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Freedom on My Mind

  • 1994
  • 1 h 45 min
AVALIAÇÃO DA IMDb
7,9/10
382
SUA AVALIAÇÃO
Freedom on My Mind (1994)
Chronicles the Mississippi voter registration drive from 1961- 64.
Reproduzir trailer2:18
1 vídeo
5 fotos
Documentary

Relata a campanha de registro de eleitores no Mississippi de 1961 a 1964.Relata a campanha de registro de eleitores no Mississippi de 1961 a 1964.Relata a campanha de registro de eleitores no Mississippi de 1961 a 1964.

  • Direção
    • Connie Field
    • Marilyn Mulford
  • Roteiristas
    • Michael Chandler
    • Connie Field
    • Michael J. Moore
  • Artistas
    • Chude Pamela Allen
    • Ella Baker
    • Fred Berger
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,9/10
    382
    SUA AVALIAÇÃO
    • Direção
      • Connie Field
      • Marilyn Mulford
    • Roteiristas
      • Michael Chandler
      • Connie Field
      • Michael J. Moore
    • Artistas
      • Chude Pamela Allen
      • Ella Baker
      • Fred Berger
    • 9Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 5 vitórias e 1 indicação no total

    Vídeos1

    Trailer
    Trailer 2:18
    Trailer

    Fotos4

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal23

    Editar
    Chude Pamela Allen
    • Self
    Ella Baker
    Ella Baker
    • Self
    • (cenas de arquivo)
    Fred Berger
    • Self - Delegate, Mississippi
    • (cenas de arquivo)
    Heather Booth
    • Self
    John Chancellor
    John Chancellor
    • Self
    • (cenas de arquivo)
    L.C. Dorsey
    • Self
    Len Edwards
    • Self
    Marshall Ganz
    • Self
    Henry E. Garrett
    • Self
    • (cenas de arquivo)
    Robert Goralski
    • Self - NBC News White House
    • (cenas de arquivo)
    Victoria Gray-Adams
    • Self
    Fannie Lou Hamer
    Fannie Lou Hamer
    • Self - Freedom Democratic Party
    • (cenas de arquivo)
    Curtis Hayes
    • Self
    Malva Heffner
    • Self
    Red Heffner
    • Self
    Aaron Henry
    • Self - Freedom Democratic Party
    • (cenas de arquivo)
    Endesha Ida Mae Holland
    • Self
    Hubert H. Humphrey
    Hubert H. Humphrey
    • Self
    • (cenas de arquivo)
    • Direção
      • Connie Field
      • Marilyn Mulford
    • Roteiristas
      • Michael Chandler
      • Connie Field
      • Michael J. Moore
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários9

    7,9382
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    Avaliações em destaque

    8frankwiener

    I Am A White Northerner

    This is a very effective documentary which chronicles the civil rights struggle in the State of Mississippi during the 1960's. The alternating segments of interviews with actual participants and historical footage of the demonstrations and events at the time kept my interest to the end. I had not seen this film before and am very pleased that tcm was able to carry it. For me, not all documentaries succeed in what they set out to do, but this one did, at least in my view. It portrays a very important chapter of American history from which we can all learn.

    As to the recent user review of January 18, 2017 describing the reviewer's personal experiences with racial segregation in central Florida, I will add that I grew up during the 1950's and 1960's in the northern town of Union, New Jersey and encountered many of the same racial prejudices there that the reviewer witnessed. The public schools were mostly segregated through the eighth grade, then through the sixth grade, and integrated in the upper grades only by financial necessity. The separation of the elementary schools, at least at my end of town, created resentment at the upper grades as the black students were clearly at an academic disadvantage following nine and then seven years of racial segregation. It wasn't until after I graduated from high school in 1967 when the federal government intervened and forcibly integrated Union's elementary schools. Beyond Union, most of the towns that surrounded us were completely off limits to African Americans. The towns that were most threatened by integration were the towns that were most affordable to black families who desired to leave Newark for a better life in the suburbs. Wealthier towns, such as Merrill Streep's native Basking Ridge (Bernards Township) were far more protected and insulated from the dramatic social upheaval that was occurring nearby because, for the most part, they were economically inaccessible to African American families from Newark who wanted to leave the city. I only write this because I have witnessed an enormous amount of hypocrisy and falsehood in my life, including my own, personal experiences regarding race as I was growing up in a northern town. I touched upon this theme in a novel that I recently wrote but that has not been finalized for publication.
    8nammage

    I am a White Southerner

    I am a white Southerner. I have always considered myself Southern. I was born in a small Southern town in North Florida called Live Oak. I grew up in a small Southern town in Central Florida called Ocoee where the history of that town has a lot in common with what is stated in this documentary on the suppression of non-white voting dating to the 1920 massacre. Today that small Southern town, which before the 1920s was diverse in race, after the massacre that happened there, Ocoee remained all-white for 40 years.

