Mulher Até o Fim

Widow with two growing sons must become her family's breadwinner, keeping everyone's spirits up while dating again for the first time in many years. It doesn't surprise me that people have to see this picture twice or more to get into the movie's grooves. The handling is very focused, the writing gets us from A to Z smoothly enough, but the tone of "Men Don't Leave" is quirky, to say the least. Sometimes I wasn't sure whether to laugh or not. At times it seems to go overboard, other times it hits a perfect note yet doesn't follow through. Still, the overall effect of this movie is genuinely pleasurable. It's not a big, chancy movie with issues, it's quiet and small and heartfelt. There are little scenes of emotion that well up into big hurts (and disappointments like the lottery family that just KILL us), and all the acting is so wonderful, particularly Jessica Lange (a shaky tower of strength). I loved it when the German woman gets Jessica to dance, or when she gets a nosebleed while kissing Arliss Howard for the first time, or throwing all her muffins out the window while feigning basketball moves. And what about Kathy Bates as the boss from Hell? It's an erratic film (with a puzzling title), yet I admired it greatly, and it has stuck with me over all these years. ***1/2 from ****

Lange is her usual extraordinary self, especially in that part of the film depicting--quite aptly--the onset of acute depression. Cusack deserves her oscar nomination--manages expertly one of the most appealing characters you will ever see on screen. Comedy, romance, and everyday tragedy put together

in an affecting script that has few weak moments. If you are drawn to small films centered on human relationships that draw sniffles and chuckles of recognition and a welcome sigh of relief when it all turns out at the end, you will love this film.

This film is certainly an exception. A remake from the French version "Hot Air Balloon", this film has many noteworthy aspects to it, including the excellent cast of Arliss Howard, Jessica Lange, Kathy Bates and Lange's troubled son Chris O'Donnell.

Primarily Lange is a widower who has to sell her house and start over. She moves to a small apartment in Baltimore with her two children, who are not happy about it. She eventually finds work (there are some amusing scenes) for a catering company, owned by Kathy Bates (always a memorable character, in this case the tyrannical boss).

Joan Cusack also adds humor to the latter half, having met O'Donnell, she starts dating him, Lange at first over-protective, then gradually becomes friends with Cusack. Cusack, as a therapeutic gesture, takes her on a hot air balloon. A seemingly silly gesture, but a metaphor for starting over. Well-done and never depressing, an excellent film worth viewing. 9/10.

I had originally seen this film at the theater with my 1st wife, and didn't think much of it. Being the only other film directed by the guy who did "Risky Business" - I had higher hopes for the movie than what I came away with. Over the years, however, especially after my 1st wife passed away - I was haunted with memories of this film, as I saw my life mimic many of the actions of the principle characters. For someone who hasn't had to deal directly with grief, this film probably will seem like just an odd little film. But the actions taken by Jessica Lange, Chris O'Donnell and Charlie Korsmo are all perfect prototypes of how people deal with grief and denial. Director Paul Brickman does so in an understated way, so that the film seems more light-hearted than the message it conveys.

This is my absolute favorite movie. The quiet story of a young widow coping with the loss of her husband and a move to the big city is tender, humorous and hopeful. Fine performances by Jessica Lange, Chris O'Donnell (in his first screen role), Kathy Bates, Arliss Howard and Joan Cusack round out this film. Casting is perfect in every sense and the emotion of the movie is carried well by a haunting score. One of my favorite scenes has Lange arriving unannounced at Howard's home. Her sadness is palpable and his gift - a trip to the Polka hall, where she loses herself in a wild dance with a waitress, while he sits in with the band - is moving. There is such a sense of hope, generosity and goodness in this movie. It is not at all maudlin, or contrived. Just a wonderful exploration of the darkness of grief and unwelcome change, and the love and support sometimes found in unexpected places. There are also great comedic moments, chiefly involving O'Donnell and Cusack. See this movie!