Na Mira do Dinheiro

I'm not sure why this movie was called Hand Gun. There are a lot of guns in the movie but the title is to generic. The movie itself is mostly forgettable and none are the characters are very sympathetic. It does have a surprising sense of humor. It is subtle but it is there.

I expected a good-guys versus mafia types, and kinda got it. After about 5 minutes, I thought the dialog was stupid, and the characters unbelievable. After another 5 minutes, I realized that it actually was a comedy, very subtle and understated.

I would have given it a higher grade if I had known that sooner. Whose fault was that? They have to take some of the blame.

This is a petty hoodlums story, not big shots, where Treat Williams seems younger than ever, in the Matt Dillon mode. This TV movie is pretty entertaining, a feature which the pace is rather fast and the comedy lines not against the drama matter. In the nineties, you could find entire batches of this kind of material, but because they were mostly destined to the straight to VHS market, many audiences despised them. And from time to time, you could miss something worth or worse.... This one is the perfect example of this. Characters are moving, and it's very easy to watch it without any scare of boredom. I was smart enought to amass the most of them during this decade.

Handgun is about as original as its title, but it benefits from a reasonably well written screenplay and a simply outstanding cast: really, how can you go wrong when you have Seymour Cassel, Frank Vincent, Luis Guzman, Treat Williams, Michael Imperioli, and Paul Schulze all in the same film? Predictable? yes. Enjoyable? Thoroughly. Mob movies fans need to catch this one.

That's how Joe Bob Briggs put it when I first saw this film back in 1995 on The Movie Channel. In early 2002, it was on late night on TMC, and I got to check it out for the first time in years.

Still a great crime movie with excellent dialogue and acting. For 'Soprano's' fans, you will definitely love seeing many of your favorite characters pop up in this earlier work, many of which are minor roles. Treat Williams, Paul Schulze, Frank Vincent, and several others give great performances. The action sequences, consisting mostly of close-up gun battles, are a little hard to believe, unless people in New York are lousy shots. But the storyline and comedy bits definitely make this a worthwhile film to watch, especially for fans of mob movies.