AVALIAÇÃO DA IMDb
4,5/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA Los Angeles police detective partners up with a talking gnome in order to bring down the head of a crime ring.A Los Angeles police detective partners up with a talking gnome in order to bring down the head of a crime ring.A Los Angeles police detective partners up with a talking gnome in order to bring down the head of a crime ring.
- Direção
- Roteiristas
- Artistas
Richard J. Landon
- Gnorm
- (as Richard Landon)
Frank Charles Lutkus III
- Gnorm
- (as Charles Lutkus)
Dave Nelson
- Gnorm
- (as David Nelson)
Rob Paulsen
- Gnorm
- (narração)
- …
Avaliações em destaque
A Gnome Named Gnorm
Gnomes are mischievous folks that enjoy making humans look stupid when they pronounce 'gnome' with a hard G.
Fortunately, the dwarfish imp in this comedy enunciates his name with a confident consonant sound.
Headed towards the surface in hopes of recharging the magical stones that belong to his subterranean race, a gnome named Gnorm (Mike Avery) is instead embroiled in a murder case involving a dead police officer.
When his partner is killed in the line of duty and the blame falls on him, Det. Gallagher (Anthony Michael Hall) must team up with the only witness to the incident, which happens to be a gnome named Gnorm.
With a laughable plot that falls betwixt fantasy and buddy-comedy, as well as a pitiable attempt at puppetry, A Gnome Named Gnorm is strictly lowbrow entertainment.
Besides, the police dogs would eat the gnome cop before he could even solve his first case. (Red Light)
Gnomes are mischievous folks that enjoy making humans look stupid when they pronounce 'gnome' with a hard G.
Fortunately, the dwarfish imp in this comedy enunciates his name with a confident consonant sound.
Headed towards the surface in hopes of recharging the magical stones that belong to his subterranean race, a gnome named Gnorm (Mike Avery) is instead embroiled in a murder case involving a dead police officer.
When his partner is killed in the line of duty and the blame falls on him, Det. Gallagher (Anthony Michael Hall) must team up with the only witness to the incident, which happens to be a gnome named Gnorm.
With a laughable plot that falls betwixt fantasy and buddy-comedy, as well as a pitiable attempt at puppetry, A Gnome Named Gnorm is strictly lowbrow entertainment.
Besides, the police dogs would eat the gnome cop before he could even solve his first case. (Red Light)
This movie did not really engage either my heart or my head. I would say that it is more appropriate for children, except some of the humour is a little too adult for a young audience. Nevertheless, a wonderful performance from Mark Harelik as the odious Kaminsky kept me watching to the end.
With a title like that, I expected a very dumb movie, but it wasn't bad.....actually decent. It's a harmless cop-fantasy film with police drama mixed in with some humor and special effects.
I found a lot more drama than humor, which surprised me, although there were a few funny lines by the "gnome," a special- effects creation of Stan Winston.
Despite a film filled with angry characters - cops and crooks - the language was pretty tame and the film moves well and zips by since it's only 84 minutes. Yes, the story is ludicrous and some of the dialog is B-movie, but it was pretty enjoyable.
I found a lot more drama than humor, which surprised me, although there were a few funny lines by the "gnome," a special- effects creation of Stan Winston.
Despite a film filled with angry characters - cops and crooks - the language was pretty tame and the film moves well and zips by since it's only 84 minutes. Yes, the story is ludicrous and some of the dialog is B-movie, but it was pretty enjoyable.
Fun movie I watched when I was 9 and loved it. I watched it again recently and still made me laugh 24 years later
Set in Los Angeles, Detective Casey Gallagher (Anthony Michael Hall) is seen as a joke by most of the force due to his unconventional and lackadaisical attitude and is given the opportunity by Captain Stan Walton (Jerry Orbach) to run point on a sting involving diamond smuggler Zadar (Eli Danker). With Detective Samatha Kennedy (Claudia Christian) and Detective Kaminsky working backup, the sting seems poised for success until an unknown assailant arrives knocking Gallagher unconcious. Having lost the diamonds and the cash Gallagher is blamed for the failure and is taken off the case and after finding a satchel with a stone returns home. Gallager soon discovers a strange little creature named Gnorm (Rob Paulson) has followed him home and wants the stone back, but Gallagher will only give it back if Gnorm can identify the assailant he witnessed in the park.
