a little more likeable or sympathetic the other shortcomings would have been overshadowed but as it stands it's mainly worth checking out for the overall look of the monastery, as well as location shots and a couple of imaginative kills. OK, but not all that special.

albeit an interesting start of a story, playhouse is just that, a start. In horror movies, every question you ask must be answered and playhouse just doesn't cut it. On the verge of being a really good horror classic, it faltered. and just because it bothers me! Why does the ten year old "prince of evil" wear modern-day street clothes?! He's supposed to be hundreds of years old! It doesn't make any sense!

I rented this just for the heck of it, hoping for some cheap thrills for the night. The story seemed pretty good, too. It's about this archaelogist, Chris, whose family was killed in a cave-like monastery in Serbia when he was a boy. Now, an adult, he wants to return to seek out the burial place of those murdered. He brings with him his girlfriend and editor, Jenny, a photographer, Paul, and Paul's girlfriend, Marcy. But things go awry when the spirit of the killer begins to haunt Chris, slowly changing him from the guy he was to someone quite evil....

On a scale of one-to-ten, I give this a seven. The story was quite good, and developed very well, though I was confused a bit in the middle. Luckily, all is cleared up and explained, but not too much, so that's good. The performances are all quite strong. Jenny was a very likable heroine. And the setting was great. Couldn't have been better. Plus, there are a couple of genuinely scary scenes, especially during the exciting climax where Jenny is forced to play their games, and fights to get away.

But there are some downsides. The movie takes a while to get going. It's not flat-out boring, but it doesn't get very exciting for a bit. And also, the villain, the spirit of the boy that killed Chris's family, is downright laughable. To Chris, he appears as a teenaged boy, and that's alright. But to Jenny--the only other person to see him--he is a very animated zombie, with a goofy face and constant one-liners. It was tough to be afraid of him. Chris was the better of the two, almost a reminder of Jack Nicholson's character in "The Shining," which some could say this film was a bit inspired by. He was much scarier, coming after Jenny through the monastery with a pickaxe.

In any event, this is worth seeing. It's actually an impressive film with some elements that should have boosted its popularity. I recommend it.

The feature length directorial debut of Manny Coto, the man who gave us the entertaining Dr. Giggles, Playroom starts off slow and rather dull. Archeologist Chris (Christopher McDonald) returns to the Yugoslavian ruins where his parents were murdered when he was a child; Chris is accompanied by his girlfriend Jenny (Lisa Aliff) and colleagues Paul and Marcy (James Purcell and Jamie Rose), who help him to try and find the hidden tomb and torture chamber of 10-year-old Prince Ilok, who - as legend has it - was granted eternal life by a Slavic demon.

Much of the first half of the film is taken up by scenes of Chris exploring the old ruin and laboriously digging his way through to a hidden chamber using a pick axe; it's as frustrating for the viewer as it is for Chris, whose slow, tedious task ultimately proves pointless, for when he does finally break through, all he finds is an empty room. Gah! Thankfully, after this, the film gets progressively more unhinged, and much more entertaining as a result. Chris proves to be quite crazy (hence the film's alternative title Schizo), the man holding conversations with his imaginary childhood friend, Daniel, who turns out to be none other than Ilok, still alive and as twisted and sadistic as ever. Egged on by Daniel/Ilok, Chris kills off Paul and Marcy and attempts to do the same to Jenny.

The death scenes are entertaining, although a little too 'dry' for my liking (the rotary saw chair should have been a lot gorier), and Ilok -- a hilarious zombie-like puppet creation -- is pure '90s cheese. The film also features a brief sex scene, Aliff going topless, and a fun performance from Vincent Schiavelli (the subway spook in Ghost) as Roman Hart, the man wrongly convicted for the murder of Chris's parents.

6/10, plus a bonus point for Ilok - he's worth waiting for!