O Filho da Pantera Cor-de-Rosa

While riding the subway eight years ago, I saw the billboards for "Son of the Pink Panther" and I really didn't think much about it then. I had yet to become a fan of Blake Edwards' work, and I really hadn't seen any of the previous Panther films.

Flash forward to 1999. Turner Classic Movies had shown the first six entries in the Panther series and I had watched them in chronological order, which I think is a good idea for anyone to do. I had seen "Curse" on tape and I decided to check out "Son of the Pink Panther" just out of curiosity. I had read some reviews, which were pretty dismal. So I had no reason to expect anything great.

Imagine my surprise when I found myself laughing a lot during the 95 minute running time of "Son". This was a clever, funny and very original entry in the long-running "Panther" series. Blake Edwards' instinct was right on the money when he cast Italian comedian Roberto Benigni in the role of Clouseau's illegitimate son. Benigni displays all the traits that made Peter Sellers such a great talent. He plays the comic scenes very straight which sells it so much better than if he had played it slyly. And the films he has made since ("The Monster", "Night on Earth" and "Life Is Beautiful", which was sort of his own "Being There") just confirms my initial reaction. And of course, what is a Panther film without Dreyfus, played as always by Herbert Lom, who works well with Benigni in many memorable sequences.

If I have a complaint about "Son", it is that it tends to get too preoccupied with the plot. The best Panther films didn't depend on plot as much as characterization and "Son" suffers because of it as did Edwards' previous disappointment "Switch". But "Son" has a manic comic energy and polish that "Switch" lacked and the payoffs work as in "Switch" they did not.

"Son of the Pink Panther" is a better film than "Curse", "Revenge" and the original film, but not "Strikes Again", "Return" and "A Shot in the Dark" (of which this film has its roots in) Sadly, Edwards retired from theatrical features after this although he still works in TV. He showed so much vigor and life in "Son" that makes me want to see him make another Panther film, especially with Roberto Benigni. I'm still waiting.

***1/2 out of 4 stars

Ten years after the flop that was Curse of the Pink Panther, director Blake Edwards once again tried to revive his iconic series without the late star Peter Sellers. In Curse, there was some wonder among Dreyfus and Francois if Clifton Sleigh was related to Clouseau. Here, it's confirmed that Gendarme Jacques Gambrelli (Roberto Benigni) is indeed Clouseau's son by his mother, Maria Gambrelli (returning Claudia Cardinale, previously Princess Dala in The original Pink Panther. She replaced Elke Sommer of A Shot in the Dark). It's also confirmed that it's been ten years since Clouseau's death (perhaps a little after the events of Curse, perhaps?). Besides the always welcome return of Herbert Lom as Commissioner-once again!-Charles Dreyfus, we also get again Burt Kwouk as Cato, Liz Smith as Marta Balls (she previously appeared in Trail of the Pink Panther in outtakes from The Pink Panther Strikes Again as well as Curse), and, back as her husband, Professor Auguste Balls, the always versatile Graham Stark (though Harvey Korman played him in Smith's previous entries). With Andre Maranne seemingly unavailable, Dermot Crowley takes over his role of Seargent Francois Duval here. Also new to the cast is Debrah Farentino as Princess Yasmin who falls for Gambrelli, Robert Davi as the villain Hans Zabra, and Edwards' daughter Jennifer as Yussa. All are good in their roles. Incidentally, the director's son Geoffrey Edwards, who previously was co-writer on Trail as well as Curse, is second unit director here as well as the director of the live-action section of the title sequence. Okay, I liked Curse despite the ending so I wondered how I'd feel about this one after what happened there. I was very glad no mention was made of Clouseau's going over to the other side so I half wondered if that was conveniently forgotten or what. Anyway, Benigni was fine mixing his and Sellers' characterizations in making us believe he really was Jacques Clouseau's son and his scenes with Lom are pure gold. Kwouk as Cato is also nicely done compared to his over-the-top attacks on Curse. In fact, I liked his disguise as a Jewish man and his surprise attacks on the villains though I half wondered if he'd die when one of them kicked him back in the refrigerator. Not every set piece was laugh-your-head-off funny but I was pretty entertained from beginning to end. Oh, and there's a cameo by Benigni's wife, Nicoletta Braschi, involving another twist that I won't reveal here. And the beginning live-action/animated title sequence by Desert Music Pictures/Kroyer Films, Inc., respectively, marked a new kind of hilarity as conductor Pink Panther (who is passed the baton from Henry Mancini in a nice cameo) tries to stop the animated Benigni from wreaking havoc in the music/film projector studio as we see Bobby McFerrin use his unique mouth to warble his own version of Mancini's Pink Panther theme. So with this series entry, we say goodbye to the cast and crew of the previous nine (including this one) Pink Panther movies especially Mancini as he'd die not long after. This also turned out to be Edwards' last feature film as once again, Son of the Pink Panther flopped. So in a way, this was indeed the end of the ORIGINAL Pink Panther series. However, someone decided to reboot the series thirteen years later. Next up, The Pink Panther (2006)...

Roberto Benigni would have gone on to win an Oscar for "Life is Beautiful" few years later. The film takes place in French Rivera. Roberto plays a local police inspector who lives with his mother. When Princesd Yasmin gets kidnapped, Benigni stumbled on by accident. The storyline is problematic at times but still enjoyable. Veteran Panther actors like Herbert Lom, Claudia Cardinale, and Burt Kwouk back. Roberto is the son of the original pink panther and he carries on Peter Sellers' legacy of physical comedy. Benigni does his job well as the son of the pink panther with his goofy expressions and physical sense of humor.

No this doesn't match the Sellers films, but it does have Roberto Benigni which is reason enough to watch.

Okay, yes, when Benigni is not on screen this film is bad, and some of the performances are patently bizarre (Edwards' daughter as one of the villains for example) but it has some very clever silliness by the mad man of Italian comedy which is fine by me.

I know this isn't much of a review but it isn't much of a movie with only one thing, or rather one man to recommend it. If you don't like Benigni in full on silly mode then don't watch this. If you do like him you must see this.

O.K. is the only possible way of analyzing this movie. It does what it set out to do. But if you have seen this movie and were disapointed, did you really think it was going to be as funny or enjoyable as earlier entries in the Pink Panther series? The movie's comedy is very lukewarm. Whether this is the fault of Blake Edwards, or maybe he intended it to be that way is unknown. Roberto Benigni is the Son. O.K, he is now an academy award winner, but in 1993 a complete unknown. If anyone on the movie wanted it to be a success then a bigger name should have been chosen, a David Jason, Dudley Moore or Rowan Atkinson. Benigni, does quite a good impersonation of Peter Sellers throughout the movie, but this aside isn't very funny or charming. The return of cast members like Herbert Lom, Graham Starke, Burt Kwouk and Liz Smith is good. But overall the movie seems forced and is something of a hit and miss. Lets hope the upcoming Mike Myers remake breathes new life into this series.