A Máquina da Morte

One of the characters yells at his friend: "You just knew Ho-Ho was going to turn out to be the fat, sweaty, desperate psycho!" And of course, we all did too...

There is no question what this movie was. There are even characters named Scott Ridley, Sam Raimi, and John Carpenter. While the surface of the film is a long-corridor (Aliens) horror movie, what lies beneath is sort of a manic, director-oriented comedy that reminds me more of Evil Dead 2 than anything else. The hyper sound to dead silence, the overly dramatic lighting, the first-person Missile Cam, the cool line followed by backlit explosion... it all leans towards a wild but fun ride through all of the most common camp in these types of movies. It's a satire subtle enough to pass as just another bad horror movie, if you're not paying attention.

Brad Dourif (who was B-B-B-B-Billy Buh-Bibbit, a long time ago, and the voice of Chucky-- and might become a little more prevalent in film after being in the upcoming Lord Of The Rings trilogy) is the great shining spot in this film, and alternates from acting well (check out his outpouring at the end) to completely terrible (awful references to hacking... "Molebdenic composite"?). And all of the best subtle jokes are bad guy parodies-- my favorite example is his inability to get his threat right over the monitors: "Turning me off won't turn you off. No. Wait. Turning you off--" click.

But the real flair here is in the direction. None of this would work if it wasn't played half serious with the sights and sounds. As the climax builds, the ambient noise cuts out completely for the doors to chime "Welcome!" cheerily. The HUD from the machine's point of view displays 1P and Hi Score. The Robocop-style machine whirring in the Hardman gear as Raimi actually gets into a fistfight (!) with the machine... there is never any "set 'em up, knock 'em down" standard cue that *these* are the jokes... but there they are. Dig in.

When people ask "What are some good straight to video horrors?", Death Machine is usually top of my list. Its a great blend of sci-fi/horror that borrows heavily from others but still emerges as a cool flick nonetheless.

The simplified plot leaves some good guys (and gal) trying to stay alive in a sealed corporate skyscraper, while being hunted by a robot controlled by the fantastically OTT Brad Dourif. There are a few sub-plots to keep things interesting between the characters.

The heroine of the piece is the very cute Ely Pouget, who gives a terrific performance. She is joined by a couple of would-be terrorists - Martin McDougall and John Sharian (who some may recognize from his role in The Machinist).

The plot is good, if a little far-fetched (hey I did say this was sci-fi/horror), and director Stephen Norrington skillfully constructs an effective sense of fear with tongue-in-cheek humor, which belies this being his first time at the helm (he would later go on to direct Blade and the less-than-stellar The League of Extraordinary Gentlemen).

The effects are very good for what must have been a small budget, and the robot (which is reminiscent of a alien/terminator hybrid) is well designed.

There are "strong influences" from movies such as Universal Soldier, Alien and Hardware...and most of the death scenes are quite vicious, though its not really that gory. Also many of the characters are named after horror directors - John Carpenter, Sam Raimi, Scott Ridley etc - not so much as a wink to them but rather a 10 foot neon sign - but it kinda adds to the charm.

Final word goes out to Mr Dourif, who steals every scene he is in. He's funny, creepy, pathetic and totally manic. I have a feeling Norrington just let Dourif go wild in the role.

TTKK's Bottomline - If you like sci-fi/horror mixed with a bit of cheese and some laughs, you can't go wrong with Death Machine

Demented inventor Jack Dante (Brad Dourif) is busy building terror weapons for the amoral Chaank Armaments corporation. The new female chief executive wants his operation shut down but before she can get rid of him some inept saboteurs break in and Dante lets his toys loose.

If you have even a passing interest in sci-fi or cyberpunk you are going to love this movie. Nothing dates faster than science fiction but there are exceptions and this is one of them. Sure, they have printers the size of an oven and speaking computers that sound like a female Stephen Hawking but most of the technology on show looks credible for a near-future setting.

The casting is spot on, Brad Dourif is highly entertaining as the nutcase genius and the rest of the cast are pretty good too. I didn't expect much from this movie but I was entertained, if you haven't seen it give it a try I think you'll like it.

