AVALIAÇÃO DA IMDb
2,6/10
4,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo contrasting NYC cops guard a mob witness before testimony while handling personal drama, spouses, criminals, arms dealers and their demanding captain.Two contrasting NYC cops guard a mob witness before testimony while handling personal drama, spouses, criminals, arms dealers and their demanding captain.Two contrasting NYC cops guard a mob witness before testimony while handling personal drama, spouses, criminals, arms dealers and their demanding captain.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
Bobby Collins
- Carlo
- (as Bobby C. Collins)
Eliza Roberts
- Boys in Blue Director
- (as Eliza Garrett)
Penn Jillette
- Luther
- (as Penn)
Avaliações em destaque
Officer Toody gets assigned a new partner in technology freak Officer Muldoon. They spend much of the film getting to know each other before being assigned to protect federal witness Hebert Hortz from mobster Don Motti's hitmen. When they lose the witness both Toody and Muldoon must work together to save him.
The story here isn't really important as their isn't really one to speak of. The majority of the film is a whole pile of set pieces where Toody and Muldoon don't get on etc. Then with 30 minutes left they get assigned to protect Hortz, lose him and then have to get him back - it's as if the film suddenly realised that it has to do something while being onscreen. It all relies on the comedy rather than the plot, however there's barely a funny line in it - I half-laughed once when the two hitmen were talking ("I often considered plumbing as a vocation", "nah - I take the kids down to Florida"), and that was it for me, not another laugh in the whole damn thing. Even the scenes that play out over the credits are rubbish - I assume that they thought no one would be left by then.
The main problem with the film is the performances - especially Johansen. It's impossible to enjoy any scene that he's in because of his horrible voice and irritating OTT facial expressions. In this he really does have a face that you want to just keep kicking! McGinley is not as bad but when he's on screen you can't help but feel disappointed - he's had so many good support roles in good films but yet this is his reward. Likewise with Jeremy Piven - not a big star but always does good work in support. Here his gay witness is terrible - witness his rapping with black prisoners to see the depths he has sank. He did a gay character in Rush Hour 2 which was very funny and not totally OTT as it is here. Daniel Baldwin is hampered by a terrible character and at times you can almost see him thinking that he should have put a few more years in on "Homicide: LOTS". Rosie O'Donnell is awful and is almost as annoying as Johansen. One clever bit of casting is Barbara Hamilton as Toody's first partner - clever because of the Munster's connection with the original series, but he's not a great actor (his most recent work being novelty walk-ons in porn). Nipsey Russell really should have known better and should never have agreed to spoil the film's tag line by adding the f-word to it. Gore magicians Penn and Teller just add to the tacky novelty feel of the whole thing.
This should have treated the source material with more respect and it might have been better. However it's a real shambles. No plot, roundly terrible performances and not a laugh in the place. Many of the "jokes" are embarrassing - don't miss the opening scene where Johansen "sings" with a rapping cartoon bird. In fact the rapping thing bothers me because this is full of ethnic stereotypes and constantly uses black culture for comedy effect (like Piven rapping - to general applause!).
Overall it's not the worst thing I've ever seen but it is certainly one big unfunny embarrassment from start to finish.
The story here isn't really important as their isn't really one to speak of. The majority of the film is a whole pile of set pieces where Toody and Muldoon don't get on etc. Then with 30 minutes left they get assigned to protect Hortz, lose him and then have to get him back - it's as if the film suddenly realised that it has to do something while being onscreen. It all relies on the comedy rather than the plot, however there's barely a funny line in it - I half-laughed once when the two hitmen were talking ("I often considered plumbing as a vocation", "nah - I take the kids down to Florida"), and that was it for me, not another laugh in the whole damn thing. Even the scenes that play out over the credits are rubbish - I assume that they thought no one would be left by then.
The main problem with the film is the performances - especially Johansen. It's impossible to enjoy any scene that he's in because of his horrible voice and irritating OTT facial expressions. In this he really does have a face that you want to just keep kicking! McGinley is not as bad but when he's on screen you can't help but feel disappointed - he's had so many good support roles in good films but yet this is his reward. Likewise with Jeremy Piven - not a big star but always does good work in support. Here his gay witness is terrible - witness his rapping with black prisoners to see the depths he has sank. He did a gay character in Rush Hour 2 which was very funny and not totally OTT as it is here. Daniel Baldwin is hampered by a terrible character and at times you can almost see him thinking that he should have put a few more years in on "Homicide: LOTS". Rosie O'Donnell is awful and is almost as annoying as Johansen. One clever bit of casting is Barbara Hamilton as Toody's first partner - clever because of the Munster's connection with the original series, but he's not a great actor (his most recent work being novelty walk-ons in porn). Nipsey Russell really should have known better and should never have agreed to spoil the film's tag line by adding the f-word to it. Gore magicians Penn and Teller just add to the tacky novelty feel of the whole thing.
