Dâkusaido burûsu

A cigarette takes away 6 min of your life, this movie takes away 80 min of it. I cannot believe I watched this movie till the end, hoping the story would develop, it did'nt. Basically darkside blues takes place in the future where some corporate evil is up to their no good doings, and there are a bunch of rebels against them, and some mysterious guy appears out of nowhere, the end. I don't remember all of it, since I am trying to forget about this disaster. I would recommend anything else over this, yes even garbage pail kids the movie!

This is a tough one to review. There are bits and pieces that are really striking and a dreamlike quality to the whole proceeding. Actually the film resembles a bizarre dream one might wake from and go, "what was that about?" and then when you try to remember it later you can't.

A strange futuristic city not unlike other anime future cities. Weird mutant humans who can shoot rays from their hands. Mysterious moody strangers with super-powers. Cute teenage girls with mega-fighting abilities. Sound familiar? Well it is but it's not as derivative as it could have been. The design is very good and the characters are all fascinating but...

I watched it with the hope that it would all somehow come together but it never did. A number of important plot points are hidden in vague dialog references. As other reviewers have mentioned, it's like we are in the middle of some larger story. It's an interesting world that deserved better treatment. However it's not as bad as a number of other pretentious animes and you might enjoy it, just expect a disappointing ending.

This is going on my list of movies that I want people to avoid. No way am I ever going to recommend it.

Basically, this character called Darkside comes in to a 1984-style Tokyo through a hole in the ground, causing...umm...errm.....ahh...ummm....some things to happen. None of it is fully explained. However, unlike 2001 and Blair Witch 2, where some of the appeal comes from the unexplained, this movie is a confusing waste of time.

We are given potentially interesting stuff that just sits there inert for the whole movie. Never once do we hear a basic explanation of the impact that bad dreams have on our life. And we'd like to. And what on earth does it have to do with the movie? Nobody knows, and by the end of the movie, nobody cares.

Watch Evangelion instead. At least that can be explained.

Viewers preferring a straightforward story and/or closure may find this movie tough to take. Conversely, those who dig hidden meanings and symbolism might enjoy rooting through this film's convoluted nature.

Being a lover of both when done well I found Darkside Blues yo-yoed from obvious imagery to ridiculous obscurity. One viewing was enough to tell me I lacked the patience to sit through another attempt to clear up some minor confusion. This film tries hard to be profound and almost hits, but something within the deliberate obscurity falls short. The one saving grace to this film is its support characters. While protagonist Darkside is an empty focal point who is easily disregarded following his first few lines, the growth and depth of Mai, Selia, and Tatsuya is relatively decent given the plot's short time span and this almost balances the story's lackluster qualities.

In the end many plot holes are evident. Most questions are left unanswered. And, there's no true conclusion in sight. What one is offered is the turning point for a new era, not a resolution.

One expects great things of anime. Though the quality is sometimes variable, far more than not one can rely on Japanese animation for beautifully detailed backgrounds and landscapes, realistic and expressive character designs and animation, marvelously imaginative designs for creatures, effects, and other active elements, and superb texture, lighting, shading, and more. Ranging from on-par with to being vastly superior to animation from the United States or elsewhere, I'd hedge my bets with Japanese studios any day alongside or over the likes of Disney or Pixar. And so it is here, as 'Darkside blues' treats us to a veritable wonderland of visuals. Even with the gloom, grit, and violence of a dystopian sci-fi world it's impossible not to be dazzled with what J. C. Staff whipped up based on Ashibe Yuhuo's manga illustrations: alluring characters, gorgeous (if often grim) settings, fluid and exciting action and effects, and so on. It's everything we hope for out of anime, and if to any degree we might say it's "lesser than," it's only in comparison to how the medium has continued to advance in all the time since.

Yes, the creativity in the visuals stuns, and the hard work, skill, and intelligence that went into them. But that's just one part of the equation. Gratifyingly, the remainder is broadly just as excellent. Screenwriter Sekijima Mayori and filmmaker Furukawa Nobuyasu tread in familiar narrative spaces in adapting Kikuchi Hideyuki's manga: a ruined world under almost complete the control of immensely powerful corporate interests, cruel and amoral dynastic leadership of that corruption, a small resistance movement - and naturally, additional elements of science fiction and fantasy, including high-tech weapons, monsters, superhuman abilities, other dimensions, and more. For any comparisons we may draw, though, the doing is very capably well written entirely on its own merits, and in turn engaging and compelling as the story focuses on a few select figures, including a mysterious man who enters the scenario seemingly from out of nowhere. I can't claim any knowledge of the manga, admittedly, but that puts me in a position to judge its adaptation purely on its own merits, and I find it to be actively fascinating and very entertaining, with flavorful plot and scene writing, and some sharp character builds. Really, what more could we ask for?

Well, maybe this: I'll grant that some of the dialogue is a bit clunky, and the storytelling isn't always perfectly focused. Moreover, while not necessarily an abject fault, it's well worth observing that the scenes and overall narrative are written in a manner that throws us headlong into their world, as if viewers are anticipated to already be familiar with concepts herein. Case in point, we never specifically find out who or what "Darkside" is, and the resolution of the plot in the last minutes, such as it is, feels like a curiously inchoate half measure. Maybe that means that one would be well-served by reading the manga first, or maybe it simply means that the anime is a little less sure-footed than it should be on its own legs as we have to just take some ideas and beats at face value. Still, all these are a lot of scrutinizing words that belie the fact that 'Darkside blues' is a terrific genre blast, with touches of horror spicing up the sci-fi and fantasy. To whatever extent we may reasonably critique some facets, more than not the feature is a lot of fun, and fabulously well made. This includes some nice music on the side - some blues, some prog rock, some more subtle and atmospheric pieces, and so on - and adept voice acting that ably meets the needs of any given scene. The movie only wants to provide a good time, and it definitely does just that.

It may not wholly demand viewership, yet with outstanding animation, earnestly engrossing writing, and bigger themes and notions that are all too despairingly relevant to real life, there is much to love in these eighty-odd minutes. Even if we say that the writing could have been tightened - and it absolutely could have, the one most discernible shortcoming here - the sum total is handily absorbing, enjoyable, and satisfying, and it didn't have to be flawless to otherwise be thusly worthwhile. Don't go out of your way for 'Darkside blues,' but if you like anime, and the composite of action, sci-fi, and fantasy, then this deserves a look if you have the chance.