Wallace & Gromit: As Calças Erradas

Wallace & Gromit: The Wrong Trousers (1993): Calling this delightful and hilarious Oscar-winning masterpiece (brought to us by Nick Park, co-director of "Chicken Run," one of my all-time favorite films) the best claymation short ever is a lot like saying that someone just bought the best vehicle from a used car lot, so I'll go ahead and call this the best animated short ever, which it definitely is. No questions asked. It's brilliantly shot, paced, scripted, directed...to paraphrase Mary Poppins, it's practically perfect in every way. You can't help but fall in love with every single character on the screen, from our always-lovable cheese-loving inventor and his loyal canine companion to even the devious jewel-thieving penguin Feathers McGraw (the subject of the bestselling "Have You Seen This Chicken?" T-shirts). They are so well-rounded that Feathers nearly steals the show; it's impossible to keep a straight face at the sight of a penguin nervously wiping sweat from his brow, disguising himself as a chicken and firing a revolver, all while wearing the same stolid expression in his little peppercorn-black eyes. The wild train ride near the conclusion is a breathtaking segment that will never be topped by any other animation studio in this millennium or the next. I cannot recommend this work of genius enough. If you find anything whatsoever to dislike about it, I suggest seeking professional help immediately. Otherwise, pop this into your video or DVD player, put your feet up and watch this piece of animated history unfold before your very eyes. 10/10

The best film of the Wallace and Gromit trilogy, and one of the greatest films, period. Nick Park and the animators at Aardman are some true talents and gifted storytellers. Nick Park has made some great clay stop motion cartoons before, such as Creature Comforts, but with The Wrong Trousers he really topped himself. The technical aspects of the movie are amazing. The noirish lighting, the attention to detail, the small jokes in the background, the camera compositions and the fluid animation (it doesn't have that herky-jerky look of most clay animated films) are awe-inspiring by themselves, but combined with such a witty story and appealing characters the result is something that truly deserves to be called a classic.

This is considered the best offering from Wallace and Gromit, and although I love Close Shave just as much, I cannot disagree. Gromit steals the show with his facial expressions and his attempts to foil the plans of that cute but evil penguin. Peter Sallis again does a superlative job, and I must say he sounds more confident than he did in Grand Day Out, while the visuals especially the character designs have more finesse and the music is rousing. I loved the scenes in the museum, and my favourite scene was the train scene, towards the end. The trousers idea was a great idea, and it worked to an advantage. In conclusion, a hilarious short, and my advice to anybody who hasn't yet seen it, is do so now, because you'll never regret it! 10/10 Bethany Cox.

A prodigy of animation, "The Wrong Trousers" won the Oscar for best animated short. Nick Park is at fine shape here, as he displays not only the skill of his craft but also a narrative coherence and care that nearly overpasses the artistic talent. It's the advantage of stop-motion animation: each shot is carefully studied and considered, and the story moves forward having Gromit the dog as the main character, and he succeeds all the way in convincing us of his "acting skills", even though he doesn't say one word or make one sound. The film has a great plot: Wallace and Gromit are forced to let a room, and a grim penguin applies for it. Soon, the intruder takes over the house and replaces Gromit as Wallace's best friend. But there is more than meets the eye, and the rest of the story is too good to be spoiled. Constructing suspense to the very end, with hair-raising sequences until the last spectacular showdown and applying all the formulae that make a god movie, this is animation on the top of its game, and a great opportunity to see just how much you can raise the bar on claymation short features. Talent has never been so evident.

If you had told me that sitting for 30 minutes watching bits of clay would be entertaining, I would have said you were mad.

But you would have been right.

Thanks, Nick Park, for making this old man feel like a kid again.