AVALIAÇÃO DA IMDb
6,8/10
2,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn adaption of the classic tale of a girl's dreams turned reality when her new toy turns out to be a young man placed under a curse.An adaption of the classic tale of a girl's dreams turned reality when her new toy turns out to be a young man placed under a curse.An adaption of the classic tale of a girl's dreams turned reality when her new toy turns out to be a young man placed under a curse.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Kiefer Sutherland
- Nutcracker Prince
- (narração)
Megan Follows
- Clara
- (narração)
Peter O'Toole
- Pantaloon
- (narração)
Mike MacDonald
- Mouseking
- (narração)
Phyllis Diller
- Mousequeen
- (narração)
Peter Boretski
- Uncle Drosselmeier
- (narração)
Len Carlson
- King
- (narração)
- …
Marvin Goldhar
- Mr. Schaeffer
- (narração)
- …
Lynne Gorman
- Trudy
- (narração)
Keith Hampshire
- Mouse
- (narração)
- …
Elizabeth Hanna
- Marie
- (narração)
- (as Liz Hanna)
- …
George Merner
- Dr. Stahlbaum
- (narração)
Stephanie Morgenstern
- Louise
- (narração)
Christopher Owens
- Erik
- (narração)
Susan Roman
- Mouse
- (narração)
- …
Theresa Sears
- Queen
- (narração)
- …
Diane Stapley
- Mrs. Ingrid Stahlbaum
- (narração)
Mona Waserman
- Princess Perlipat
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
10romesco
It's a pity that this film didn't have the consideration it merites. The plot and the beautiful Tchaicovsky music are so well armonized I found it a piece as enjoyable for adults than for children. It's a nice movie full of sentiments and emotions. It's not the classical adventure movie you forget immediately it ends. This one really makes you feel emotions you keep long ago the movie has ended. I'll give it a 10.
10LT-10
Wow, this is great. I can't believe that so many official movie critics disliked this film. It is amazing, will work for everyone as a family movie. It doesn't have the bordom involved with watching the same ballet every year, that would turn kids off to this classic story. The movie deserves more recondition, more praise, anything to help get the word out of how good it is.
I saw this movie a very long time ago and I loved it. I remember I had taped it off HBO or something like that, and I watched it all the time. Just yesterday I went to see the actual ballet, and it wasn't half as good as this enchanting little movie. I was very dissapointed with the ballet, it wasn't bad, it just did'nt follow of what I remember from this movie, a lot of things were different. But since I haven't read the book, maybe the ballet was more on track than this movie. But anyway the movie was much more entertaining than the actual ballet. Even though I am not trying to compare the movie to the ballet, because they are tottaly different things.
It's probably the most faithful adaptation ever made, but it's also sloppy, unfocused, inconsistent.
The Nutcracker Prince follows Clara during Christmas where she receives the gift of a nutcracker from her godfather, Uncle Drosselmeier. After her Uncle regales her with a story of how the nutcracker came to be, Clara finds herself involved in the confrontation between the nutcracker prince and the vengeful rat king.
Released in 1990 to poor reviews and box office failure, The Nutcracker Prince was an attempt by Canadian TV animation studio Lacewood Productions to make a feature length theatrical film. While the animation can look nice (at times), the movie never maintains a consistent tone and struggles with pacing and story structure. But despite the movie's many faults, it is probably the most faithful and complete telling of The Nutcracker and the Mouse King that served as the source material for the endearing ballet.
The movie makes a decent enough impression with some decent character designs who are competently animated, but as the movie goes on the movie's usage of flat blurry backgrounds and barren environments become very obvious. The movie has numerous scenes that are eerily empty, even when that shouldn't be the case. To make up for this, the movie haphazardly integrates the Nutcracker suite as part of the soundtrack, and while it can sometimes work, often times it feels like a way to add life to the scene to make up for a lack of life in the animation. The movie also takes an abrupt style change around the 15 minute mark when it tells the Nutcracker's backstory, and in an attempt to soften the darker moments from the source material the animation style mimics a simplistic more geometric style one associates with something like Jay Ward's Fractured Fairy Tales which completely takes us out of the story and just calls attention to itself. The sequence goes on for a while dealing with characters who have no bearing on the rest of the movie and no real purpose, and the actual plot of the movie doesn't start until around 48 minutes into this 68 minute movie (not including 5 minutes of credits).
The Nutcracker Prince just doesn't work. It doesn't have plot, characters, or stakes strong enough to carry itself to feature length, and its technical aspects seem more suited for television than a cinema (save for some individual moments here and there). I do give the movie credit for avoiding contemporaneous dialogue and trying to approach the Nutcracker from a different direction, but the movie just doesn't come together.
Released in 1990 to poor reviews and box office failure, The Nutcracker Prince was an attempt by Canadian TV animation studio Lacewood Productions to make a feature length theatrical film. While the animation can look nice (at times), the movie never maintains a consistent tone and struggles with pacing and story structure. But despite the movie's many faults, it is probably the most faithful and complete telling of The Nutcracker and the Mouse King that served as the source material for the endearing ballet.
The movie makes a decent enough impression with some decent character designs who are competently animated, but as the movie goes on the movie's usage of flat blurry backgrounds and barren environments become very obvious. The movie has numerous scenes that are eerily empty, even when that shouldn't be the case. To make up for this, the movie haphazardly integrates the Nutcracker suite as part of the soundtrack, and while it can sometimes work, often times it feels like a way to add life to the scene to make up for a lack of life in the animation. The movie also takes an abrupt style change around the 15 minute mark when it tells the Nutcracker's backstory, and in an attempt to soften the darker moments from the source material the animation style mimics a simplistic more geometric style one associates with something like Jay Ward's Fractured Fairy Tales which completely takes us out of the story and just calls attention to itself. The sequence goes on for a while dealing with characters who have no bearing on the rest of the movie and no real purpose, and the actual plot of the movie doesn't start until around 48 minutes into this 68 minute movie (not including 5 minutes of credits).
The Nutcracker Prince just doesn't work. It doesn't have plot, characters, or stakes strong enough to carry itself to feature length, and its technical aspects seem more suited for television than a cinema (save for some individual moments here and there). I do give the movie credit for avoiding contemporaneous dialogue and trying to approach the Nutcracker from a different direction, but the movie just doesn't come together.
The Nutcracker Prince was the first (and last) big-screen movie that was helmed by Kevin Gillis and Sheldon Wiseman, the creators of the cartoon series The Raccoons. Along with big names like Megan Follows, Kiefer Sutherland and Peter O'Toole, it also featured many of the voice talents of The Raccoons, such as Len Carlson, Susan Roman, Liz Hanna, Noam Zylberman and Keith Hampshire (who sadly passed away in 2000). Unfortunately, it didn't become the box office success everyone hoped for, and it flopped. This is a shame, because The Nutcracker Prince is a movie that should be seen. It wasn't just a good opportunity for the animators to show their talents, but it was also a triumph of Canadian moviemaking. The music of Tchaikovsky was put to very good use here, and the song "I'll Always Come Back To You" should have been nominated for a Genie (Canada's version of the Oscar) for Best Song.
If you can find a copy of it on video (it's hard to find nowadays), see it. You won't be disappointed.
Rating: ***
If you can find a copy of it on video (it's hard to find nowadays), see it. You won't be disappointed.
Rating: ***
Você sabia?
- CuriosidadesDespite the fact that Clara and her brother call Drosselmeier "uncle", he is actually not related to them. Hans, the Nutcracker, is his nephew.
- Erros de gravaçãoDuring the battle between the Nutcracker and the Mouse King, Clara takes off her slipper and throws it at the Mouse King, in order to stop him from killing the Nutcracker. Moments later, however, she is seen backing up and both slippers are on her feet.
- Citações
Mousequeen: The spell you broke on your head falls, you shall crack nuts, prince of the dolls.
- Cenas durante ou pós-créditosThe opening credits feature sketches of some scenes from the film, displayed as framed pictures against a brown background before the last one segues to the film's first shot as to begin the story.
- Versões alternativasThe end credits in the international Majestic Films/Allied Filmmakers prints have credits for Majestic Films International and Allied Filmmakers along with Jake Eberts as an executive producer. The American print by Warner Bros. doesn't have the credits for these three.
- Trilhas sonorasAlways Come Back To You
(Love Theme from 'The Nutcracker Prince')
Written by Kevin Gillis and Jack Lenz
Produced by Shane Keister and Ahmet Ertegun
Performed by Natasha's Brother and Rachele Cappelli
Principais escolhas
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- How long is The Nutcracker Prince?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- CA$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.781.694
- Fim de semana de estreia nos EUA e Canadá
- US$ 908.999
- 25 de nov. de 1990
- Faturamento bruto mundial
- US$ 1.781.694
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