Tong Pak Foo dim Chau Heung

The previous review is quite unfair. This movie can only be understood and hence enjoyed by Cantonese (not even by other Chinese). I laughed all the way. You will, if you can enjoy this kind of lower intelligent jokes (same level as Jim Carrey's). It has so many local jokes that I missed some since I left Hong Kong for a long time. I can feel they're funnier if I stayed in HK long enough. The performance is great for Chow. It is not a good role for Gong Li. It is a comedy rather than the serious roles she is usually in. Unlike some stars such as Chow Yun Fat, she is only good at certain roles. The song at the end is great and I believe it was copied from another movie with a similar name, which is a serious version of this movie.

"Flirting Scholar" follows Stephen Chow's long tradition of inspired looniness, and made me giggle out loud in reaction to its pure enthusiasm to entertain. His riffs on Chinese tradition are funnier when you have some context, but much of his humor is so outrageous that you'll laugh regardless, as many jokes, especially the physical comedy, are universal. While this isn't quite my favorite Chow film, it's definitely worth watching, and still a must-have item in any Chow collection.

Like many Chow films, "Flirting Scholar" takes a typically over-the-top approach to its comedy, and incorporates such elements as extremely physical slapstick, parody, kung-fu, cartoonish surrealism, and wacky references to other HK movies. To truly appreciate Chow you need to watch lots of HK cinema -- and after you have watched several of Chow's films, you will begin to pick up on running gags that appear in successive movies.

While not as masterfully executed or as narratively tight as one of his truly brilliant films, such as "God of Cookery," this film is simply so utterly crazy at times that it will nonetheless make you laugh out loud, as all of his films inevitably do.

To be honest, I am not a big fan of Stephen Chow's earlier works. Not that they were bad, but they were not as good as the classics such as God of Cookery, King of Comedy, Shaolin Soccer, and of course, this film. I found the early films with Stephen talking in a cartoonish "comedic" voice annoying.

The ones where he has more creative control tend to have him speaking in a more natural, and more deadpan voice and those films tend to carry deeper messages than just a mindless comedy. Seriously, some scenes are moving.

Now back to this movie, there's really not much to criticize here. The acting, the dialogue, the typical Stephen Chow style of humor, all fantastic. There aren't many ROFL moments, but there are endless classic funny moments that the film will make you grin from ear to ear pretty much from start to finish. And I know that I personally still quote some lines from the movie in my everyday life... :)

The one knock I do have is Gong Li, whose talents seem wasted in the film. No doubt she looks great in the film, but she's not given much to do and seems rather wooden as if she did not enjoy herself in the movie. Knowing Gong's talent, it felt strange to see her character just be a "vase" love interest and nothing more.

I guess you don't want to have anyone upstage Stephen but in that case why not cast a starlet with a less impressive resume than Gong?

However, overall, this is a great film and I highly recommend it.

Tangbohu was a very famous artist in ming Dynasty of China, but in Chow's film, (I said Chow's, not only for his acting as the hero but also for his affection in the film, because he usually took the role of director as his) his image was greatly changed. but the changes were not done random. Chow cast his feeling of his early life in it. Chow is a clever actor, but when he was young, everybody, especially his boss thought he was just anybody else. he felt disappointed and lonely, because no one amid his talent. so in the film this feeling was expressed through the role. though it is a very good comedy which makes you laugh through out the film, you can still get some complex feeling of life. Chow showed his excellent acting talent in the film, and the other supporting roles were also very good, such as Peipei Cheng, James Wong etc. if you can speak Cantonese, you can get more interest from it, because it contained a lot of vivid and interesting oral language in Cantonese.

Stephen Chow is the greatest of the Four Scholars in Ming-era China. His paintings go for 30,000 taels a pop, his poetry sells like mad, he has eight wives who spend all their time playing mah-jong, and he is thoroughly miserable. Then he spots Gong Li and falls in love. She is a servant in the household of James Wong and Pei-Pei Cheng (who is very funny), so he sells himself to the household under a fake name. He quickly rises because of his scholarship, and is overjoyed when Gong Li confesses she loves his poetry and the man who wrote them. Unfortunately, she doesn't believe Chow is that man. Also, Madame Cheng hates him, sight unseen.

There are also various subplots involving Wai Lam as King Ning, and the big fight at the end is with Chia-Hui Liu, who killed Inigo Montoya's father. I mean Chow's father.

The only star to compare with Chow is Jacky Chan. However, while Chan performs his comedy stunts using practical effects and takes that often injure him, Chow's gags verge on cartoons. Chow also plays with Chinese mythology, and while I am unclear as to which legends this movie refers to, there's no need to understand the details if you have any familiarity with your typical Kung Fu movie. The details of the silly plot take up a lot of time, but there's still plenty of gags to make the audience laugh.