    When I hear about the horrible things that happened in this documentary, I know it's true. Even when I grew up in Ocoee in the 1980s, and I saw my elementary school only having two black teachers (both female, one Kindergarten the other 3rd grade, both I had as teachers) and one single black student (also female) and the racism by staff and students they endured was awful. And those of us who were white and stood up against it were treated no different than they were. They called us "N-- lovers" or just saw us as being black too and hiding in white skin. By Junior High (Middle School) our school was mainly white until a dilapidating mainly black school the next town over was combined into our school. And in 6th grade we had a "race riot". White children fighting and beating up black students and black students defending themselves and those of us in the middle beat up by the whites who believed we were no different than the blacks and the blacks fighting us because they didn't know we weren't racist against them, that was in 1988/1989. High School was more calmer in retrospect because Ocoee didn't have a High School at the time and we all mainly went to the High School in Winter Garden, FL which was highly diverse but while there there were incidences, it wasn't as bad as going to school in Ocoee.

    I hear from some family members, or from others throughout my life that white people have it bad because non-white people have a voice now and they are taking away all their rights. None of their rights are being taken away except those that take away the rights of other people.

    Documentaries like this remind me of a few things: non-whites, and especially black people, and especially in the Southern United States, are still to this day struggling against oppression. They just want equality. To be treated no better and no different than anyone else. It also reminds me of my childhood, which wasn't that long ago. I'm only 39. Which means it still goes on today. Ocoee has grown, it's gone from 7,000 people, mainly white to almost 50,000 people still mainly white but with a growing black community. The town I live in now, my hometown, I don't know...I still hear white people using racial epithets as if it's normal to do so. Ironically, the town itself is mainly non-white yet whites still control almost everything. There was an incident not too long ago at a hotel dwelling with racism against black people. Also, nothing will change until white people--and me being white I think I can say this--start recognizing they are not superior to other people not their skin color. No one is trying to take away your rights. They just want the same rights as you, and for the most part: they don't.

    Documentaries like this are important. Sadly, they don't get watched by those who actually need to watch it.
    9gbill-74877

    Powerful and inspiring

    An absolutely brilliant look back at the 1963 Mississippi black voter registration drive, with excellent footage from the time and interviews with key figures three decades later, in 1994. Even if you're aware of this period of history, this is a very worthwhile documentary, and whether we admit or not, still relevant today. It made me emotional to see the combination of the viciousness of most of the white Mississippians (who ironically say the country is for whites because they're civilized and other races savage), the lack of recourse since it pervaded society (including the police and state politicians all the way up to the Governor), the absolute unfairness of it all, and yet, the heroic bravery of black and white Americans who risked their lives to force progress. This should be shown be shown in U.S. history courses in high schools everywhere.

    I liked how the film doesn't glorify or unfairly weight the involvement of mostly northern college students from liberal arts schools, who while courageous and inspiring, by their own admission could have flown home anytime, unlike the African-Americans they were helping. The leadership and eloquence of Bob Moses is truly inspiring, as is the thoughtful commentary of those who joined the movement. The arc of Endesha Ida Mae Holland, raped by her white employer on her 11th birthday (which she says was commonplace), and speaking of harsh truths in her life through a smile, is delightful. Curtis Hayes speaks with soulful intensity, Marshall Ganz from Bakersfield, California is insightful, and Fannie Lou Hamer's televised testimony is stirring, standing out among many others. In contrast, the documentary also gives us a glimpse into some of the soul-crushing politics within the Democratic Party, which, even if evolving at the time, was still trying to save itself from southern white voters switching parties.

