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7,0/10
328
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen young Nell Trent's grandfather loses the investment money of wharf owner Daniel Quilp with cards, Quilp develops an everlasting urge to get him put in the madhouse. Nell and her grandfa... Ler tudoWhen young Nell Trent's grandfather loses the investment money of wharf owner Daniel Quilp with cards, Quilp develops an everlasting urge to get him put in the madhouse. Nell and her grandfather flee the city.When young Nell Trent's grandfather loses the investment money of wharf owner Daniel Quilp with cards, Quilp develops an everlasting urge to get him put in the madhouse. Nell and her grandfather flee the city.
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- Indicado para 1 Primetime Emmy
- 1 vitória e 2 indicações no total
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Peter Ustinov is badly miscast as the grandfather - he seems neither frail nor senile, so his gambling, which is given a lot of attention in the film, makes a villain of him. Sally Walsh as Nell is spiritless. The film is carried by Tom Courtenay's excellent performance as Quilp - but again the casting is off, because Quilp should be dwarfish and ugly, with his misanthropy stemming from being constantly reminded of that. (And in the novel the diminutive Marchioness is clearly his child with Sally Brass - Dickens often left the adult reader to work things like that out from hints.)
The treatment is kitschy. For instance, the grandfather and Nell don't undergo any deterioration in their appearance as they struggle to live on the road - their clothes remain clean and intact. Ustinov of course looks well fed.
As other reviewers have noted, the whole subplot with the Marchioness has been dropped, depriving Swiveller of his character development.
This compares very poorly with the 1934 black and white film.
The treatment is kitschy. For instance, the grandfather and Nell don't undergo any deterioration in their appearance as they struggle to live on the road - their clothes remain clean and intact. Ustinov of course looks well fed.
As other reviewers have noted, the whole subplot with the Marchioness has been dropped, depriving Swiveller of his character development.
This compares very poorly with the 1934 black and white film.
For anyone who loves Dickens, this is going to be a surprise of the best kind. Few productions can capture the details that make Dickens' words come alive. This version of The Old Curiosity Shop does more with an empty set than most do at full steam. The set design strengthens every performance, adding nuance and flavor to actors who are already working at the peak of their craft.
If this seems like slavering, it's only because something of this quality comes maybe once a decade. The cast is a director's dream, and each member delivers just the right spice to this dish.
With so much excellence, it would seem incongruous to isolate any single aspect as standing out, but Tom Courtney, as the menacing Quilp becomes the very heart of Evil around which all this revolves. And a more entertaining Evil you will never see. He makes Quilp a fascination first to last.
This is a recommendation for anyone; and a must-see for Dickens fans.
If this seems like slavering, it's only because something of this quality comes maybe once a decade. The cast is a director's dream, and each member delivers just the right spice to this dish.
With so much excellence, it would seem incongruous to isolate any single aspect as standing out, but Tom Courtney, as the menacing Quilp becomes the very heart of Evil around which all this revolves. And a more entertaining Evil you will never see. He makes Quilp a fascination first to last.
This is a recommendation for anyone; and a must-see for Dickens fans.
10clanciai
It is almost three hours long but well worth every minute of it. Seldom has a novel by Dickens been so meticuliysly broght to life on film with such faithful adherence to the text. Dickens is always good if not outstandingly excellent, you can always rely on his stories, and therefore there are only successful screenings of his novels - they are like Shakespeare's plays impossible to fail in. The question is who makes the best performance here, as they are all excellent, but I think the price still goes to Tom Courtenay as the terrible Quilp, whom he succeeds in rendering even more ghastlty and abominable than he is already in the novel, as Courtenay adds so much to the character with his hypocrisy and cringing manners of outrageous guile that the interpretation becomes a masterpiece of acting. Peter Ustinov as the grandfather addicted to card gambling is also outstanding, like of course Sally Walsh as little Nell. All the other characters are more than execellent also.
To this comes the heart-warming photography following the pilhgrims on their wanderings all over western England, choosing all the finest villages and landscapes on the way, to culminate in reaching the sea. It is an all around exquisite film and certanily one of the best Dickens adaptations ever, even if it is only for television.
This is one of the most charming and family-friendly Dickens adaptations I have ever seen, and I have seen almost all of them over many years of effort. The only other Dickens which have this family movie type atmosphere are versions of Oliver Twist and Christmas Carol, most of his others don't get such a treatment. But I think Old Curiosity Shop works so well in a family oriented version. It has the lovely young girl (Nell) and her grandfather for young people to get behind, and an abject and characitaured villain in Quilp who everyone loves to see the downfall of. In reality though the novel ends quite tragically, showing the audience the harsh realities of the times in which the story is set. This version does partially romanticise the ending and cuts a little out. This is fine for what else it has achieved.
I rented this video mistakenly believing that it was a Masterpiece Theater offering. Initially, I was disappointed to see in the credits that it came from the Disney Channel. But only 15 minutes into the story, I realized that this was an excellent adaptation of Dicken's story. The period atmosphere was excellent, as were the costumes and sets. The acting was first-rate, particularly that of Tom Courtney as Quilp and Sally Walsh as Little Nell. Both of these parts could have been played too broadly by less accomplished actors. Sally Walsh's role could have easily become cloying, but she played it with radiant innocence. The villain, Quilp, might well have turned into a scenery-chewing, comic overstatement played by anyone but Courtney. I highly recommend this mini-series to anyone who enjoys film adaptations of 19th century British novels.
Você sabia?
- Erros de gravaçãoAs Nell and grandfather arrive in Hawkshead, a 20th century field gun remains in the background, out of the way, but clearly visible.
- ConexõesVersion of The Old Curiosity Shop (1909)
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