Uma História Americana

whoopi goldberg shines in this gripping and moving racial drama! she won the oscar for "ghost" (released the same year), but better deserved it for this film. i think that just goes to demonstrate underlying racism in hollywood (giving the award for a comedic performance by a black performer), which as of the academy awards 2002 has seemingly begun to crack. the film is a triumph of spirit and emotionally challenging to watch at times. it just makes me shake my head at how slow understanding between people who are different can be. this is one film all involved should be very proud of!!

The real life, 1955, bus boycott in Montgomery, Alabama provides the backdrop for this fictional story about an upper middle class white homemaker named Miriam Thompson (Sissy Spacek) who gradually becomes disenchanted with racial segregation. Her changed attitude comes about as a direct result of her Black maid, a woman of deep moral principles named Odessa Cotter (Whoopi Goldberg).

Odessa normally would take the bus to work. But she supports the boycott, and therefore chooses to walk the long distance from her shabby house to the manicured, suburban Thompson home. Yet, despite several incidences wherein Southern whites display their hatred of the boycott and of Blacks in general, Odessa, with the support of her own family and her religious faith, maintains a respectful and thoughtful attitude toward Miriam and the Thompson family. The story is told in retrospect, from the viewpoint of Miriam's daughter, Mary Catherine (Lexi Randall), who was seven years old at the time.

There is nothing subtle about this slow paced story. It is forceful and frank. The overt hatred by Southern whites toward Blacks is palpable. In no character is this odious racial superiority more evident than in Miriam's cigar chomping brother-in-law, Tunker (well played by Dylan Baker).

But Miriam and Odessa relate to each other as individuals, not as members of some group. Perceptive and sensitive, Miriam comes to understand that Southern racist attitudes, those feelings and emotions she grew up with, are passed down through generations. "You just don't question it", she tells Odessa, apologetically.

Both Miriam and Odessa are multi-dimensional and sufficiently unique to give the story depth of characterization. The acting is fine. Whoopi Goldberg in particular gives a great performance, along with the always reliable Sissy Spacek. The film's production design and period costumes are credible. Lighting is subdued. I liked the background gospel music, but I could have wished for even more. "We're Marching To Zion" not only is a great gospel hymn; it's also the film's theme.

Technically well made, "The Long Walk Home" has value mostly as historical perspective on an important contemporary social issue. As such, the film's message is just as relevant now as it was fifty years ago.

This movie should be shown to every White person over the age of 16! The reason I say that is because it tells the cold, hard truth of what Blacks had to go through back in the 60's and it's not sugarcoated at all. It's not being said to make people feel guilty over something that they probably never took part in, but to educate people in what most public school systems DON'T teach about. As someone of primarily Native American descent who considers themselves pretty educated about Black history, I myself was very shocked and saddened at the brutality that Black Americans had to face (and still do at times). A picture (or movie) is worth a thousand words. This movie would be educational to everyone who views it. I would definitely recommend this movie to others.

Whoopie Goldberg got gypped in 1990, when she was nominated for, and won Best SUPPORTING actress for the movie "Ghost". THIS was the movie she should have been nominated for; in the BEST ACTRESS category. This was one of the finest performances of the year, and definitely of Ms. Goldberg's career. Regrettably, she is too well remembered as a comedienne. People forget how well she handles drama. This is a performance worth seeing. Sissy Spacek is fresh and forthright; and the story manages to be didactic without being heavy handed.

Just rewatched this movie on YouTube. Taking place during the bus boycott of 1955 in Montgomery, Alabama, maid Odessa Cotter (Whoopi Goldberg) resolves to walk but her employer Miriam Thompson (Sissy Spacek) decides to drive her for at least a couple of days of the week to her house. I'll stop there and just say this was quite an inspiring, if intense, drama about how oppressive it could be during that time if you were not only the wrong color but also the wrong gender, that is, if you weren't a white male. I mean, the way Miriam's husband Norman (Dwight Schultz) and his younger brother Tunker (Dylan Baker) felt threatened by the whole thing makes one wonder. And the way Odessa's teen kids, Selma (Erika Alexander) and Theodore (Richard Habersham) were almost completely defeated by those white teen boys definitely gave me a pause. Not to mention how openly bigoted Miriam's mother (Gleaves Azar) said her opinion in front of the help was so blatantly appalling to see. What gives one hope is not only the way Miriam and Odessa communicate with each other, but also the way the narration of the grown Thompson daughter Mary Catherine (voice of Mary Steenburgen, Lexi Randall as a child) assures us how poignantly inspiring the whole time was. So on that note, The Long Walk Home gets a high recommendation from me. P.S. Ving Rhames-several years before his star-making turn in Pulp Fiction-portrays Odessa's husband Herbert with hair. Richard Habersham was Eddie in Do the Right Thing the year before. Younger brother Franklin was played by Jason Weaver who would later be the singing voice of Young Simba in The Lion King. He's also, like me, a Chicago native. And Erika Alexander would become Cousin Pam on "The Cosby Show" after making this.