Stalingrado: A Batalha Final

I had the honour of knowing a German soldier who fought in the streets of Stalingrad and was one of the few (about 9,000) who got out, on an aircraft. He was the father of one of my boyhood schoolmates, a quiet decent man, his face would light up in a kind of animation whenever the subject was raised, but he wouldn't talk about it to us boys.

He's gone now, poor old fellow. He spent the last years of his life living in a Caravan/humpy on the foot of a mountain in Southern Australia, estranged from his wife, who never forgave him after she discovered he'd fathered a child to another woman during WW2 and was secretly supporting the child financially.

A kinder, more honorable man would be hard to find. I think this film succeeds in depicting the decency of the people on both sides of the conflict as well as the obligatory sadism of the Officer who ordered the firing squad shootings of Russian civilians.

It's pity the Germans still feel no WW2 Film is complete unless traces of the 'evil Nazi' are included. On the other hand it was not lost on myself at least, that the prayer scene, in which the German Army chaplain made a long point of the fact that each Wehrmacht soldier had 'God with us' imprinted under his belt buckle. While the Godless communists enemy did not.

Maybe this is a sly inclusion by the filmaker showing how European peasantry has been propagandised to hate and kill the enemy for centuries.

Stalingrad was the largest battle ever fought in human history. The Germans lost 300,000 frontline combat troops and later, the second World War. This is the best Film ever made on the subject. It is fitting that it was done by Germans.

Bernhard

I first saw Stalingrad about 7 years ago and to this day it still hits me as hard as the first time I watched it. It is the story of Leutnant von Witzland, Unteroffizier Rohleder, Obergefreiter Reiser, and Oberschütze Müller and their desperate fight for survival in the deadliest battle in the history of war: STALINGRAD. The film starts off in Italy in the summer of 1942 where their platoon is resting following heavy combat in North Africa. Soon they are on a train heading for the Eastern Front. The men of 1st Platoon laugh and joke, play games, write letters home, and enjoy the view of western Russia as they head for the Ukraine. This is as light-hearted as the film gets. What follows is a very accurate and graphic portrayal of the infamous battle. It pulls no punches. It's main antagonist is Hauptmann Haller, a field police officer who thinks nothing of allowing his men to abuse and murder Russian and Ukrainian prisoners. At one point he lines up a group of civilians and has them shot saying they were partisans.

The combat scenes themselves are even more horrific. In one scene a German soldier hits a Russian over the head with a shovel as the Russian is trying to kill Ltn. von Witzland. In another scene a German soldier is cut in half by a Russian tank shell. There are many other gruesome scenes in the film, but they are necessary. The world has to see what happened in the Battle of Stalingrad. To see its brutality. To have its heart broken at the horrendous waste of the soldiers' lives. Over 2 million people lost there lives. Only 6000 of Field Marshal Paulus' 250,000-man 6th Army survived the battle. As with the battle, the film itself does not have a happy ending. And that's the way it should be. And as you watch this film, remember one thing, not every German soldier who fought in the war was a criminal. They were mostly decent people caught up in events well beyond their control.

Well-meant attempt to depict the events concerning the battle of Stalingrad, though the individuals Vilsmaier concentrates on, remain - due to his direction - too far away from the viewer to have him/her really involved and the result is that the drama of the war is never really felt. Thus the film's last and symbolic shot is devoid of a deeper meaning, Thè anti-war film based on the Stalingrad event - as Vilsmaier has clearly given himself as task - is never established. An anti-war film it may be, but "die Brücke" by Bernhard Wicki still has far more impact. It also noteworthy that the film concentrates on the German soldiers only and hardly shows anything on the Russian side.

Moreover as far as the political side is concerned the film never surpasses the level of the 08/15 films by Paul May: it is simple in its division between the politically "good" and "bad" soldier, finding the latter in the higher ranks only, while the lower and lowest in rank are basically decent people; the soldier is just another victim of the regime. Compare this, if you have ever the opportunity, to what 6 German ex-soldiers tell about their experiences at the Russian front in the documentary "Mein Krieg" by Harriet Eder and Thomas Kufus (q.v.). I certainly do not want to suggest that Vilsmaier excuses the war (or worse), but he does not succeed in incorporating the socio-political situation, if he had ever the intention to do so..

There are surely impressive scenes (short truce in the plant; attack of Russian tanks, shooting of Russian civilians e.g.) and the battle scenes ar extremely well choreographed; the cinematography is sometimes stunning. But on the minus side: the cast is never more than average and the music is heavy handed.

In short: despite elementary shortcomings, certainly worth a view.

The film is about the battle of Stalingrad. For those of you who don't know anything about it, it was the worst battle in the Second World War. Over 1 million people died in the course of the battle. This is the only film that I've seen that seems to have actually captured how bad things were in the war between Russia and Germany. What I really liked about it is that the two ideologies (Nazism and Communism) were nowhere in the film. Unlike most American films, the Germans are not seen as blood thirsty murderers, but what the average German foot soldier was, a person.

The film revolves around four soldiers fighting in Stalingrad. They were transferred there to try and take the city. The film follows these men from August of 1942 to early 1943. During this time, they learn about the horrors of war and try to find a way out of the battle.

Through the entire film, one feels the desperation of the entire battle. Unlike "Enemy at the Gates" the film makers didn't try to put some sappy love story or dress up factual occurrences of the battle. This film may be fiction, but it conveys what happened in the bloodiest battle in World War II.

I can believe this movie will be a serious disappointment for a person, who is used to and likes to watch Hollywood war movies. Four reasons: 1. It's made in a world, where movie makers tries to have some personality. If you think 'When We Were Soldiers'... well, there are hundreds of directors who you can imagine making a similar war movie with personality and values of a hamburger.

2. Screenplay has a different structure. There's no shocking opening scene like in 'Saving Private Ryan'. This movie starts slowly in a very nice place and ends slowly in a very bad place, without hope or feeling that the characters have achieved something by their heroic actions.

3. It is first a movie about lost causes in the world of war, and only secondly a war movie which takes place in Stalingrad.

4. War scenes portray the horror, insecurity and confusion of a battle, instead of how cool, heroic and exciting fighting looks like. In this sense, this movie is closer to reality than most of the war movies you will ever see. 'Thin Red Line' also had similar "I would probably crap in my pants in that situation"-feeling.

Stalingrad, whether you think it as a movie or a war movie has so many good things in it... like honesty. Even the ordinary German soldiers were dreaming about farms in Russia when they were advancing. What a disappointment they must have had in Stalingrad! If you like to watch war movies, meaning also other war movies than When We Were Soldiers or Saving Private Ryan, you should see this one. (9/10)