A.P.E.X.

This is billed as a time travel paradox movie - it's really a poorly thought out cardboard shoot-em up. It's full of inconsistencies and even the supposed paradox is flimsy at best.

Berserk robo fans might [at 2am on a stormy night] see something in it but science/sci-fi it ain't.

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

In the year 2073,Nicholas Sinclair (Richard Keats) is a scientist working at a time travelling research facility.He has a wife,the beautiful Natasha (Lisa Ann Russell) and works under the command of Dr Elgin (David Jean Thomas).One day,they send a probe 100 years in to the past and completely change the course of history.While attempting to sort out the peoblem,Sinclair finds himself convulted to a present where he finds himself a member of an elite squadron of soldiers,including pent-up muscle man Shepherd (Mitchell Cox),volatile macho man Taylor (Marcus Aurelis) and reserved background man Rasheed (Adam Lawson),not to mention Natasha,who in the present he could remember was his sweet,humble wife but who here is a 'hardened combat soldier',battling an army of robots who can't shoot straight.Sinclair must survive in this hostile environment long enough to find a way back to the present he remembers and stop the accident from ever happening.

The plot is as blatant a rip off of T2 as you could hope to find without the producers being sued for copyright theft,right down to the grey robots causing lots of death and destruction.Said robots are actually really cool,though rather clunky in both their appearance and movement,cruelly exposing the production values of a film that must have had a pretty high budget for a film of it's made-for-video magnitude.

They're not the only problems the film must contend with,however.It must also reckon with a dodgy,confused storyline that never seems to move from one sequence to the next with much in the way of coherence and one or two characters who are just that little bit too contrived in the mould in which they were sculpted to be taken that seriously.There is,however,some good,involving acting on display,not to mention some enjoyable action and one inventive sequence involving a music CD being inserted in to one of the robots when it really shouldn't.You didn't get a scene like that in T2,did you?

Speaking of which,both films are enjoyable enough on their own seperate levels.It's just,I dunno.T2 is Alton Towers,this is the mop fair.Y' know what I'm sayin'?***

Nicolas Sinclair is one of the team operating the time travelling APEX (Advanced Prototype EXploration unit) in the year 2073. When one of the APEX probes is accidentally sent back to an area containing a family in 1973, a sterilisation probe is launched to destroy any chance of a time paradox. However Sinclair himself goes back to 1973 to stop the unit – but in doing so he creates a paradox and unleashes a virus. When he returns to 2073 he finds the paradox has created a new timeline where the humans are in a war with APEX units sent from hi timeline to destroy the paradox.

Have you seen Terminator – you bet your ass that Phillip J. Roth has! He certainly drew a lot of inspiration from it when he wrote this. Having said that, the story is actually alright – the whole time travel, killer robots thing has been done before, but that doesn't make it less interesting. It doesn't go anywhere unexpected but it is not as bad as you suspect it might be.

What does let the story down a little is the rest of the production. Produced by Talaat Captan (strangely no Oscar nominations yet!) it seems his biggest input was to get his son cast in one of the roles. The whole thing has a TVM feel – despite the swearing and violence. The special effects are cheap and very reminiscent of a straight to video sci-fi, the locations are good if basic – only the occasional interior shot looks like cardboard. But really you can see the budget constraints up there on screen.

The tight budget goes through to the cast – they aren't great and aren't helped by some poor dialogue. Keats, Cox, Russell etc are all TVM actors but they do actually do alright considering. The APEX units themselves are mixed – they look cheap at first, but then you forget that they look cheap. But then after a while you realise that they're rubbish – they can't shoot straight at all while the humans just need one powerful hit to get them (or even a music CD!). This takes away from the tension of the film – at least with Arnie you knew without a doubt that he was one mean mother who wasn't going to miss!

Overall this has some entertaining moments but is really a TVM with attitude – catch it now on the bottom shelf of your video store….

I really like the premise of the film; time travel; time continuum violation; a scientist trapped in a violent world. His wife in his own world, is now,in his new world, a tough soldier, stricken with a fatal virus; and she doesn't even like him. He is trying desperately to repair the damage to time, and return the world from that of a violent war zone, beset by robots trying to exterminate all human life, to his own advanced and sophisticated culture. The idea, and the low budget presentation, are intriguing.

I do not believe that every science fiction film can or will have a huge budget and expensive special effects. I enjoyed the actors, the acting and the adventure. I was able to immerse myself in the characters and flow right through the film with them. A.P.E.X has a strong plot, excellent continuity, good science, adventure, suspense and lots of excitement. The director did an excellent job of creating a world on the verge of extinction, hanging onto its humanity by slender threads.

The only elements I did not care for at all, were the extremely foul language that pervaded the entire film; and the degrading stereotyping of the black soldier. He was a good actor, and had a lot more to offer than that of a modern day ghetto brute. His character could have been rough and crude without being completely obscene. All they had to do was leave out all the bad language. The actor did a fine job with his role anyway. I enjoyed his rendition of his character.

I often think that some day, in a more enlightened cultural time frame, we are going to be completely ashamed of the foul language that currently pervades and debases even our finest films. There will possibly be an effort to clean up the old films, and a debate will rage as to whether this is akin to colorization, and destroys the artistic intent of the films. Let us hope.

At any rate, A.P.E.X. is an enjoyable science fiction experience, even with the obscenities intact. I recommend it for mature science fiction fans.

An interesting premise, where scientists send time-traveling robots to do research with the caveat that they must not leave any traces of their presence in the past, including witnesses. An accident involving the elimination of said witnesses causes a paradox where one of the scientists in charge of the time-travel experiment finds himself in a parallel post-apocalyptic world where soldiers constantly battle a seemingly never-ending supply of time-traveling robots. The low budget shows and the tactics employed to eliminate the robots (gunfire at close quarters for the most part) seem silly, but the movie's an entertaining weekend time-filler.