Just as a final note, this movie currently has a totally unfair score of 5! That puts it on a par, in the minds of voters, with surefire crap like the lamentable Stepford Wives remake. IMDb should save people the trouble of voting and just give everything made this year a 10 and everything made earlier a 5, the final scores would be about the same.

In the near future, the Chaank Corporation is under fire for its creation of unethical weapons and involvement in war crimes. New Chief Executive Hayden Cale (Ely Pouget) has been brought in to fill the vacancy of the old executive and right the ship much to the ire of executives John Carpenter (William Hootkins) and Scott Ridley (Richard Brake). Hayden Cale in the course of her duties seeks to put an end to the development programs of weapons developer Jack Dante (Brad Dourif), a man as psychotic as he is brilliant and keeps himself from being terminated by holding leverage over the other executives. As Dante nurses a growing obsession with Cale, Chaank becomes the target of anti-war/anti-corporate saboteurs Raimi (John Sharian), Yutani (Martin McDougall), and Weyland (Andreas Wisneiwski) who intend to blow -up Chaank's mainframe. After circumstances see Carpenter, Cale, and the saboteurs collide at Chaank's headquarters, Dante unleashes his latest creation, a murderous robot called "Warbeast", after them.

Death Machine is the writing and directing debut of effects artist Stephen Norrington. Norrington had worked on a number of genre films since the 80s (including Aliens and Lifeforce) but had grown tired of effects work and wanted to try his hand at writing. As Norrington continued to dabble in effects work while trying to find financial backing, a producer on the film Split Second for which Norrington was providing the effects had taken an interest in one of his scripts as a possible sequel and also took note of another script Death Machine which was viewed as a commercial enough idea that producers brought on board Norrington as writer and director and secured international financing. While the film was given a relatively quiet direct-to-video release in the United States, it did become something of a springboard for Norrignton that lead to him directing Blade. Death Machine isn't any more or any less than it promises and depending on what you're looking for that might be enough.

At its core, Death Machine is what happens when you mix Die Hard, Robocop (or perhaps more fitting Robocop 2), and Alien together into a trashy genre exercise that doesn't have any loftier aspirations other than setting up kill scenes. While per the cyberpunk 101 playbook it follows the old standards of unethical corporations operating without regard to human life or impact on the world, it's mostly used as window dressing so we can justify the selling point of the killer robot. As per usual, Brad Dourif is delightfully slimy playing the unhinged Jack Dante who's basically what Charles Lee Ray would be like if he had technical expertise. Nobody delivers on crazy like Dourif and you can see why his character (as well as the film's violence) led to several different cuts of this movie. Most of the characterization doesn't go for too much depth save for maybe Ely Pouget's Hayden Cale, but they do what you expect in a movie like this and play it well. The real star of the movie is the titular "warbeast" or Death Machine and structured like if the Cain model from Robocop 2 were mixed with a T-rex it's certainly a memorable killer robot and is used for some fun setpieces. The setpieces are made all the more impressive by the fact the budget was only $3 million and Norrington certainly knows how to stretch it effectively.

Death Machine is the kind of movie where it's very much "what you see is what you get?" and if you're looking for something involving a killer robot on the loose and you've already watched Hardware, this will definitely fit the bill. It's pure bloody pulp, but enjoyable if you're into that sort of thing.

Everyone is trying to say this is suppose to be a comedy. I have a collection of around 300 movies and alot of them are funny as hell but not classified as comedy. Lethal Weapon 4 for example had more humor in it than Death Machine. This is a great movie with a strong resemblance to Aliens, not Alien despite public opinion. The costume design on the Hardman suit was very good for a low budget film. The camera work was really good especially in certain scenes where several emotions are caught in them. The movie features a good plot and believable tech for the year it takes place in. It does feature some cheesy lines in a couple of parts but other than that its dialogue is strong. Our tree hugging heros are very likable too. In my own humble opinion which of course is the only one that matters, if this were re-released as a theatrical motion picture, it'd be the action flick of the summer next year! This one gets a 9!