A Gnome Named Gnorm (aka Upworld) is a 1989 action comedy (though released in 1994) directed by Stan Winston and written by producers and occasional screenwriters John Watson and Pen Densham who are best known for writing Robin Hood: Prince of Thieves. The film came about from Watson wanting to do a mash-up in the style of. As he described it "E. T. meets 48 Hrs." which laid the groundwork for the initial idea. Initially intended to be a theatrical release, the film found itself in limbo after the original distributor Vestron Pictures went bankrupt and the film sat on a shelf for four years until being released direct to video. A Gnome Named Gnorm is a strange little experiment in its mixture of 80s stalwarts like buddy-cops and magical creatures, but not one that's altogether successful.
Being directed by someone who specializes in special effects, I will say that Winston and his team are to be commended for the work done in bringing the titular Gnorm to life. Created using a mixture of animatronics and puppetry, the creation of Gnorm from a technical perspective is well done and avoids some of the issues that have plagued similar productions (such as Howard the Duck for example). Outside of that however, A Gnome Named Gnorm isn't all that interesting as it goes through a very mediocre retread of standard buddy cop cliches without any real meat or substance to the mystery or the characters. While the film tries to do a parallel of Gnorm and Gallagher being "outsider oddballs" who are disregarded by their peers, there's very little time spent developing them beyond broad archetypes delivering one liners and clumsy slapstick. Gnorm himself is essentially a mix of an Ewok by way of Johnny 5 (Paulson's voice even sounds similar) and aside from being horny and using a spouting a lot of euphemisms for women's posteriors and breasts there's not a whole lot there character wise. Anthony Michael Hall once again shows why he struggled to become a leading man following his failed efforts with Out of Bounds and Johnny Be Good and while the character as written is mostly an inept doofus who has no real busniness doing what he does, Hall comes across as very stiff without any strong showcase of comic timing or leading man charisma.
A Gnome Named Gnorm is the kind of movie where you can definitely feel it was the product of the producers because it feels like the creative thought started and ended with the pitch of "E. T. meets 48 Hrs." before handing it off to the production team to make a purse out of a Sow's ear. It's really just the last dying gasp of two worn into the ground 80s genre formats haphazardly tied together in a vain attempt at squeezing blood from a long drained stone.
A Gnome Named Gnorm (aka Upworld) is a 1989 action comedy (though released in 1994) directed by Stan Winston and written by producers and occasional screenwriters John Watson and Pen Densham who are best known for writing Robin Hood: Prince of Thieves. The film came about from Watson wanting to do a mash-up in the style of. As he described it "E. T. meets 48 Hrs." which laid the groundwork for the initial idea. Initially intended to be a theatrical release, the film found itself in limbo after the original distributor Vestron Pictures went bankrupt and the film sat on a shelf for four years until being released direct to video. A Gnome Named Gnorm is a strange little experiment in its mixture of 80s stalwarts like buddy-cops and magical creatures, but not one that's altogether successful.
Being directed by someone who specializes in special effects, I will say that Winston and his team are to be commended for the work done in bringing the titular Gnorm to life. Created using a mixture of animatronics and puppetry, the creation of Gnorm from a technical perspective is well done and avoids some of the issues that have plagued similar productions (such as Howard the Duck for example). Outside of that however, A Gnome Named Gnorm isn't all that interesting as it goes through a very mediocre retread of standard buddy cop cliches without any real meat or substance to the mystery or the characters. While the film tries to do a parallel of Gnorm and Gallagher being "outsider oddballs" who are disregarded by their peers, there's very little time spent developing them beyond broad archetypes delivering one liners and clumsy slapstick. Gnorm himself is essentially a mix of an Ewok by way of Johnny 5 (Paulson's voice even sounds similar) and aside from being horny and using a spouting a lot of euphemisms for women's posteriors and breasts there's not a whole lot there character wise. Anthony Michael Hall once again shows why he struggled to become a leading man following his failed efforts with Out of Bounds and Johnny Be Good and while the character as written is mostly an inept doofus who has no real busniness doing what he does, Hall comes across as very stiff without any strong showcase of comic timing or leading man charisma.
A Gnome Named Gnorm is the kind of movie where you can definitely feel it was the product of the producers because it feels like the creative thought started and ended with the pitch of "E. T. meets 48 Hrs." before handing it off to the production team to make a purse out of a Sow's ear. It's really just the last dying gasp of two worn into the ground 80s genre formats haphazardly tied together in a vain attempt at squeezing blood from a long drained stone.
Você sabia?
- CuriosidadesFilmed in 1988, received limited release in 1990, pulled from circulation and re-released in 1992.
- Trilhas sonorasStrangers in the Night
Music and Lyrics by Charles Singleton, Eddie Snyder and Bert Kaempfert
Published by Champion Music Corporation, Screen Gems-EMI Music, Inc. and Amra, Inc.
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