This should have treated the source material with more respect and it might have been better. However it's a real shambles. No plot, roundly terrible performances and not a laugh in the place. Many of the "jokes" are embarrassing - don't miss the opening scene where Johansen "sings" with a rapping cartoon bird. In fact the rapping thing bothers me because this is full of ethnic stereotypes and constantly uses black culture for comedy effect (like Piven rapping - to general applause!).
Overall it's not the worst thing I've ever seen but it is certainly one big unfunny embarrassment from start to finish.
The old t.v. show had its undeniable quirky charm. this should be self evident, otherwise a 2 season sitcom from 1961-63 would have been long forgotten, and no studio would have thrown a 1990's budget at so weak a concept as to make a movie of an obscure t.v. relic. But the people behind the film had no concept of what made this show stick in peoples' craw, and that was the ridiculous innocence and banality of the crimes that mediocre good guys Toody, Muldoon, etc. encountered and dealt with in the big, bad city of New York on an episode by episode basis. Making Muldoon a crusader, rather than an equally bumbling ineffectual creature like Gunther Toody obliterates the charm of the sitcom. The whole idea of anyone from the squad actually approaching a ":real" or "serious" crime kills the whole premise of "Car 54 Where are You?" This is a relic of a sheltered and surreally unrealistic time, and this attempt to have one foot in this world and another in the semi post-repression non reality of contemporary aesthetics just doesn't cut it. Besides that, this is a bad mess of a movie on all standards.
That's right, a Comic Genius created "Car 54, Where Are You?" His name was Nat Hiken and he created the BRILLIANTLY FUNNY TV series. It deeply saddens me that this film was ever made as it serves only to detract from how incredibly wonderful the original TV show was. That said, PLEASE don't judge the TV show by this moronic movie. If you have a chance to see the show, do so! DON'T think to yourself "Well if the film was that bad, then the TV series must be even worse!" Quite the contrary. The TV version is one of the funniest half hours of entertainment ever created. Every episode is a comic gem. Every character is terrifically hilarious and memorable. So in closing, I'll simply urge you yo go out and hunt down VHS copies and hold a marathon with all of your closest friends. The original "Car 54, Where Are You?" deserves to be discovered by a new generation of fans. Enjoy! You won't be disappointed.
I rented this movie as part of a local video stores "five films for five nights" deal and I needed a fifth film to get the deal. It took me five nights to watch it because I could literally only stand fifteen minutes of it at a time. I tortured myself on the last night and endured eighteen minutes of it. I truly admire anyone who was able to sit through this in a theater without leaving.
Everyone grows up with some cherished memories. One of mine was the T.V. series "Car 54, Where Are You?". It had a simple charm and the main characters Toody (Joe E. Ross) and Muldoon (Fred Gwynne) were gentle and the humour was good clean fun. Although they would mess things up at the beginning of each episode they would somehow get everything alright in the end without anyone getting into harm. Fred Gwynne's character (Muldoon) evoked sympathy and love from his viewers - especially children. With this in mind I got out the video of the movie remake of this series. What an absolute disgrace of a movie it turned out to be! The makers of this movie completely turned around the series two morally decent characters and made them into immoral fools. The key point of the T.V. series was that Muldoon was an innocent, naive policeman who did his job with a genuine love for those he served. The Muldoon in this movie remake is a repulsive character. The clean fun is also out in this remake. No wonder that this movie is listed by IMDb in its worst 100 movies of all time. It deserves it! The makers of this movie lost its main market (the nostalgics) by ignoring the behaviour standards of the original series. Not recommended!
Você sabia?
- CuriosidadesAccording to a interview with John C. McGinley (AV Club's Random Roles- April 2013), the film was original shot as a musical with full musical numbers. After editing, only two musical numbers remained. McGinley was unsure of why specifically the numbers were cut or by whom, but McGinley mused that he found the film in its present form an incoherent mess.
- Erros de gravaçãoWhen Toody is on the subway, the stickers on the door say "New York." When the train is going by, you can see a TTC (Toronto Transit Commission) logo on the side of the subway car.
- Citações
Officer Gunther Toody: Tell Don Marty, Detroit Dan is here.
- ConexõesFeatured in Encontros e Desencontros (2003)
- Trilhas sonorasMambo Luv
Performed by David Johansen and Coati Mundi
Principais escolhas
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- How long is Car 54, Where Are You??Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 10.700.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.238.080
- Fim de semana de estreia nos EUA e Canadá
- US$ 791.182
- 30 de jan. de 1994
- Faturamento bruto mundial
- US$ 1.238.080
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