O Despertar de um Homem

This was an excellent tale of what some people's lives are really like. The acting was flawless, the story rang true, and the dialogue was some of the best ever. Barkin was perfect as the man crazy, brainless mother, and De Niro captured the role of a bullying, phoney drunk completely. Men do indeed act like this every day, and women allow them to. Don't miss this one.

What is best about "This Boy's Life" is the acting. Don't get me wrong, though, the film in itself is also good; it's rather disturbing when you think about the fact that it is based upon a true story. But the acting… 1993 must be Leonardo DiCaprio's best year as an actor yet, his portrayal of Toby in this film is very good, and he was absolutely sensational in "What's Eating Gilbert Grape?". Robert De Niro is also very good in the film, he manages to bring forward the brutal side of his character while he also lets the audience know that Dwight is a very childish man. Ellen Barkin is also good. And it was fun to see Tobey Maguire in an early role as Toby's friend -- I didn't even now that he was supposed to be in the film until there he was! Good film with really impressive acting by the three leads. (6/10)

This Boy's Life was the break out role for Leonardo DiCaprio who proved what a great talent he was in this coming of age film. He had to be to hold his own with Robert DeNiro. DeNiro with his great ear for voices and accents perfectly captures the role of stepfather Dwight Hansen, a man with a terrible inferiority complex who takes it out on his stepson.

The film is based on the memoirs of writer Tobias Wolff as he and his mother endured five years of hell with this very provincial man who is trapped in the small town mentality of Concrete, Washington during the 1950s. The title quote is from DeNiro who repeats that line many times during the film. In fact that's all he does is talk in clichés and it's made abundantly clear that his level of ignorance about the outside world is frightening.

That puts him in contrast with stepson DiCaprio who's a bright kid and capable of going places with some guidance. DeNiro isn't about to provide that guidance, he's just plain jealous of him.

In fact This Boy's Life is similar in that respect to the Tom Cruise film All the Right Moves where Cruise is also trying to escape the drab life he sees in his small Pennsylvania mining town through athletics and meets with jealousy from many around him, but not in his own family circle.

This Boy's Life should be required viewing on the effects of homophobia. In addition to the principal players, DeNiro, DiCaprio, and Ellen Barkin as DiCaprio's mother, credit should go to Jonah Blechman who played gay teen Arthur Gayle. He's got a real lonely existence in Concrete, Washington. Arthur's story is still unfortunately being acted out today in thousands of small town throughout the USA. He gravitates to DiCaprio, not just sexually, but because he recognizes a kindred spirit there.

Among other things DeNiro encourages is homophobia as homosexuality is one of many things he's ignorant about and prefers to remain so. It's quite a scene in which DeNiro encourages DiCaprio to beat up Arthur on any and all occasions.

In fact that's ultimately Dwight's problem. It's maybe ONLY two things that he knows anything about and can converse intelligently on. And he's living in a town full of other Dwights as ignorant as he is.

This is one of the best films of the last decade of the last century and should not be missed.

For the last year or so, I've had my freshman writing classes read the Tobias Wolff memoir, "This Boys Life". A lot of them always think they can get away with watching the movie on cable instead, but of course (as with most movies based on books), much is missed in the screen version of this true story. The film would have you believe that young Toby is a loveable brat who fancies trouble, but the book tells of a more complex and disturbed child--one who has a rich imagination, and is essentially kind (especially to his mother), but who lies consistently and refuses to accept his own faults. Dwight is portrayed well in the film as a mean and immature man, but the movie fails to show how Toby himself paralells Dwight: they are both liars, for one; and Dwight's insistence on "molding" Toby make one wonder...Throughout the book, Toby's greatest danger at the hands of his step-father is the possibility that Dwight will succeed in turning Toby into him.

There are other things that the movie tries to work in, but does so awkwardly: Toby's friendship with Arthur, the gay boyscout, is one. As is Toby's desire to "get away" from the abusive Dwight (in the book, Toby doesn't so much want to get away from Dwight as he does want to run away and go on great swashbuckling adventures). The worst injustice on the movie's part is the ending, of course. It is completely hollywood.

The movie is enjoyable for its performances (especially DeNiros'), but viewers should realize that the "True Story" behind this movie has been given the hollywood golden touch.

The title got it right. This is Leonardo's movie through and through. You can't wait for him to get away from his ineffectual Mother and his Stepfather. Not many young actors could hold their own with DeNiro, but Leonardo succeeds beautifully. See this movie if you still have any doubts about his acting ability; for once, the 12-year-old girls got it right by anointing him the actor of this generation.