    Mississippi was a particularly onerous example of backwardness, with a cruel apartheid system, violence perpetuated for the slightest of offenses (e.g. lynchings for "eye rape", a black man looking at a white woman in what was deemed an offensive way), and black people denied the right for 90+ years after the 15th amendment had been passed. The documentary is focused here, and appropriately so, but it should be realized that the problem was by no means localized to the recalcitrant south. Racism and the belief in white superiority was widespread, revisionist history was still being taught, and white supremacists like J. Edgar Hoover were in positions of great power. It's also easy to think of this problem as now "solved," and the needle has certainly moved considerably in Mississippi and the rest of America since the early 1960's, but as Cleve Sellars in the documentary points out, "things are not the best that they could be," which is still true today. As the documentary shows, it takes active involvement though, because those in positions of privilege or power aren't simply going to relinquish it on their own. Powerful stuff.
    10richard-1787

    A remarkable movie that avoids the pitfalls of too many documentaries on social issues

    I find it hard to believe that there are only five previous reviews of this documentary here on the IMDB. I don't find it hard to believe that they are all very positive. This is one remarkable movie.

    I've watched a LOT of documentaries in my life. In fact, I've been making documentaries myself - on World War II - for some time now. So I have some definite views on what helps and hurts a documentary that deals with contemporary issues. (A documentary on France's King Louis XIV could be fascinating, of course, but that's a different animal.) These are the things that struck me as making this movie particularly powerful, in no particular order:

    1. We see excerpts from interviews with a fair number of people who actually participated in the campaign for voter rights in Mississippi in the 1950s and 60s. They all speak with the authenticity of lived experience. We do NOT see talking heads, academics, or other scholars/"authorities" who have simply studied or reported on this era. While such individuals' books might be very interesting, they would make this documentary seem less immediate. Instead, it seems very immediate. You can't do that with a documentary about non-contemporary subjects, of course. But in this case, the talking heads approach would have been much less effective.

    2. I was astounded/very impressed by the iconography. It's already great to have photos of the things being talked about. But very often, this movie uses archival film of the people and events being presented. Again, that makes it that much more immediate.

    3. The principal interviewees are interviewed in natural settings, rather than in some studio. Again, that reinforces the realness of their stories.

    My one suggestion: the people we see - and we see a LOT of people in this movie - should be identified with a caption every time we see them. It would be simple to add that to a new edition of this movie.

    Kudos to everyone involved. This is one very impressive achievement that deserves to be much more widely seen.
    9steiner-sam

    This a humbling documentary to watch

    "Freedom on My Mind" is an amazing documentary of a period of American history that makes the viewer cringe that it happened. Mississippi in 1960 was fully segregated with political leaders, like like Gov. Ross Barnett, providing an unblushing rationale.

    The film really has two parts. The first, shorter part, focuses on Bob Moses and the voter registration drive. The second, larger section, examines the formation of the Mississippi Freedom Democratic Party and its efforts, led by Fannie Lou Hamer, to replace the Mississippi Dixiecrats at the Democratic National Convention in 1964.

    The documentary balances well historical film footage with 1990s commentary by participants in the Freedom Summer of 1964, including Bob Moses, Marshall Ganz, Heather Booth, and others. Endesha Ida Mae Holland, who was raped by a white man at age 11, went from the Mississippi Delta to volunteering with the registration drive as a teenager, to getting a PhD in American Studies. Her commentary and that of Bob Moses is the most striking.

    Also very insightful is the description of relationship between African American and white volunteers in the registration movement.

    This a humbling documentary to watch.

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    • Curiosidades
      This film has a 100% rating based on 5 critic reviews on Rotten Tomatoes.
    • Erros de gravação
      (at around 17 mins) The narrator refers to 1960, when the Democratic party 'became a house divided' with 'John Kennedy occupying the White House.' Although Kennedy was elected in 1960, he did not 'occupy' the White House until after his swearing in ceremony on January 20, 1961.
    • Citações

      L.C. Dorsey: The straw boss, the agent, the guy who was hired to run the operation, like a business manager, was opposed to us going to school when there was work to be done. And he had a rule. He would go around and say that these kids are too big to be in school, any way, and they need to be in the field. And my father so so adamant about going to school until - he would walk us to the bus stop with this gun every morning.

    • Conexões
      Featured in The 67th Annual Academy Awards (1995)
    • Trilhas sonoras
      Dixie
      Composition by Daniel Decatur Emmett

      Arrangement by Mary Watkins

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    Detalhes

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    • Data de lançamento
      • 22 de junho de 1994 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 71.176
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.272
      • 26 de jun. de 1994
    • Faturamento bruto mundial
      • US$ 71.176
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 45 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono

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