Adicionar um enredo no seu idiomaMarcos is a lad in Texas, the second son of a migrant farmworker family, his brother is missing in the Korean war. We travel with the family into Minnesota, following the crops. The housing ... Ler tudoMarcos is a lad in Texas, the second son of a migrant farmworker family, his brother is missing in the Korean war. We travel with the family into Minnesota, following the crops. The housing is awful, sometimes the boss furnishes no water as the hands labor, and TB goes untreated.... Ler tudoMarcos is a lad in Texas, the second son of a migrant farmworker family, his brother is missing in the Korean war. We travel with the family into Minnesota, following the crops. The housing is awful, sometimes the boss furnishes no water as the hands labor, and TB goes untreated. In good times the pay is $15 a day for adults, half that for children. For a few sordid w... Ler tudo
- Prêmios
- 5 indicações no total
Fotos
- Julian
- (as Frank Aragon)
- Father Josef
- (as Gregory Giles)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Sergio Perez uses impressionistic techniques to depict Rivera's story. He uses sienna and gray-scale effects to depict some of the scenes, and he uses specific photographic techniques to make the scenes look like they took place in the 1950s.
Perez also gives life to the film by using time-appropriate music, including balladeering and guitar playing.
I feel that it is a good film to view because it shows in detail how migrant farmworkers live, what they do for entertainment, and their beliefs.
This film is a good companion for comparison to the original book titled "Y No se lo Trago la Tierra..." (And the Earth did not Devour Him...)by Tomas Rivera. Rivera's work is critiqued as impressionist work, and this movie depicts this style. Sergio Perez Films has brought my imagination to life.
Both subtle and clear devices of suggestion were used through the language, set background, and plot to achieve the power of suggestion and communication.
The film was made with meticulous details with regards to life as a migrant worker in the mid 1900's. The film portrays religious, mythical and family values in the midst of adversity. Adversity which makes mankind strong.
Get your compassion Kleenex out... you'll love this movie.
This film's producers and director did a very good job of choosing to adapt to cinema a select few of the novel's passages to achieve a story that strikes a very good balance between presenting Hispanic culture and the numerous challenges facing migrant workers, thus resulting in a coherent story via the observations and reflections of the protagonist that sincerely describes the life, in general, of Latino migrant workers.
I definitely recommend this movie and the book for those who need some enlightenment about the shame of worker exploitation and the strength of the human spirit.
Peace to All...
Unfortunately this is not one of those movies. I am not sure if this is a movie driven by sentimentality or worse, deliberate agenda, but certain elements of it made it impossible to immerse. It is supposed to portray a struggling immigrant worker community which tries to cope with the difficult realities of their life. That is a fine premise and it could have made for a gripping story, but the execution just made me alternate between getting annoyed and amused at the ridiculousness of it.
Here we have a community of simple farm workers who migrated to the US in search of employment and who get used and abused repeatedly by evil white men. And when I say evil - I mean EVIL. All white people in this movie are sinful, racist, sadistic, abusive devils whose sole purpose in life is sexual depravity intertwined with exploiting the poor immigrants. It would be a sad story if it wasn't so unintentionally grotesque and therefore hilarious.
The portrayal of the immigrants is also a poster-worthy example of exaggeration except that it goes in the opposite direction. The immigrants are saintly, clean and could serve as ointment for boo-boos and ouies the world over. I couldn't help but laugh when I saw these "field workers" presumably digging in the ditches all day with their notoriously clean clothes and chiseled hair cuts from a top notch hair salon. A little restraint and a more unbiased hand at the helm could have made this a much better movie evoking some intended emotion rather than sarcastic snickers.
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- ...y no se lo tragó la tierra
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro