Frontline

Mike Moore is the well groomed host of Frontline, a current affairs show that presents "the stories behind the stories". Just like any other current affairs programme on commercial television, it has its share of sensationalism, controversy, and cynical manipulation of the truth. All in the pursuit of ratings.

There are good days and bad days for the Frontline team. On a good day there are hard-hitting stories like the gun siege, where Mike becomes an impromptu negotiator speaking to a gun-man's children over the phone. On other occasions, when the show needs to spice things up a bit, there are stories about tabletop dancers or the lesbian netball team.

In an industry without ethics, Mike is an idealist who really cares about the show. But every now and then he needs reassurance, whether it be from the unctuous E.P, the enthusiastic weatherman, the fawning secretary, or the fan mail. (Unknown to Mike the hate mail addressed to him ends up in the shredder before he gets to see it.)

Needless to say, Mike's presentation of the show is all mapped out with precision. Without even watching the stories he can react with a deeply concerned "Mmmm", or put on a fake chuckle at the Friday night funnyman. (Mike has tried to get the funnyman axed on more than one occasion.) Sometimes the production team slip up and let Mike do a studio interview live. On each occasion the result has been a fiasco.

Frontline is an astute look at the unscrupulous manipulation that goes on in the high-pressure world of T.V. journalism. Some of the episodes are based on events from "real" current affairs shows, such as the three unemployed teenagers who turned down jobs at a holiday resort, the feeding frenzy over a grieving widow, or the time when Mike Willisee was drunk on air. The "big villains" who come under the spotlight are usually shonky repairmen, dodgy mechanics, and illiterate kids who don't want to work. The team at Frontline know their stories have to appeal to a vapid blue collar audience, because that's where the ratings come from. As Sam Murphy once said: "Why would anyone with brains or money be sitting round a telly at 6.30 each night?"

There have been many guest celebrities on Frontline, such as Jon English, who was used in a Frontline charity special: the challenge to build a playground for needy kids within 24 hours.

I think Series 3 was the funniest of the lot. We see a lot more of Mike's extravagant lifestyle while the E.P. vainly tries to sell Mike as a man of the people. One of the funniest moments is when Mike goes on "This Is Your Life".

Frontline has got to be the most credible of Australia's current affairs shows. It's the only one I take seriously.

"Frontline" is an amazing show. It combines actual current events (Pauline Hanson, the Gulf War, etc.) with a funny and thought-provoking analysis of topics such as how the media treats people and events, and how people are stereotyped. Laugh at Mike Moore and crew as they battle the odds, the rival networks and each other in search of good television... or is it good ratings?

Favorite Moment: When Mike goes on Burke's Backyard and proves himself as a complete idiot.

I'm not from Australia, but this show is one my favorite all-time television satires. It does a better job showing the venality, cynicism and amorality of the broadcast news business than anything I've ever seen. It's also wickedly dark, and it succeeds in one crucial aspect that sinks many lesser comedies: it's got great characters, acted with impressive naturalism by a fantastic cast.

From ignorant airhead anchor Mike Moore (Rob Sitch) to the perpetually harried line producer Emma (Alison Whyte), to the cruel yet resourceful reporter Brooke (Jane Kennedy) and the apathetic senior reporter Marty (Tiriel Mora), there's a great cast of characters here who start out by conforming to type and then, as the series goes on, actually reveal a surprising amount of nuance. Like many comedies (Seinfeld, Always Sunny, Archer etc.) the characters are essentially jerkoffs, but you come to like them and - sometimes! - even see things from their point of view. Each of the three seasons also features a different executive producer character, from the sage Bruno Lawrence to the ratings-driven Kevin J. Wilson to the gleefully boorish Steve Bisley.

The naturalistic acting and cinéma vérité-style camerawork makes it all feel like a real newsroom. It's a great example of how (what was obviously) a low budget can still yield something special when you have great acting and writing.

And the writing really is that good here, with plenty storylines following our amoral news team as they report on such sensitive issues as immigration, hostage situations, sexual harassment, Nazis, little kids getting open heart surgery and more. There's plenty of references to Australian news events and media scandals, and some fun cameos from the likes of Harry Shearer and real-life Aussie politicians.

Overall this is a phenomenal comedy, and clips from it should be shown in journalism, media literacy and ethics classes around the world.

This series is just marvellous, another gem by the great team of Santo Cilauro, Rob Sitch, Tom Gleisner etc.

It is basically a satirical look at the ficticious current affairs program 'Fronline'. It has a great cast of characters including Mike Moore, the slightly naive host of the show.

Each episode revolves around a storyline, usually involving the team trying to chase a big story or, for example, their night at the Logie awards. Each episode is carried along brilliantly by it's humour, sometimes subtle but none-the-less excellent.

Definently a must see.

This series was the watershed of satirical description of TV current affairs. After the rubbish that the commercial stations dish up as current affairs it was at times hard to tell the difference between this and the real thing.