Bottle Rocket

This is the type of film that should be popular among film goers. Yet, none of my friends have ever seen or heard of Bottle Rocket. The dialogue is very well written and the characters are amazingly funny. I am glad that the commercialization of the film industry and American society as a whole has left room for films like Bottle Rocket. It is not exactly film art; but, damn close.

This is the FIRST Bottle Rocket, not the full length. This version begins after the breakout in th '96 version, and ends after the boys RECAP the bookstore robbery to Bob. This is interesting to watch for hardcore Wes fans, and if Criterion loves us, they will release a DVD including this original on it. Especially worth seeing is the "I bought the gun" scene, where Dignan flips out in a vulgar rage which only Owen Wilson could have executed the way he did.

The Bottle Rocket '96 trailer includes a shot of Anthony breaking into a car to steal a wallet, but the scene is cut from the actual movie. That scene is present in the short version.

The owner of our local video store was nice enough to let me borrow his copy of the short when I rented Bottle Rocket. It's very clever but honestly nothing to write home about. Witty dialog with a lot of pop culture references and a certain charm, but it just doesn't have that endearing quality that Anderson and Wilson's longer films have. It actually seems more like something Quentin Tarantino would do than Anderson and Wilson. If you're a fan of Bottle Rocket and you get a chance to see this it's probably worth it. If nothing else it's interesting to see how it started. On the other hand if you never see it you shouldn't feel like you're missing too much.

At this point, I wager, Wes Anderson and Owen Wilson weren't entirely sure how their Bottle Rocket feature would turn out. As a means of getting support for it they made this short film which won over James L. Brooks at Sundance and got them a movie deal at Columbia pictures. Their plan worked... except that their short film had only the smallest of substance- heavy on style, of course, even in the grittiest possible for anything by Wes Anderson- and they spent more than a year or so writing and rewriting the feature until they got it to where it worked, brilliantly.

So, as someone who loves the 1996 Bottle Rocket, I have to say that this one was just alright. But alright in that sense that does get you excited about a couple of things. For one thing the Wilson brothers, however airy their delivery, already have an interesting rapport going on, and certain scenes are identical to how it came out in the feature such as the robbery of the house, or of the shooting of the cans with the guns (the Charlie Brown music is an especially funny and awesome touch). I also liked how they introduced the book-store into the story, how the bits and pieces of visual information were kind of "stolen" shots probably taken when no one was looking in the aisles and around the corners. It overall is something slight, but it works for a 13 minute short with a sort of abrupt ending.

This 20 minute short served as the trailer for and basis of "Bottle Rocket" the feature, which in turn launched Wes Anderson's long career as one of our most critically admired directors.

I remember how talked about the short was in film circles, and how it inspired Polly Platt (long time James Brooks partner) to get behind Anderson and champion his getting a shot at doing a feature version. There were many envious young film-makers and film students out there!

While the short is rough, it already has the odd, intelligent wit and strong comic acting along with the surprisingly complex characters that marks all Anderson's work. Visually it's nothing special, lacking the specific and idiosyncratic film language Anderson would make his own in films to come, but it tells it's enjoyable shaggy dog story just fine.

Luke and Owen Wilson are both very good, and amazingly young.

The short is available as an extra on the Criterion release of 'Bottle Rocket' and is well worth seeing - both as a piece of modern film history, and as an entertaining film in it's own right.