Um Tira da Pesada III

Eddie Murphy's third outing as Detroit police detective Axel Foley who seems to have made more of a crime fighting contribution to Beverly Hills still generates some power in the series but the first two films are naturally the better ones. The film inexplicably removes the John Taggart (John Ashton) and Andrew Bogomil (Ronny Cox) characters from the series and adds a shallow new character named John Flint (Hector Elizondo). Fortunately, Billy Rosewood (Judge Reinhold) is still around and he still manages to be a perfect foil for Foley. Foley's third case in Beverly Hills is a little improbable but the action scenes help to make up for the plot which has to do with Foley matching wits with a corrupt head of security (Timothy Carhart) at a popular Beverly Hills amusement park called WonderWorld (a creation of Paramount Parks). The park character costumes and designs are nice and colorful and Theresa Randle helps to pick things up as a potential love interest for Foley but the film doesn't give Murphy very many funny lines and that is a disappointment if one wants to label this film as a comedy. The action is as usual great but Murphy is reknowned as a comedy star and the lack of laughs here prevent this from being a perfect series. Still, it's a very good series.

How Landis, Lucas, and even Murphy lent themselves to this debacle is beyond me. Maybe it wouldn't have been so bad if the many implausibilities didn't make it such a departure from the first movie, which I thought was very good.

The one armed rescue from the ferris wheel? Come on! No one has that kind of strength. And how did he escape burning his hand on the rope? How come all the bad guys, who were supposedly from the best security firm in California, couldn't hit the side of a barn with their uzis yet Axel and Co. hit dead center with virtually all of their shots? How did Axel produce counterfeit money with his image on it in like 10 seconds? How come the security guards gave Axel so much hassle when he first tried to enter the park, yet when he enters the corporate center , he is unfettered? The list goes on and on.

Now, I know what you are saying. "It's a movie!" "It's not supposed to be real." But you see, the first episode of the series was quite plausible, and in contrast, made the this third film highly suspect and therefore subject to ridicule.

Suffice it to say, we won't be seeing BHC IV any time soon. Thank God!

**

Starring: Eddie Murphy, Joey Travolta, and Jon Tenney.

When Axel Foley's boss is shot and killed, all the fingers point to a theme park owner. The theme park owner is also the owner of a car theft and counterfeiting ring. It's up to Axel Foley to put a stop to all of this and catch his boss's murderer.

It doesn't have hardly any laughs (though it may slightly entertain you), but I do give it credit for having an interesting plot.

You would think that anyone who could do the hilarious Amazon Women on the Moon would be a good director. Sorry, Mr Landis, but you blew it on this one.

Maybe it was just one sequel too many, but it fell short of the previous two and is just something to watch if there is absolutely nothing else on TV.

Only Billy Rosewood (Judge Reinhold) and Inspector Todd (Gilbert R. Hill) are back with Axel Foley in this one. Billy is great with Axel, but this film just doesn't have the action of the other two.

Theresa Randle provides the eye candy.

I don't know what I expected when I started watching this movie, but I was definitely let down by miles. First of all the dialogue is so bad and cheese, that it sometimes physically hurt to watch. The killing in this movie just takes away from the comedy , and believe me there is loads of killing it. Another negative factor is, that for some unexplainable reason someone thought it was a good idea to make every flame in this movie a bright blue colour, which sometimes really hurts while watching in a dark room. That being said there are some scenes that I found genuinely funny, although most of the time this was unintentional like in action scenes or scenes that where supposed to be serious and dramatic.