O Crítico

Though it never really becomes more than the sum of its parts (hindered by quite a few rather generic plot lines and unimaginative film parodies) `The Critic' does contain more than its share of memorable laugh-out-loud moments, generally due to the brilliant voice acting of Maurice LaMarche, who performs most of the celebrity voice impersonations. His Orson Welles impression (`Rosebud... yes, Rosebud frozen peas'), one of the show's standout moments, has to be heard to be believed – it's no wonder Tim Burton hired him to overdub D'Onofrio's voice in `Ed Wood'.

Other highlights include the many cameo appearances by film critics Roger Ebert, Gene Siskel, Gene Shalit and Rex Reed. Seeing Siskel and Jay re-enact the `wig' scene from Hitchcock's `Vertigo' is heartwarming, and though I could never stand Rex Reed's reviews, he is a fabulous voice actor. His delivery of the Savvy Indian Chewing Tobacco commercial jingle still makes me laugh out loud any time I hear it.

Not a knockout show, but definitely worth watching. It's a bloody shame this was cancelled.

WAtching this show in reruns,I was able to enjoy this offering from many of the creators of the Simpsons,but since the movie reviews were stuck in the period that spanned 1994-95 and before,the series will always retain a sense of being stuck in time and that never fails to make me a bit sad whenever I'd watch it.

Otherwise,this series,based around the eponymous Jay Sherman(voiced brilliantly by rumpled comic actor Jon Lovitz,whose talents endure) is a great nose-thumbing at Hollywood culture and the movies that sometimes get cranked out from it. His relationships with his boss,the megalomaniac Ted Turner clone Duke Phillips,his son JAy,his girlfriend(I forget her name) and her daughter, his rich,WASPy parents and his stepsister are the main focus of most of the shows. The send-ups,however,were the real stars to me. "Speed Reader","D.T.,the drunken terrestrial","Rabbi P.I."(starring Arnold Schwarzenegger,of course) and "Honey,I Ate the Kids" were a few of my faves.

I think I'd buy this on DVD,and since there are only two(barely)seasons and it retained cult status,I could PROBABLY buy this cheap. Probably. But no matter,it's still one of the cleverest shows to hit the boob tube of the last decade or so.

This show is for the intelligent viewer. It not only went after Marlon Brando, but almost everybody in the business. It lampooned Bones from Star Trek, poked at Arnold, and really made fun at Ted Turner (Duke Phillips) It's a shame that Fox, then ABC didn't give it a chance.

Wow, what is wrong with the networks? I can't believe Fox got rid of this show, and then put on the STUPID cartoons they have now! This show actually made me laugh out loud! It's been a long time since Simpsons could do that. It is especially funny to anyone who is a movie nut; lots of spoofs and pop-culture references. Too bad they will probably never make anymore full-length episodes. =(

I'm both disappointed and somewhat content with the fate of this ill-received TV show. On one hand, I feel the Critic far outclasses anything on television today and thus deserved more than it received; on the other hand, I'm glad it was concluded before it could suffer the fate of the Simpsons which has grasped at straws for years (and in my opinion just needs to be put out of its misery). I think the Critic could've gone strong for one more season before the ideas started thinning.

Anyway, due to its premature cancellation, the Critic has a concise feel and no degradation in quality. I feel the Critic was cancelled at the height of its potential when its comedic timing was dead on and the most of the jokes made me at least chuckle (well, other than the final episode . . . which was disappointing because it was a reprise of all the faux film clips and little original material.)

As for the Webisodes, I really didn't care much for them due to their lack of the rest of the cast - Alice, Dorris, Duke, Vlada, Jeremy, Martin, Penny, and Jay's family. Even though I like Jay Sherman, the Critic was never a solo act, and the webisodes brings to light how important the supporting cast are – who is Jay supposed to bounce jokes off of, and who's going to make fun of the poor guy? Without the rest of the gang, Jay is just a punch line with no build up.

I really liked this quirky cast of misfits, the individual roles they play, and how jokes gain momentum through their personalities and even their art styles. Too many comedies want to depend on quick punch lines and catch phrases. Sure, Coming Attractions was funny as part of a normal TV episode, but it alone was not the episode. No one character was the episode. I think that's why the Webisodes lack the edge its full episode brethren have.

The funniest aspect of the Critic, which is also noted on one of the DVD commentaries, is that not only does Jay wind up criticizing movie-parodies on Coming Attractions, but Jay's life is a series of movie parodies. Everywhere you look is a film reference in some shape or form. From plots that parody famous films of that era, to classics to little known trivia facts featuring Maurice LaMarche impersonating Orson Welles doing a commercial for peas and fish sticks. And of course, a show about a movie critic would eventually involve a plot around Siskel & Ebert, which is perhaps one of the more entertaining episodes.

So, as a fan of films, I found the Critic to be pretty sharp and a pretty fun ride. It was a nice comedic counterpoint to the serious films being released at the time, and some of the trends in filmmaker's art and even in their lives. Part of me is disappointed that it didn't last, but then again, part of me is also glad it stopped before it could go to hell like other shows out there.